British Comedy Guide
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The Party. Bill (Timothy Spall)
Timothy Spall

Timothy Spall

  • English
  • Actor

Press clippings Page 8

Meet the cast of BBC1's comedy drama Blandings

Timothy Spall, Jennifer Saunders and a pig star in the Sunday night adaptation of PG Wodehouse's stories.

Ellie Walker-Arnott, Radio Times, 10th January 2013

A castle, Empress the pig & a rather porky aristocrat

Timothy Spall goes posh in a new PG Wodehouse adaptation.

James Rampton, The Independent, 7th January 2013

Timothy Spall interview

Ahead of his new BBC comedy, Timothy Spall tells Daphne Lockyer how a tempestuous voyage around Britain mirrored his victory over leukaemia.

Daphne Lockyer, The Telegraph, 5th January 2013

David Walliams and Timothy Spall gatecrash wedding

Britain's Got Talent judge David Walliams and Harry Potter star Timothy Spall crashed their wedding during a break from filming the new BBC period-style comedy series, Blandings.

Gordon Smart, The Sun, 8th May 2012

Cast announced for new PG Wodehouse comedy Blandings

Mark Williams, David Bamber and David Walliams are amongst the cast joining Timothy Spall and Jennifer Saunders for new BBC comedy series Blandings.

British Comedy Guide, 14th April 2012

Blandings is coming!

The celebrated stories of PG Wodehouse will be coming to life on BBC One as Timothy Spall, Jennifer Saunders and Guy Andrews star in Blandings, a new comedy series based on Wodehouse's work.

Suzy Grant, BBC Comedy, 2nd February 2012

New P.G. Wodehouse adaptation for BBC One

BBC One has announced a new TV adaptation of comic author P.G. Wodehouse's Blandings stories, to star Timothy Spall and Jennifer Saunders.

British Comedy Guide, 2nd February 2012

Pete isn't doing very well in Pete Versus Life. You'd probably have to say that, on balance, life was winning. Pete wanted to be a sports journalist in the first series, remember? Now he's going for a job as a dog walker.

He gets the job, but it doesn't go well. On their first outing, Glynn, a lovely yellow labrador, is flattened on the London north circular. Things look up briefly when Gracja, his parents' new Polish helper, tells Pete she's going to "how you say, screw your brains". But even that doesn't go to plan - ie happen.

It's fairly standard kind of sitcom fodder. Except for the fact that there are two sports pundits doing a running commentary on Pete's life. As if it was a sports event. And that lifts it, turns it into something quite imaginative and original. It's the kind of idea you can imagine creators George Jeffries and Bert Tyler-Moore coming up with over a beer or two, thinking "genius", then sleeping on it and having serious doubts in the morning - like why would sports commentators be commentating on some bloke's life?

Someone had the courage to commission it, though. Viewers like it: enough watched for this second series to happen. I like it, too. It works, weirdly. And Rafe Spall is nice as Pete. A bit hopeless, but likable. He would be really, being Timothy Spall's son. Hasn't dentistry improved, though, in just one generation?

Sam Wollaston, The Guardian, 22nd October 2011

The Fattest Man in Britain was all about the suit

Should a thin man ever put on a fat suit? Is it acceptable for a skinny actor to play an obese character, given that it is no longer accept­able for a white actor to black up as Othello, or even for a white singer to black up as a white singer, in the case of Al Jolson? I ask this because last week's big ITV drama had Timothy Spall inhabiting The Fattest Man in Britain. He wasn't so much playing him as playing an enormous prosthetic suit. He looked like a small boy smothered by a collapsed dirigible. He was a squeaking bouncy castle.

A. A. Gill, The Sunday Times, 27th December 2009

If anything was going to put you off your Ferrero Rochers over Christmas, it had to be The Fattest Man in Britain, ITV's comedy drama about a man in an orthopaedic armchair eating himself to merry hell. Timothy Spall looked dangerously at home in the title role as Georgie, with comedian Bobby Ball admirably cast as his "manager", Morris, turning up with a cabful of Japanese tourists eager to take pictures and lay their hands on the big man's folds. "I would ask you to respect Georgie's private zones," said Morris (though, frankly, you imagined these people might get enough blubber at home). Frances Barber completed the homely trio as Janice, who came in every day to shovel Georgie's meals together and grease his legs, which was as attractive as it sounds.

With Caroline Aherne co-scripting, there was as much pleasing northern drollery as you'd expect amid the ill-lit claustrophobic clutter and junk food and trash TV familiar from The Royle Family, though admittedly the oxygen tank looked ominous.

Things took a turn when a crew of youths was sent by the social services to tidy the garden and Amy - a pregnant teenager on the run from a violent boyfriend - ended up moving in. Aisling Loftus was excellent as the underfed, beaten waif looking for a father figure and finding it in kindly Georgie. There was a worrying moment, in his late mother's bedroom, when you wondered what kind of a comedy this was turning into... but no, Amy was soon settling in, cooking and tidying up, nibbling a dark chocolate Magnum with Georgie (not the classiest of product endorsements), helping Janice with his pig-sized legs and restyling his terrible 80s mullet - an early clue that he hadn't been out in 23 years. That's how long it had been since his mum died. "It's like I was eating for her," Georgie confided. "Like there was an angel on my fork."

All was well until a rival barrage balloon from Birmingham challenged Georgie to a TV weigh-in and Morris - aided by locals arriving with mountains of pizza and bakewell tarts - set to bulking him up for the contest. Amy - now almost as big as Georgie (well, not quite, but who remembered she was even pregnant?) - railed against the freak show that would surely kill him.

Events were channelled into a poignant denouement, but when the baby died and Amy called it a day with Georgie, it didn't feel like tragedy. Even when Georgie rose from his chair and struggled down the street to see her, it was more Love Actually than love. There was a late attempt at profundity with a short disquisition about the desire to make failure look like success. "If I'm not the fattest man in Britain, what am I?" cried Georgie. "I'm just a fat man!" It was a great line, but it just made me think that inside this broadly entertaining drama was a sharper, less funny one trying to get out.

Phil Hogan, The Observer, 27th December 2009

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