Steve Pemberton

Derren Litten's comedy showcases a certain kind of lobster-coloured all-Englishness that can only be found abroad nowadays. It's broad rather than acute, and occasionally hidebound (an Indian trainee doctor from Varanesi who speaks no English? No way), but a familiar cast, including Johnny Vegas and Steve Pemberton, help make for viewing as comfy as a carton of chips. This week, Madge runs into her marginally less horrible, estranged daughter Valda, while Robin Askwith, he of the Confessions of . . . series, crops up as a typically conniving cockney chancer.

It's brash, bold and, despite its poor innuendos and obvious crudeness, at times quite brilliant in its sending-up of the working-class stereotype of the popular Spanish tourist destination. In tonight's second episode of the third series, Mick (Steve Pemberton) and Janice (Siobhan Finneran) are having relationship troubles and Brandy (Sheridan Smith) plays a practical joke on the bumbling Martin (Nicholas Burns).

This popular, tasteless and occasionally funny drama following British people in a holiday resort returns. Tonight, Mel (Geoffrey Hutchings) enlists the help of Mick (Steve Pemberton) to open his new mobility shop, with disastrous results. Meanwhile Martin (Nicholas Burns) has a new girlfriend, Brandy (Sheridan Smith). The comedy is hit and miss, but the performances are good, and so Benidorm wins points for trying.

This gothic BBC comedy-thriller written by Reece Shearsmith and Steve Pemberton is as brutal, gory and funny as The League of Gentlemen. But also present is a sense of whimsy, even at times an unexpected tenderness. The story begins with five people receiving a letter that reads, 'I know what you did', and leads to an explosive and tense finale. It's shot through with savage comedy, from one man's preoccupation with the bowels of conjoined twins to the slapstick of a blind man trying to make phonecalls on a Club biscuit. The story is brilliantly told and expertly performed, never more so than in the central, fourth episode which is the most rewarding half-hour of the series, shot to suggest one long take. The on-screen chemistry between the League regulars is a joy to watch and moments like Maureen fluttering her cardy to make like Superman are hard to forget.

In the interviews included in the extras on the DVD, producer Jon Plowman reveals Psychoville was written in six parts but when it became apparent the ending was too expensive, Plowman asked the Beeb to make it as a seven-part show, then asked the writers to request an extra, cheap episode. This is the extraordinary fourth ep and is proof that too little money can be an advantage. On the disc, there's even a fascinating split-screen option showing how it was shot.

It's incredible what a lick of face-paint will achieve - Reece Shearsmith and Steve Pemberton bring their chameleonic skills to this odd tale of blackmail.

Meet the dwarf obsessed by his pantomime co-star, Mr Jelly the clown, who keeps getting mistaken for his more successful competitor, Mr Jolly (with hooks for hands, he is not a world away from The League of Gentlemen's Papa Lazarou), and a murder-obsessed man-child from Wood Green. Dawn French provides a chilling turn as a midwife who pretends a toy baby is the real thing - and in her hands the writing, which subtly drip-feeds insight into these bizarre characters' personalities, comes most alive.

Psychoville Preview

This Thursday, Psychoville - the latest comedy-horror from Reece Shearsmith and Steve Pemberton, half of the team behind the gets-better-every-time-you-watch-it League of Gentlemen - reaches its deadly and disturbing denouement.

Psychoville 1.6 Review

Everyone's drawn to Ravenhill Hospital in the penultimate Psychoville, an episode that rediscovered the sense of pace and development from the earlier episodes. I have high hopes for next week's big finale after this, so hopefully Reece Shearsmith and Steve Pemberton won't let us down...

In its scary, sinister, creepy but very funny way, League of Gentlemen Reece Shearsmith and Steve Pemberton's beautifully made and brilliantly performed comedy thriller has been one of the TV treats of the summer. This coming Thursday it reaches its climax with some suitably awful goings-on as all the characters find out why they've been summoned and who summoned them.

It's the penultimate episode of a series that shows no signs of returning to Planet Normal any time soon. All the characters are worried that their mysterious blackmailer is "deeply disturbed" and "bordering on the psychotic", which brings to mind pots and kettles of the blackest variety. As the story unfolds, they are all drawn to a disused hospital in readiness for a macabre showdown. But before that can happen, the Mother & Son team of serial killers (Reece Shearsmith and Steve Pemberton) are preparing to dispatch one final victim. Mum wants to buy an indoor barbecue in readiness for the occasion. "I thought we could do something special," she says, "and eat her. What do you think? I've bought some red onions." "That's disgusting," her son replies. "I don't like red onions."

Reece Shearsmith's and Steve Pemberton's killer comedy thriller cranks up the psychotic laughter to deafening as the plot knots unravel in this week's penultimate episode. Maureen is dismissive about her final victim ("its hardly going to be Jeffrey Dahmer") until she finds out the truth about son David's bad murder & Joy Aston takes extreme measures to return 'baby' Freddie's head to his body. Can Kerry prevent Robert from carrying out his twisted plan to marry Debbie? And what secrets lurk within the walls of Ravenhill Hospital, the evil pulse beat of Psychoville? Could sinister Nurse Kenchington and a mystery blackmailer share a connection. Murder has seldom seemed this satisfying.