Steve Coogan

In the final episode, the inveterate gambler (Steve Coogan) seeks help for his addiction and tries to find a job. Many viewers may find it cloying and sentimental, and no doubt parts of it are. This addict, after all, remains charming despite his destructive behaviour and even the worst of the misery is ameliorated by laughter. But look at it another way. Thousands of lives are destroyed by addictions of one sort or another, and television plays an important role in passing on information. Sunshine uses jokes and warmth to suggest that addiction doesn't have to be a terminal illness. If it sugars the pill, is that so terrible?

In its effort to be a warm, feel-good story, there are times when Sunshine threatens to drown us in treacle. By the 17th time cute little Joe has his hair tousled by his grandad (Bernard Hill) in another golden scene, you may find you're longing for a bit of an edge to things. In one scene we even hear the Farm's Altogether Now over the two of them gardening, just to ram home what a heart-warmingly marvellous pair they are. But grit your teeth and get through it, because for all its soppiness, Sunshine pays dividends, in the tragicomic tale of Joe's dad Bing (Steve Coogan) and his all-consuming gambling habit. Coogan is excellent again, and in the moving later scenes he reveals a talent for pathos you might not expect.

If some people see life as a comedy, while others insist it is a tragedy, then the writing team of Craig Cash and Phil Mealey must fall into the first camp. They just can't help themselves from seeing the funny side of the most dire situations. They would probably get the giggles at a funeral.

And while that's better than going through life being a total misery, that could explain why this series about the very unfunny problem of gambling addiction is looking a bit unsteady on its pins as it lurches drunkenly from the sweet to the sour.

Having said that, if you don't get a little seasick from the shifting tone there's plenty to enjoy here - especially in the cockle-warming friendship between little Joe and his grandad George. And also, of course, in Steve Coogan's central performance as eternal loser Bing Crosby.

Usually dramas about addiction are a misery to watch, but this one manages to remain upbeat in spite of its subject matter. Having already been thrown out of the house by his long-suffering wife, Steve Coogan's inveterate gambler still can't kick the habit. Yet he remains as funny and engaging as ever, refusing to face up to his problem and believing, like all gamblers, that he can win his way out of trouble with a streak of good fortune. My wife thinks I can't turn over a new leaf, and I'm going to show her that I can. Do you want me to put a couple of quid on it for you? Sunshine doesn't avoid the nasty stuff, but it is balanced by an abundance of warmth, good humour and humanity.

Sunshine is a very frustrating drama to watch. There are moments when it threatens to be consumed by a sense of overarching pathos and a need to be gritty and northern yet always lovable. But within the on-going story of bad lad with a heart (and a huge gambling problem) Bing and his attempts to do right by his young family, there is a lot to like. Steve Coogan as Bing is the draw, displaying a talent for underplayed drama that is usually lost beneath his penchant for constant improvising. Here, however, he is magic. And when he's acting alongside an old pro like Bernard Hill as Bing's dad, you appreciate just how good he is.

Sunshine was a feel-good north country drama co-written by Craig Cash. It was The Royle Family drenched in syrup, but with a feel-bad central character. This was an uneasy mixture. Steve Coogan was Bing, a father with a gambling habit who gets stitched up in an illegal gambling club, having blown his partner's holiday savings in an attempt to pay back the mortgage arrears. Playing the part with a convincing mixture of bumptious charm and desperate vulnerability, Coogan is a pretty good character actor if you can ever forget that this is Steve Coogan. By the end I had just about managed it.

Sunshine is a comedy drama drawn from the same Northern roots as Early Doors. Filled with gentle humour, lovable characters and laugh-out-loud jokes, it should have been easy to warm to Sunshine. But the clouds kept rolling in.

It depended on whether Bing, a happy-go-lucky gambler, came across as one of life's charmers or a bit of an idiot. Unfortunately, Steve Coogan's cartoonish mugging meant Bing see-sawed between the two, shredding our sympathy every time he'd won it back; you wanted to put an end to the showboating. Still, Sunshine's pleasures are worth sticking with to see, now Bing's lost the lot, whether it turns out fine again.

Steve Coogan plays a character - called Bing Crosby - who spends half the time goofing around like a poor man's Alan Partridge; the other half living up to his wife's declaration that he's a selfish bastard. Should we laugh at his exuberance? Should we feel for him, being lad astray by his jolly mates? Should we hate him for being a selfish compulsive gambler ? In the end, we decided we'd simply rather avoid him.

Steve Coogan takes the lead in a gentle but affecting comedy-drama about addiction. Scripted expertly by Craig Cash and Phil Mealey, it's the story of Bob 'Bing' Crosby, a man who loves a flutter.

As you'd expect from Cash, the setting is resolutely northern and ordinary, and the focus is on Bing's family - the young son who narrates the action, the long-suffering childhood sweetheart, the dad with a part to play in how Bing turned out.

Compared with the usual stuff of prime-time slots, Sunshine requires emotional investmnet. In the course of three episodes, this should be richly rewarded.

London Paper Review

Sunshine is a sitcom, but it's not funny. Except it is, apart from when it's serious - and then it's not. It stars Steve Coogan as a lovable everyday dad, except he's utterly - annoying, and not like anyone you've ever met.