Ian Hislop examines the earliest examples of British humour. He begins his quest in the dark ages, not known as a well-spring of comic opportunity. Nevertheless, in the pages of the Venerable Bede's Ecclesiastica gentis Anglorum - Ecclesiastical History of England, there is wordplay. Not only that it's wordplay that obeys the comedy rule of three and it was potent enough to have a part in the naming of a nation. And how his fellow monks must have laughed.
The subject of drink and drunkenness is always a contentious one, but however puritanical or sensitive the age, the figure of a drunk, from Joanna Lumley's riotous Patsy in Absolutely Fabulous to Shakespeare's Sir John Falstaff has been a regular feature of comedy. And as it turns out, you can go back further still to find the depiction of a comic drunk. Ian's in Scotland to see The Bullion Stone, a 10th century Pictish carving now on display in the National Museum of Scotland.
Ian is in northern Scotland to see a beautifully illuminated Mediaeval manuscript that gives us a very early example of the appeal of animals in British comedy.
Ian is joined by Professor Marion Turner at Oxford's Bodleian Library where the pair learn about Geoffrey Chaucer's 14th Century humble-brag parody tale, Sir Thopas.
Ian addresses a gap in the historical records of comedy and joins Dr Janina Ramirez and Professor Marion Turner in their search for records of Mediaeval female comedians.
Ian moves to the 17th Century when printing and changes in censorship laws ushered in a new and energetic form of comedy, the satirical cartoon. Ian is more than familiar with the giants of the so-called Golden age of Cartoon satirists, starting with William Hogarth and maturing into the 18th and 19th Centuries with James Gilray.
Ian joins Chris Green and Sophie Matthews in their shed in Coventry, where they leaf through and perform from a 17th Century collection, one of the first in existence, of comic songs.