Steve Pemberton
- 57 years old
- English
- Actor, writer and executive producer
Press clippings Page 6
Steve Pemberton and Reece Shearsmith on friendship, TV and saying goodbye to Inside No. 9
As Inside No. 9 comes to an end after nine series of constant innovation and brilliance, its creators spoke to us about their nine lives in comedy.
Adrian Lobb, The Big Issue, 15th May 2024Inside No. 9: The Trolley Problem review
It's enough to say this is one of the pair's more darkly dramatic pieces. There's very little comic relief to relieve the ratcheting tension - an absurdly out-of-place reference to a certain national treasure notwithstanding - which will have you guessing till the end, certain only that this pressurised encounter is not likely to end well.
Steve Bennett, Chortle, 15th May 2024Inside No. 9: The Trolley Problem review
The Trolley Problem ending is one of the most disturbing yet.
David Craig, Radio Times, 15th May 2024Inside No. 9: The Trolley Problem review
The latest Inside No. 9 is tense, dramatic and grisly, but not satisfying.
Louisa Mellor, Den Of Geek, 15th May 2024Inside No. 9: Boo To A Goose review
Inside No. 9, the series of half-hour playlets created by the demonically inventive Steve Pemberton and Reece Shearsmith, is ending after a ten-year run.
Christopher Stevens, Daily Mail, 9th May 2024Inside No. 9: Boo To A Goose review
Reece Shearsmith and Steve Pemberton have been making these ingenious, heartstopping chillers for a decade now - and the final series kicks off with perhaps the most meaningful episode yet.
Rachel Aroesti, The Guardian, 8th May 2024Inside No. 9: Boo To A Goose review
No one could predict that twist.
Emily Baker, i Newspaper, 8th May 2024Inside No. 9: Boo To A Goose review
The end is in sight for this delightful, twisted creation.
Sean O'Grady, The Independent, 8th May 2024Inside No. 9: Boo To A Goose review
Only a tiny bit weirder than your average night on the Tube.
Anita Singh, The Telegraph, 8th May 2024Inside No. 9: Boo To A Goose review
A five-star train ride into the macabre.
Carol Midgley, The Times, 8th May 2024