British Comedy Guide
The End Of The F***ing World. Image shows from L to R: Alyssa (Jessica Barden), James (Alex Lawther)
The End Of The F***ing World

The End Of The F***ing World

  • TV comedy drama
  • Channel 4 / Channel 4 (Online)
  • 2017 - 2019
  • 16 episodes (2 series)

Comedy drama about teen outsiders James and Alyssa, on a road trip to find her father. Stars Jessica Barden, Alex Lawther, Naomi Ackie, Christine Bottomley, Steve Oram and more.

  • JustWatch Streaming rank this week: 631

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Episode menu

- Series 2, Episode 4

The End Of The F***ing World. Alyssa (Jessica Barden)
Alyssa is forced to spend the night in a remote motel where they're not used to receiving guests.

Broadcast details

Date
Tuesday 5th November 2019
Time
10:30pm
Channel
Channel 4
Length
30 minutes

Cast & crew

Cast
Jessica Barden Alyssa
Alex Lawther James
Naomi Ackie Bonnie
Christine Bottomley Gwen
Jonathan Aris Professor Clive Koch
Josh Dylan Todd
Guest cast
Pippa Evans Registrar
Tim Key Gus
Writing team
Charlie Covell Writer
Charlie Covell Story
Ed Macdonald Story
Andy Baker Story
Emily Harrison Story
Production team
Lucy Forbes Director
Jenny Frayn Producer
Ed Macdonald Executive Producer
Andy Baker Executive Producer
Dominic Buchanan Executive Producer
Jonathan Entwistle Executive Producer
Murray Ferguson Executive Producer
Charlie Covell Executive Producer
Vaughan Watkins Line Producer
Tony Kearns Editor
Dick Lunn Production Designer
Kharmel Cochrane Casting Director
Emma Rees Costume Designer
Benedict Spence Director of Photography
Sjaan Gillings Make-up Designer
Graham Coxon Composer
Sarah Pasquali Graphics
Seth Adams 1st Assistant Director

Press

A confident, even audacious opening to season two of this pitch-black comedy-drama. Via an entire episode dedicated to another character (Naomi Ackie's blank yet somehow remarkably expressive Bonnie), we are filled in on a whole new strand of relevant backstory and yet, deliciously, hardly any the wiser about where the series might be going. It is a beautifully observed little tale that pulls off the admirable trick of being desperately bleak while remaining very funny indeed.

Phil Harrison, The Guardian, 4th November 2019

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