Finishing a script can be far more challenging than starting one. Finishing your work might feel like an almighty task, but it is also essential... and it can be done.
All but the most heightened, rarest of creative geniuses will experience writer's block - or at least admit to it. But how to get past that empty page, glaring, mockingly back at you? That is the real mark of a writer in control.
Deadlines. For every writer, they can be your best friend, or your worst enemy. Whatever the case, they're an essential part of the comedy writing job, so here's some advice from us on how to deal with deadlines.
If you've decided that you want to be a comedy writer, or if you're already some way down the road to becoming one, you're going to need loads of ideas. But where can you get them from, and what do you need to do once you've thought one up?
Inspiration is often talked about as if it's the main problem facing comedy creatives. Inspiration is a red herring; what you need are commitment and discipline...
Simon Nicholls, the creator of Falmouth University's flexible online Master's course in Comedy Writing, discusses what you should do in the early stages of a comic idea; before you type your first word.
Treatments for comedy shows can be deceptively difficult to write. We take a look at the common structure of these documents, and offer some advice on how to write a slick pitch.
We've all been there. You have an idea for a sitcom that you absolutely love... You maybe even have an idea for an episode, but when you sit down to write it, you have no idea how to fit it all together. We discuss how to easily structure an episode.
Jack Bernhardt discusses how to ensure that your plots and characters are working together... so there's never a scenario where you character ends up doing something they absolutely would never do.
