Suranne Jones

Christmas Carole review

Of the many, many, many versions of Charles Dickens's classic tale produced each year, Sky's retelling adds an intriguing twist or two - but can't help but feel like a plodding adaptation.

Christmas Carole review

Suranne Jones is pitch perfect in this instant festive classic.

Christmas Carole review

Modern-day Scrooge is as flimsy as a party-hat cracker.

Suranne Jones on playing Scrooge: 'I could just be horrible - and it was great!'

How did the actor prepare to become a new-fangled Ebenezer? By channelling Cruella De Vil and watching Drag Race, of course! She talks about her Christmas gift to Gentleman Jack fans - and how to escape a torpedo tube.

Preview - The Jonathan Ross Show

Jonathan Ross returns with his ITV chat show inviting Hollywood stars, famous sporting names and music stars to take a seat on his sofa.

Having watched most of the previous two series from Simon Day and co-creator Rhys Thomas I can definitely say that Brian Pern: 45 Years of Prog and Roll is the character's strongest outing thus far. That has a lot to do with the fact that Suranne Jones has joined the cast as Brian's new feisty American wife and manager Astrid who brings a whole new energy to the comedy. Once again Thomas stars as his documentary-making alter ego who has been called upon to make a new programme celebrating Pern's forty-five years in the music business. Day proves what a good sport he is by showcasing Brian's new surgically-enhanced look complete with new jet-black fake hair and a set of sparkling veneers. The first episode documents what happens when Astrid stars managing Brian and gets her new husband to sack his long-time partner-in-crime John Farrow (Michael Kitchen). Astrid's mismanagement means that Brian has to endure a cruise with some of his biggest fans and later suffering the indignity of being lower on the bill at the V Festival than his former Thotch bandmates. I've always thought Brian Pern was a fantastic comic creation and I think this latest series showcases the deluded rocker perfectly. Day is utterly committed to presenting Brian as an out-of-touch rocker whose obscure album concepts sell particularly poorly. Suranne Jones' note-perfect American accent is as brilliant as her deadpan comedy timing especially in the scene in which Astrid is trying to have it off with Martin Kemp whilst on a Skype call with Brian. But it's Michael Kitchen who steals the show as the foul-mouthed Farrow and the final set piece involving a stranded train full of cameoing ageing musicians is laugh-out-loud funny. The biggest compliment I can pay the latest Brian Pern series is that it was the only comedy I watched this week to provide consistent laughter for thirty minutes. Maybe it's just because the old-fashioned humour appeals to me or maybe it's because Day and Thomas know how to present classic character comedy with a modern twist. Whatever the case may be I do know that Brian Pern deserves as many viewers as possible and it's a shame that one of the funniest comedies on TV has seemingly been banished to BBC Four.