Tony Roche

Radio Times review

Peter Capaldi plays it straight as a film buff and devotee of the now defunct Cricklewood Studios. Pure fiction, of course, but pinning spoofs of cheap British movies and even cheaper British movie stars onto a made-up studio lets Capaldi and co-writer Tony Roche have some arch fun.

Capaldi presents this "documentary" celebrating the output of his beloved Cricklewood Studios (now a DIY superstore). He recalls Florrie Fontaine (Lindsay Marshal), a terrifyingly cheerful Gracie Fields-type singer whose career died when she became friendly with Nazi high command: "I speak as I find, and they were grand company."

Watch out for Hustle's Kelly Adams as a Barbara Windsor-ish bimbette, star of the Thumbs Up series. But the show is stolen by Terry Gilliam, playing himself, a profligate director who brought the studio to its knees.

I love a spoof documentary, me. Not, you understand, of the nonsensical Life's Too Short variety, but rather those spot-on parodies of pop culture epochs such as Eric Idle's magnificent Beatles spoof, The Rutles: All You Need Is Cash, and Harry Enfield and Paul Whitehouse's criminally underrated Smashie and Nicey: End of an Era.

As well as being packed with exquisite gags, those mock-docs worked so beautifully because of their loving attention to detail, proving that the very best parodies are made by those who know their subject inside out. And while Peter Capaldi's the Cricklewood Greats doesn't quite reach such giddy heights, it certainly delivers in terms of affectionate irreverence and the care with which it's made.

Charting the wavering fortunes of a fictional British film studio - think Ealing by way of Hammer, and all stops in between - it functions not only as an impressively realised parody of the average BBC 4 entertainment documentary, but also of those insight-free films in which a celebrity hijacks an interesting subject in pursuit of their own meaningless "personal journey."

Written in conjunction with his The Thick Of It cohort Tony Roche - who also penned BBC 4's splendid Python biopic, Holy Flying Circus - Capaldi directs and also stars as himself, paying overly-reverential tribute to the ghosts of the Cricklewood dream factory, including thinly disguised versions of Gracie Fields, Peter Cushing and Kenneth Williams (the acutely observed pastiches of his withering diary entries are a particular highlight).

No "tears behind the laughter" cliché is left unturned in this modest treat for connoisseurs of archive film and television, which, although merely amusing rather than hilarious, is still witty and charming and thoroughly commendable.

The 16th best programme of 2011 according to the Radio Times.

A dementedly energetic, militantly unpredictable script by Tony Roche created one of the comedies of the year from a shabby and much-documented episode: how the Pythons were ambushed by religious finger-waggers upon the release of Life of Brian in 1979. Holy Flying Circus sought not to describe the Pythons, but to emulate them, using dream sequences within dream sequences, hokey rolling text, smashed fourth walls and, at one point, a lightsabre duel between puppets. As references and in-jokes twanged back and forth, Holy Flying Circus was funny on its own merits as well as a fanboy joy, not stuck in aspic but bright and sharp - a thing to cherish on the same shelf as those Python box sets.

Radio Times review

You can guess where writer Tony Roche (The Thick of It, Fresh Meat) throws the TV Biographical Drama Rule Book, can't you? Yes, right through an open window, because Holy Flying Circus, about the furore of moral panic and hypocrisy that greeted the 1979 cinema release of Monty Python's Life of Brian, usurps every bio-pic trope and convention.

Thus Holy Flying Circus is littered with dream sequences and wanders off down some fantastical little byways (a bit too often, if truth be told) as we build up to the infamous ambush, on the live TV chat show Friday Night... Saturday Morning, of John Cleese and Michael Palin by an epically supercilious Bishop of Southwark and religious commentator Malcolm Muggeridge.

Roy Marsden is majestically effete and patronising as the bishop, Mervyn Stockwood, but the film belongs to Charles Edwards, who just IS Michael Palin, and Darren Boyd as John Cleese.

Oh, and Stephen Fry plays God. Of course. The whole thing is a mad mash-up of self-reference, cross-dressing, ribaldry and nonsense. I loved it!

These days it would be blasphemy to suggest that Monty Python's Life of Brian isn't one of the funniest films ever made. But it was a very different story back in 1979 when the Pythons found themselves practically crucified and accused of making fun of Jesus Christ.

Here, Tony Roche's ridiculously funny film pulls off an ingenious balancing trick with its accurate and affectionate pastiche of Pythonesque humour, while looking back at the furore Life of Brian created.

But as well as getting in lots of jokes at the expense of the BBC (the scene starring Alex MacQueen as the BBC's Head Of Rude Words is priceless), it also sends up the comedians themselves.

For instance, Michael Palin (played by Charles Edwards) is described as the nicest man in the world, but what's even more pleasing for Python fans is that his wife really is just Terry Jones in a dress.

Rufus Jones who plays Terry is brilliant, but all the casting is a delight. Steve Punt finally gets to capitalise on his resemblance to Eric Idle, while Darren Boyd, despite cheap-looking hair, is absolutely bang on as John Cleese. Or is it Basil Fawlty?

It all leads up to the now infamous live TV debate on the BBC talk show Friday Night, Saturday Morning, on which Cleese and Palin defended Life of Brian against the Bishop of Southwark and satirist Malcolm Muggeridge. This part of the film needed no script - it's an edited version of the actual debate, which has been partially seen before in other documentaries.

It's being shown again in full for the first time in more than 30 years straight after this at 10.30pm.

Holy Flying Circus review

It initially feels like a misjudged disaster, but once you get used to what Tony Roche is trying to achieve, it's difficult to resist its giddily freewheeling pull.

The Life of Brian: When Monty Python took on God

Writer Tony Roche explains why his drama Holy Flying Circus about 'the mother of all hoo-hahs' - the row over Life of Brian - could not be more timely.

The furore surrounding the release of Monty Python's Life of Brian in 1979 - which saw the film picketed by nuns, banned by local councils and accused of blasphemy - forms the basis of this one-off drama, a homage to the Pythons by Tony Roche (one of the writers for The Thick of It and its film spin-off, In the Loop). The drama raises good points about freedom of speech, religious intolerance and the boundaries of comedy.

It's also cheeky, fantastical and occasionally very funny. The structure, however, is a bit of a mess, trying too hard to ape the chaos of the Python format - it's often too surreal for its own good. The mix of drama, animation and puppetry builds towards a late-night confrontation on a TV chat show in which John Cleese (played by Darren Boyd of Green Wing and Whites) and Michael Palin (Charles Edwards) are pitted against the media commentator and outspoken Christian Malcolm Muggeridge (Michael Cochrane) and the Bishop of Southwark (Roy Marsden). This chat show debate really did take place; after it, Cleese and Palin said they'd lost their respect for Muggeridge, whom they'd admired in his earlier career as a satirist.

Fresh Meat 1.2 review

I'm glad last week's premiere was almost universally praised. I thought the first episode was a fantastic introduction that effortlessly introduced its six characters and delivered some memorable gags. This second episode, written by Tony Roche (The Thick Of It), was generally as good as last week's-if slightly less funny but with a better story to compensate.

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EXCLUSIVE Q&A with the spin doctor from The Thick Of It.