Victoria Wood (II)

Victoria Wood blames TV execs for lack of arts shows

Victoria Wood has blamed television executives who "don't know what they're doing" for the lack of arts programming on the main terrestrial channels, including BBC1.

Say what you will about BBC Drama, they do a very nice line in showbusiness biography. Written by Peter Bowker and based upon an idea by Victoria Wood, Eric and Ernie, exploring Morecambe and Wise's formative years, was one of the best I've seen.

The casting was spot on. Daniel Rigby and Bryan Dick were not just vocally and visually uncanny as the duo, they captured every mannerism and even reproduced their comic timing. Most remarkable of all, their recreation of Eric and Ernie's stage act came over as fresh and genuinely funny.

To see the two great comedians resurrected so comprehensively was almost sufficiently thrilling, but it would be a shame to allow the virtuosity of Rigby and Dick's performances to obscure a beautifully crafted, poignant, witty and gentle drama about friendship, family and showbusiness struggle.

"Big head, short legs" was the young Eric's initial reaction on meeting Ernie Wiseman, already a star on the West End stage and celebrated as "Britain's Mickey Rooney". But from inauspicious beginnings a firm friendship grew, out of which sprang their double act.

Victoria Wood played Eric's pushy mum Sadie, vicariously revelling in her son's onstage success, with Jim Moir - you know, Vic Reeves - as her long suffering and overlooked husband George.

As the untold story of the formative years of Morecambe and Wise, Eric and Ernie (BBC2, New Year's Day) ran the risk of telling you more than you ever wanted to know, or of drawing too heavily on the national stockpile of affection for the famous double act. And it came sandwiched in the schedule between the duo's 1976 Christmas special and a documentary about them, so that, even if you'd never heard of Morecambe and Wise, you were guaranteed to be sick of the sight of them by bedtime.

Under the circumstances, Eric and Ernie proved a small triumph - a standalone drama that was never hidebound by its subject. It was by turns charming, moving and disturbing. There is something distinctly creepy about child performers, and Eric and Ernie's partnership stretched back to boyhood, when they toured together during the war, staying in digs during blackouts and, yes, sharing a bed.

Daniel Rigby managed to portray the young Eric Morecambe in a way that was more embodiment than impersonation - occasionally it was a little bit freaky - while Bryan Dick deserves credit for finding the grim application behind Ernie's bland sunniness. Victoria Wood was marvellous as Eric's pushy stage mum; and Vic Reeves (here billed as Jim Moir), who always bore more than a passing resemblance to the adult Morecambe, was an inspired choice to play his dad.

I can't imagine anyone's enjoyment of this being coloured by prior knowledge of the facts, although I can only speak on behalf of the utterly ignorant. The untold story of Morecambe and Wise turns out to be well worth the telling. A clever script illuminated the contrast between the compulsively wise-cracking Eric and the more sober Wise. They were even, when necessary, plausibly funny. I wouldn't go so far as to call this dark, but it was by no means uniformly light-hearted, and the manginess of the postwar variety circuit was nicely evoked, as was the late-50s BBC hierarchy that spawned the pair's first, dismal, and nearly career-terminating small-screen venture, Running Wild. One review contained the line, "Definition of the week: TV set - the box in which they buried Morecambe and Wise." Whoever came up with that has a cheek calling anyone else unfunny, but that's a risk TV reviewers occasionally run.

Television Review: Eric and Ernie

We have many wonderful hours of Morecambe and Wise shows which will undoubtedly be enjoyed for years to come. This drama devised by Victoria Wood and written by Peter Bowker deserves to be enjoyed along with them. Not only is it a fitting tribute to a great comedy double act, but its the first in such dramas that can be appreciated by the whole family - and that's probably how Eric and Ernie would have wanted it.

It's more than a quarter of a century since Eric Morecambe and Ernie Wise's double act was stopped in its tracks by Morecambe's untimely death - which, in the world of showbiz, is certainly enough time to be forgotten, usurped or found to be desperately unfashionable by a new generation of viewers and performers. But the pair retain enough comic sparkle to put most of their successors in the shade.

Eric and Ernie is a biopic that follows the pair from their beginnings on Jack Hylton's youth theatre circuit up until the brink of TV success in the 1950s. Written by Peter Bowker, and starring Bryan Dick as Ernie Wise, Daniel Rigby as Eric Morecambe and Victoria Wood as Morecambe's ambitious, plain-talking mother Sadie, it's a wonderful piece of drama: warm-hearted, clever, beautifully acted and funny enough to make your cheeks ache.

Eric and Ernie: Victoria Wood's Morecambe & Wise biopic

Eric Morecambe kept one review in his wallet for decades to remind him of where the duo had come from. It suggested the definition of TV as "the box in which they buried Morecambe and Wise". The clipping was still in his wallet when he died.

'You don't become a national treasure overnight'

Victoria Wood's new project tells the story of Morecambe and Wise's troubled early years. "You don't become a national treasure overnight", she says.

Victoria Wood tells all about Eric and Ernie

Victoria Wood insists her latest TV venture, which delves into the early career of Morecambe and Wise, "will not be one of those dark dramas."

Eric, Ernie... and Victoria

Victoria Wood has brought the story of the double act's early years to the screen - and she plays Morecambe's mother. Gerard Gilbert meets her.

Video: Daniel Rigby and Bryan Dick interview

Daniel Rigby and Bryan Dick, who play comic duo Morecambe & Wise in Victoria Wood's drama, say the story of their formative years will surprise audiences.