Press clippings Page 4
Inside No. 9: Boo To A Goose review
Not quite all human life is encapsulated within the characters trapped in carriage C9 when the power fails, but quite a lot of it is.
Chortle, 8th May 2024Inside No. 9: Boo To A Goose review
Reece Shearsmith and Steve Pemberton have been making these ingenious, heartstopping chillers for a decade now - and the final series kicks off with perhaps the most meaningful episode yet.
Rachel Aroesti, The Guardian, 8th May 2024Inside No. 9: Boo To A Goose review
No one could predict that twist.
Emily Baker, i Newspaper, 8th May 2024Inside No. 9: Boo To A Goose review
The end is in sight for this delightful, twisted creation.
Sean O'Grady, The Independent, 8th May 2024Inside No. 9: Boo To A Goose review
Only a tiny bit weirder than your average night on the Tube.
Anita Singh, The Telegraph, 8th May 2024Inside No. 9: Boo To A Goose review
A five-star train ride into the macabre.
Carol Midgley, The Times, 8th May 2024Inside No. 9: Boo To A Goose review
An alternately playful and chilling parable on the perils of authoritarianism, Boo To A Goose is one of the strongest ensemble pieces Inside No. 9 has accomplished.
Nick Bartlett, Critical Popcorn, 8th May 2024Inside No. 9: Steve Pemberton and Reece Shearsmith on proving TV bosses wrong
From bone-chilling thrillers to hilariously dark comedies, Reece Shearsmith and Steve Pemberton's anthology has managed to shock and surprise viewers for the past decade.
Yasmin Rufo, BBC, 5th May 2024Inside No. 9: dark, funny and totally riveting - this is the best comedy the UK has ever created
The ninth and final series of the ever-inventive black comedy is packed with stars and cements its status as a classic. It's such a shock America hasn't tried to copy it yet.
Joel Golby, The Guardian, 4th May 2024The creators of Inside No. 9 on why they're wrapping up TV's most ingenious show
After 55 macabre episodes, Reece Shearsmith and Steve Pemberton explain why the ninth series of their surreal hit will be the last - but it's not the end.
Carol Midgley, The Times, 4th May 2024