Press clippings Page 14
Theatre review: Party
The debut stage play by award-winning comic Tom Basden witnesses four young idealists trying to form their own political party.
Stephanie Merritt, The Observer, 7th March 2010Key marginal
I went to see Party by Tom Basden last night at the Arts Theatre in London's Covent Garden. I really enjoyed it, but I am going to try and explain why like a theatre critic would, even though I hardly ever go to the theatre to watch people sitting around a talking and not dancing or singing.
Andrew Collins, 3rd March 2010Party started with Tom Basden
Tom Basden's latest effort is a politically-themed satire called Party, starring Edinburgh Comedy Award winner '09 Tim Key, Best Newcomer Jonny Sweet, along with double act Anna & Katy.
Tommy Holgate, The Sun, 19th February 2010Tim Key and Jonny Sweet interview
Tim Key and Jonny Sweet have just returned from performing at the Sydney Festival and will perform together in Party - a play written by Tim's sketch group comrade, award-winning comedian Tom Basden.
Tommy Holgate, The Sun, 5th February 2010This sketch show didn't attract much attention on its first run earlier this year, but is worth revisiting. Yes, it's frightfully Footlights-y and the quiet, deadpan delivery isn't new, but Tim Key, Stefan Golaszewski, Lloyd Woolf and Tom Basden take just enough risks to set themselves apart. There's a running longform sketch where they all live absurdly together in a caravan, while the highlight of each episode tends to be a wilfully random, spectacularly insulting animation about celebrities' private lives. From these mild surprises come laughs.
Jack Seale, Radio Times, 4th August 2009Brave Young Men starred Tom Basden as the sidekick of a school caretaker who is told by a time-travelling civil servant that he has become "Caretaker of the World, Brighton and Hove Division". It is billed as a comic take on the sci-fi series Quantum Leap - a quantum leap backwards, I fear. As Professor Deering would sneer, one to file under whimsy.
Andrew Billen, The Times, 23rd March 2009Owen Molloy (Marc Wootton) is a mild-mannered, slightly porky school janitor who spends his days painting radiators, picking up litter and gently lusting after mousy teacher Miss Violet. So he's surprised when he's approached by a shadowy figure (a local tramp, as it turns out) who anoints him 'Caretaker Of The World: Brighton Division'.
This sitcom pilot from Steve Coogan's Baby Cow productions is essentially a provincial British take on Quantum Leap, with the earnest moral sermonising replaced by absurdity and mild bathos.
It's painfully slight, but rescued from complete inconsequentiality by the quirky premise - a lab assistant attempts to vanquish rivals at a local beer festival with his homebrew - and a decent cast including Tom Basden, who recently distinguished himself in BBC4 sketch show Cowards. At the very least, it's streets ahead of most recent BBC3 comedy commissions, which may be damning it with faint praise, but should make a series a formality.
Time Out, 22nd March 2009Marc Wootton and Tom Basden star as a pair of naive nobodies who are charged with saving the planet from mpending disasters by a tramp from the future in this sweetly humorous pilot. Their mission involves some homebrew beer and a good deal of silliness.
Mail on Sunday, 22nd March 2009Typically idiosyncratic scheduling from Auntie. They get a more than promising pilot featuring and co-written by Cowards' Tom Basden and show it late on a Sunday night. BYM stars Basden and Marc Wootton as two dweebs entrusted with looking after the future of the planet by a ime-travelling civil servant (who might be a nutty tramp). In this first episode, saving the world involves sabotaging a real ale competition. Oh and BBC3? Give this a series, it's what you're there for.
The Guardian, 21st March 2009Sketch shows rarely justify the sum of their parts, but there is sometimes an exception. Adapted from the Radio 4 show, the cowards in question are comedians Tim Key, Tom Basden, Stefan Golaszewski and Lloyd Woolf and their act works because the sketches are a blend of the subtle, imaginative and absurd. Scenarios include an excruciatingly dark Russian-roulette dinner-party game.
Simon Horsford, The Telegraph, 20th January 2009