Steve Evets

Spare a thought for men of the cloth this Christmas. Judging by this superb series finale, it's the most stressful time of year for a vicar. As Reverend Adam Smallbone (Tom Hollander) enters his first Advent in the London parish of St Saviour's, festive nerves are fraying. Camels keep being stolen from the church Nativity, he's up at the crack of dawn every day to cook breakfast for the homeless, and resident wino Colin (the show's cult figure, played with pitch-perfect pathos by Steve Evets) plans on being drunk until Twelfth Night. Adam is out of pocket, permanently hungover and under pressure for the seasonal collection plate to hit its financial targets.

The last thing he needs is a surprise house guest in the form of his grumpy "social hand grenade" father-in-law (the hilariously hangdog Geoffrey Palmer). Midnight Mass is a shambles thanks to a congregation fresh from the pub. As lay reader Nigel (Miles Jupp) notes: "We're the religious equivalent of a kebab." There's still time for subtle pastiches of Groundhog Day and Da Vinci's Last Supper. A gently witty, fittingly heart-warming conclusion to this second excellent run of the Bafta-winning sitcom.

Crack-addicted squirrels and a brilliant - and rather attractive - new curate, Abi (Amanda Hale), are the latest trials to test the faith of the Rev Adam Smallbone (Tom Hollander) of St Saviour's, East London, in this lovably gentle comedy. Adam's initial enthusiasm at the prospect of someone to cover his weekends off soon gives way to jealousy, self-doubt and resentment when he realises how much better Abi is at his job. Surprisingly, Colin's (Steve Evets) chemical-based solution doesn't help.

The Rev. returns

Tomorrow night the fabulous Tom Hollander (In The Loop), Olivia Colman (Twenty Twelve) and Steve Evets (Looking for Eric) return to BBC Two at 9pm in the new series of Rev.

Ken Loach plays a blinder with this affable study of a depressed postman (Steve Evets) who sorts his life out with the help of his imaginary mentor Eric Cantona. It's not Loach's most political work but it's definitely his funniest film to date. Evets and his postie pals keep the daft laughs coming.

In a medium awash with lazy stereotypes, it's original thinking that stands out. The most compelling television provides a new perspective on an old story, and challenges the laziest of preconceptions with wit, humour and more than a dash of bravado.

BBC Two's new series Rev is pretty much a masterclass in how to pull this off. Take one fine actor (Tom Hollander), add an equally brilliant supporting cast (Olivia Colman, Steve Evets, Miles Jupp, Lucy Liemann, Simon McBurney, Ellen Thomas), choose a fraught subject (religion), throw in some punchy writing (James Wood) and get Peter Cattaneo (of The Full Monty fame) to direct the lot and what have you got? A damn fine reason to stay up late on Monday nights, that's what.

Firstly, the subject matter: religion, or more specifically, the Church of England. With the notable exception of Father Ted, comedies involving vicars tend to be soporifically safe. Not only is Rev travelling without seatbelts, it is also doing 90 miles an hour down country lanes with the roof off and the stereo on full blast. This is no gentle cake-and-cassock comedy; it's the story of an ordinary, fallible vicar living in a tough, brutal world who is trying to do something very extraordinary: stay true to his faith.

That the Reverend Adam Smallbone is an ordinary fellow we know from his behaviour. He is a man who jumps the lights on his bike, who gets nervous and drinks too much at parties, who tries (and fails) to have sex with his wife. His flawed but irresistibly likeable persona comes across loud and clear in just a few opening moments, brilliantly pinpointed by the direction, the writing and, of course, by Hollander himself, whose performance is outstanding.

The themes, too, are unrelentingly contemporary. Smallbone is in charge of St Saviours, a grand, dilapidated church in a run-down inner-city area of London with a confusingly mixed catchment. There are the regulars, a rag-tag collection of locals led by Colin, the neighbourhood ne'er do well, who has a fond affection for the "vicarage"; and there are the newcomers, in the shape of the arrogant, urbane middle classes, led by the local MP, played as a modern-day social Flashman by Alexander Armstrong. Simon McBurney is deliciously oily as the Archbishop, who Smallbone only ever seems to encounter in the back of a taxi, all black leather gloves and dark threats.

The opening theme is current and controversial: "On your knees, avoid the fees", chirps Armstrong's villainous MP, as he horse-trades a place for his delinquent son in exchange for cash to repair the broken stained glass window of St Saviours. It's a merciless commentary on modern life; but it also has a surprisingly strong moral, dare I say thoughtfully theological, core. The temptations that assail Smallbone may be very contemporary in their nature; but they are as eternal as the themes of the Bible itself: right v wrong, truth v corruption, the poor v the rich.

As to the comedy, it's of the organic kind, not the obvious gag kind. Outside the church, the Reverend and Colin share a bottle of beer and discuss Richard Dawkins (as you do). "If I met him I'd kick him in the bollocks," says Colin, with customary frankness. Earlier Smallbone, confronted for the nth time by a group of sneering builders and their spectacularly unfunny jokes about choir boys, pauses. Slowly, and with a look of weary resignation, he removes his dog-collar. "Why don't you just f*** off," he says. The viewer punches the air with joy.

When Graham Linehan and Arthur Mathews created Father Ted in 1995, they breathed new life into the stereotype of the comedy vicar, a character that for too long had been suffocated by the tyrannical stranglehold of Derek Nimmo. Unfortunately Richard Curtis simultaneously came up with The Vicar of Dibley, a programme as twee and mediocre as any number of Nimmo's cassock-based comedies.

Perhaps realising that the realm of the ecclesiastical sitcom hasn't been successfully exploited in a while, acclaimed comic actor Tom Hollander has co-created Rev, in which he plays a harassed vicar at a struggling inner city London church.

Sadly, despite the talent involved - the cast also includes Alexander Armstrong, Finding Eric's Steve Evets, Peep Show's Olivia Colman and comedian Miles Jupp - this low-key comedy is a disappointment. The blame must lie with writer James Wood, who also wrote the similarly underwhelming media satire Freezing, in which Hollander's ferocious comic performance was the sole highlight.

The jokes in Rev are sparse, weak and principally based around the supposedly amusing conceit of a vicar acting in ways you wouldn't expect. So, the Reverend Adam Smallbone, played with amiable anxiety by the always watchable Hollander, smokes, drinks, swears and enjoys sex with his wife.

So, I imagine, do a lot of modern priests - indeed, a group of them are credited as technical advisors - but that doesn't mean the concept is funny in itself. Father Ted admittedly employed similar material, albeit far more inventively than Wood does.

The opening episode takes underpowered swipes at middle-class pretentions and hypocrisies when Smallbone faces a moral dilemma over the sudden rise in church attendance due to a glowing Ofsted report on a local church school. But the episode just dawdles along and not even Hollander's bumbling charm can save it. Rev, like many sitcoms before, may improve as it goes on, but there's precious little here to encourage you to find out.

Interview with the stars of Rev

Interviews with Tom Hollander, Olivia Colman, Steve Evets and Ellen Thomas.