Vicki Pepperdine

Jo Brand's superlative Getting On returned for a third series. Thanks to its vérité stylings and politically inflected setting, this barely-comedy set in the NHS backwaters has oft been compared with The Thick of It, while shamefully acquiring nothing like its profile. Meanwhile, their fundamental differences are encapsulated in their respective main characters' voices: Peter Capaldi's barbaric bark and Brand's low-level drone.

Anyway, last week's opener had the central trio - Brand's nurse, Joanna Scanlan's matron, and Vicki Pepperdine's fabulously callous doctor - in a new-fangled ward but struggling with the usual mix of bureaucratic absurdities and each other. That it successfully interwove a distressing scene of an old woman having a panic attack and the line "I think you would have enjoyed getting your teeth into my vaginal atrophy" tells you all you need to know about the show's rare, nay American, sophistication.

Jo Brand, Vicki Pepperdine and Joanna Scanlan - Terri in The Thick Of It - are back on duty for a third series of the deliciously downbeat hospital comedy. With an eye for detail that packs a hypodermic punch, it's a bleakly comic picture of an NHS bedevilled by jargon and box-ticking, with 'cultural diversity cupcakes' the least of Nurse Kim and Sister Den's mounting problems. If you didn't laugh you'd cry.

Getting On is a tiny triumph, a mournful, relentlessly downbeat sitcom that isn't actually funny but somehow makes you laugh even while you're pummelled by its bleak portrait of the NHS.

Its three writers and stars - Vicki Pepperdine, the Bafta-winning Jo Brand, and Joanna Scanlan - return to a new ward and a new health trust in the third series. But nothing much has changed.

Dr Pippa Moore (Pepperdine) is painfully self-obsessed and lacking in empathy ("I've had a mini-break to celebrate my decree nisi"), nurse Kim (Brand) cares but is buried by a landslide of political correctness, while sister Den (Scanlan) tries to keep her head above the jargon.

At times it seems that everyone talks but no one listens, and there are some comically excruciating scenes involving the clipped and hopeless Pippa as she tries to discuss her female genitalia project.

If Getting On (BBC4), Jo Brand, Joanna Scanlan and Vicki Pepperdine's sitcom set in a geriatric ward, makes it to a ninth series, I'll be very happy. Though to call it a sitcom is to do the show a disservice, as it's got far fewer gags and many more laughs than most. As well as being darkly funny - old age and death are both subjects rich in humour for the self-aware, the middle-aged or the deeply unpleasant - Getting On is also tender and surprisingly moving, as Nurse Kim (Brand) and Sister Den (Scanlan) try to ignore Dr Pippa (Pepperdine) and treat the patients with an entirely believable mixture of indifference and respect.

Most of all, everything about this show feels real and unforced: from what's included - such as the sheet shortages - to what's not. Few of the patients speak; fewer still have any visitors. Getting old is most definitely not for wimps, and Getting On should be prescribed viewing for everyone.

A third series for the scalpel-sharp comedy set in a geriatric ward. Co-written by its stars Jo Brand, Joanna Scanlan and Vicki Pepperdine, it manages to veer between the truthful and the ridiculous in capturing life in an efficiency-driven NHS hospital. Stoic Nurse Kim Wilde (Brand), fraught Sister Den Flixter (Scanlan) and officious Doctor Pippa Moore (Pepperdine) are now working out of a new ward, K2, at a hospital, St Jude's, close to their old one. The equipment might be better but the familiar issues remain among their sick, dying and occasionally hypochondriac patients.

Return of the dry medical comedy starring and written by Jo Brand, Vicki Pepperdine and Joanna Scanlan, and set in the geriatric ward of an NHS hospital. Kim, Den and Pippa move to ward K2 in St Jude's while their own hospital closes for a possible (but in no way guaranteed) refurb. Meanwhile, Pippa is causing her usual brand of chaos/inconvenience (inchaosvenience?) - dumping her baggage, figuratively and literally, all over her colleagues. Perfectly judged performances and great writing.

In case you hadn't noticed, we've dipped under 100 days to go to the Olympics - so here's hoping this thoroughly amusing satire set in the office of the Olympics Deliverance Team isn't too close to the truth. Once again Jessica Hynes's horrifyingly stupid PR woman Siobhan Sharpe steals the show: in this final episode her efforts to look cool in front of a rapper has echoes of Ab Fab's Eddie, but the highlight is when she's flummoxed by guest star Vicki Pepperdine (Getting On), who turns about to be a hilariously forthright adviser for Sharpe's Olympics village sexual health campaign.

Phil Whelan's new comedy imagines an exploration in space, the colonisation of a new planet, the making of a new and better society. What makes it funny is that its characters are (and remain) all too recognisably human. So when the leader of the expedition dies on the journey and his second-in-command takes over, there's bound to be a bit of jostling for precedence, especially as Brian, the notional new leader, thinks a nice meeting can sort most things out. He's about to learn a lot. Nicholas Lyndhurst, Vicki Pepperdine and Tom Goodman-Hill star.

The second series of the sitcom set in an NHS geriatric ward opened up even darker, richer seams of black comedy than the first. Written by and starring Jo Brand (world-weary Nurse Kim Wilde), Vicki Pepperdine (tactless Dr Pippa Moore) and Joanna Scanlan (Sister Den Flixter), it was directed by The Thick of It's Peter Capaldi - and the influence of the political comedy was evident in every frame. The posturings of hierarchy and bureaucratic idiocy were skewered relentlessly, scatological humour was allied to brutal deadpan, and the timing was perfect. Getting On also hid a beating heart at its centre that gave it surprising emotional power.