Notes / reviews / rejection
Comedy creators sadly must regularly deal with bad news, and process feedback. Here's some advice in that area.
Contacting producers: The waiting game
- Tuesday 14th May 2024
How long should you wait before chasing a producer?
Thick skin, nerves of steel
- Thursday 9th May 2024
We consider the necessities for survival in the British comedy industry.
How to spot good notes
- Tuesday 3rd October 2023
Spotting good notes is a crucial ability for any writer. Here's how to do it.
Producer says no: dealing with rejection
- Monday 11th September 2023
In this piece, we discuss rejection and how to respond to it.
It will get worse (and that is good)
- Friday 28th July 2023
US comic Chloe Radcliffe provides a healthy dose of the reality of a career in comedy: ups, downs, and putting them into perspective for your long term benefit and mental health.
Coping with rejection
- Friday 6th January 2023
Rejection. Everyone faces it - and, in particular, all writers face it. It's not pleasant, and it's not easy, but it is something any budding comedy writer - as well as any budding actor, performer, producer or director - will have to deal with.
Mental health: how not to be crushed by creative career despair
- Friday 3rd December 2021
As you already know on some level, the life of the comedian, comedy writer or producer/director necessarily comes with fabulous highs and lows. Here's some advice on how to deal with the lows.
The Secret Reviewer #26: We didn't say that
- Saturday 1st May 2021
Every month our clandestine critic reveals the murky truths behind that infamous trade, and live comedy generally. This month: Sometimes anger is aimed at the wrong target.
BCG Pro Sessions video: Robert Popper
- Sunday 25th April 2021
An hour-long video with top comedy writer, script editor, producer and performer Robert Popper. He chats about creating Friday Night Dinner, his writing process, and many other topics.
Giving and receiving notes
- Wednesday 21st April 2021
Feedback and suggestions appear at every step of the writing, producing or pitching processes. In this article we talk about the best ways to both give and receive notes.