Hunderby

Hunderby review

Hunderby is the filthiest filth, but you can get away with a lot by being very good and very funny.

Julia Davis's gothic spoof returns for a two-part special. This opening hour sees evil housekeeper Dorothy determined to disrupt Helene and Dr Foggerty's marriage, while keeping master Edmund incapacitated with laudanum. Though this series provides Davis with the perfect setting in which to cultivate the bizarre idioms and stomach-turning adjectives that peppered Nighty Night, without the latter's acute social observation, Hunderby's appeal seems limited to her grotesque linguistic invention - and rather repetitive for it.

Julia Davis's sitcom returns to Sky for a special two-part episode and picks up where Series 1 left off.

It's a black comedy, set in the 1830s, loosely based on du Maurier's Rebecca, and is spoken in mock-Victorian language which allows it to conceal dark, rude jokes under the pretty silken cloak of genteel words.

The main character is Helene who was washed ashore after a shipwreck off the coast of England. She married a nice local vicar and had to keep her dark past hidden from him, but his sinister housekeeper, Dorothy, was always suspicious of her.

At the end of the last series, Helene had found love with Dr Foggerty and finally told Hunderby she was leaving him. If he wants a new wife then creepy Dorothy is on hand and would be more than happy to comply, but Hunderby just won't take the hint despite her constant schemes to win his affection.

As Helene and Dr Foggerty try to love one another, his wife, Crippled Hesther, promises to get in the way.

Hunderby, review: 'cartoonishly grotesque'

Julia Davis's twisted period sitcom is a million miles from the primary-coloured slapstick of other mainstream comedies, says Charlotte Runcie.

Hunderby returns

Sky have apparently not yet made a decision on whether Hunderby should return for another full series, but Dorothy's surely got enough evil in her to go around.

The deliciousness of a bubbly milk, however bubbly, cannot match that of the script and performances in this subversion of period dramas, set on a country estate in 1831 and home to housekeeper Dorothy, who Norman Bates would admire.

Hunderby is a wolf in a stiff corset, its teeth exquisite blades of language which shred characters' dignity and rip into Sunday night bonnet dramas, writers Julia Davis and Barunka O'Shaughnessy crafting sentences which glory in lampooning the literature of that time. A delirious and hysterical work of Gothic imagination to rival Wednesday Addams' diary - I had tears running down both sets of cheeks.

The first of this two part special assembles the scheming of Dorothy, the doomed love affair of Dr Foggerty (Rufus Jones) and Helene (Alexandra Roach), the simpering Hester (Rosie Cavaliero, more on her later), and a violent monkey. A monkey, Rufus Jones tells me, that between takes would wear a smoking jacket and a fez. That's normal by this show's standards.