
Inside No. 9
- TV comedy drama
- BBC Two
- 2014 - 2024
- 55 episodes (9 series)
Dark comedy anthology series from Reece Shearsmith and Steve Pemberton. Each episode focuses on the goings-on around something to do with the number 9.
Press clippings Page 66
Inside No. 9 review
Inside No. 9 is my favourite kind of comedy: dark, twisted and thought-provoking.
Becca Moody, Moody Comedy, 9th June 2014Steve Pemberton interview
Steve Pemberton talks about Inside No. 9, the lack of ambition on TV and how The League of Gentleman have permeated pop culture.
Steven MacKenzie, The Big Issue, 10th April 2014Inside No. 9 review
It remains unpredictable and surprising throughout, delivering delicious little twists on standard formulas and narratives without settling into any sort of format.
David Upton, Pop Matters, 26th March 2014Inside No. 9 was never less than entertaining and frequently inspired, but the series of self-contained creepy comedy dramas saved the best for last.
Guignol doesn't come much grander than The Harrowing, an everyday story of a teenage girl hired to babysit a man possessed by the devil. "He who walks backwards!" explains the girl's employer. "Michael Jackson?" exclaims our heroine's ostensibly dim best mate, supposedly along for the ride but harbouring a hidden agenda all of her own.
Harry Venning, The Stage, 18th March 2014Reece Shearsmith and Steve Pemberton's Inside No. 9 (BBC Two) has been a deliciously twisted treat, each tale balancing neatly on a tightrope so you were never quite sure if we were about to make the leap into comedy or tragedy. But the final numerically themed short story was unashamedly macabre.
True, the odd defiantly bad joke ('Do you know Poe?' 'From the Teletubbies?') pierced the darkness as babysitter Katy turned up for work at a house which made the Addams Family homestead look light and airy. Yet this was a briefing for a descent into hell from which there could be no escape.
The twist being - in a series which has specialised in ingenious surprises - that there was no twist. You could call that daring but it actually felt like a bit of a cop-out, as though the dark-hearted Shearsmith and Pemberton were laughing at us: 'Ha! So you thought we'd left you off the hook.' I didn't quite buy the macabre self-indulgence. But the Devil's closing howl of 'mischief!' did give me the willies deep into the night. In that respect, job done.
Nick Rutherford and Keith Watson, Metro, 13th March 2014Inside No. 9 - Why do the British love dark comedy?
Our love for dark, twisted humour is something unique to our national make-up in Britain. Here's 5 reasons we, as a nation, prefer the black stuff...
Sarah Edmonds, Sabotage Times, 13th March 2014Review: Inside No. 9, 1.6 - 'The Harrowing'
The Harrowing was a splendid half-hour of creepiness and rich atmosphere, punctured by occasional jokes and silly lines.
Dan Owen, Dan's Media Digest, 13th March 2014How Inside No. 9 was talked about on Twitter
With the final episode of the series being aired last night, Inside No. 9 has created an entirely new genre of it's own with four of the six episodes producing near identical tweet patterns.
Second Sync, 13th March 2014After a never less than captivating series that has added a comic sheen to Tales Of The Unexpected, this harrowing series finale has more than a hint of Hammer House Of Horror about it. Siblings Hector and Tabitha reside in a gothic mansion where the temperature is religiously maintained just below freezing point. Precisely the kind of location that would make the prospect of minding Hector and Tabitha's bedridden brother Andras a chilling task on several spinewringingly unsettling levels, as babysitter Katy soon discovers.
Mark Jones, The Guardian, 12th March 2014Helen McCrory and Reece Shearsmith star as Tabitha and Hector, sibling proprietors of the final episode in this blackly comic series. We're in a gothic mansion with a sinister secret at the top and schoolgirl Katy (Aimee-Ffion Edwards) may have bitten off more than she can chew when she agrees to housesit. It's a trip flickering with demonic humour but by the time we reach the closing scene we've gone over to the dark side completely. Sleep well.
Carol Carter, Metro, 12th March 2014