Steve Pemberton

In the last in the series, Toast is knocked very much for six by the arrival of an old flame, Lorna Wynde, more than three decades after she broke his heart when the pair starred in a US soap together. But is she just using him to make her rock star husband jealous? Tormented by feelings from the past, Toast takes up with his very-much-alive chum Francis Bacon. Sterling guest appearances come from Queens Of The Stone Age's Josh Homme and The League of Gentlemen's Steve Pemberton.

Can new take on Mapp and Lucia compare to 1985 series?

The BBC's new version is written by The League of Gentlemen's Steve Pemberton, who says we should expect "a genteel version of Royston Vasey".

League of Gentlemen to reunite for 20th anniversary?

Reece Shearsmith says that a collaboration with League of Gentlemen stars Mark Gatiss, Steve Pemberton and Jeremy Dyson may be on the cards.

Inside No 9: a gutsy dark comedy of misery and mayhem

Reece Shearsmith and Steve Pemberton, makers of The League of Gentlemen, return with a collection of unrelated tales of morality and mortality, and a legion of ghoulish mishaps.

Steve Pemberton's favourite TV

Steve Pemberton likes Only Connect and Whodunnit?

Inside No 9 wins at prestigious Rockie Awards

The silent episode of Inside No. 9 written by and starring Steve Pemberton and Reece Shearsmith picked up its second award in two days at the prestigious BANFF World Media (Rockie) Awards earlier this week.

Steve Pemberton interview

"I do love those shifts of gear you get as an actor, weaving a haunting dark drama with a bit of daft sunbed acting"

Steve Pemberton interview

Steve Pemberton talks about Inside No. 9, the lack of ambition on TV and how The League of Gentleman have permeated pop culture.

Reece Shearsmith and Steve Pemberton's Inside No. 9 (BBC Two) has been a deliciously twisted treat, each tale balancing neatly on a tightrope so you were never quite sure if we were about to make the leap into comedy or tragedy. But the final numerically themed short story was unashamedly macabre.

True, the odd defiantly bad joke ('Do you know Poe?' 'From the Teletubbies?') pierced the darkness as babysitter Katy turned up for work at a house which made the Addams Family homestead look light and airy. Yet this was a briefing for a descent into hell from which there could be no escape.

The twist being - in a series which has specialised in ingenious surprises - that there was no twist. You could call that daring but it actually felt like a bit of a cop-out, as though the dark-hearted Shearsmith and Pemberton were laughing at us: 'Ha! So you thought we'd left you off the hook.' I didn't quite buy the macabre self-indulgence. But the Devil's closing howl of 'mischief!' did give me the willies deep into the night. In that respect, job done.