Steve Coogan

The Trip episode 3 review

Steve Coogan and Rob Brydon's post-modern, understated comedy, The Trip, continues to impress.

The Trip: a stand-out stand-in?

Reviewing restaurants can be a surreal task at the best of times. What do you make of Steve Coogan and Rob Brydon's The Trip?

Steve Coogan and Rob Brydon arrive in the Lake District on the third leg of their blokey odyssey reviewing restaurants in country houses. In what turns out to be quite a commercial for the Holbeck Ghyll hotel near Lake Windermere, the pair bicker again over dinner; Coogan, insecure and nervy, Brydon slightly precious and anxious to please. It's all terribly knowing, self-referential and, possibly, more in love with itself than is healthy. But I laughed a lot - proper laughter, too: actually out loud. You don't get that with BBC2 comedies, as a rule. Or with BBC1 comedies, come to that. Coogan and Brydon are a perfect brittle partnership. There's also a slightly tragic edge as we watch two middle-aged men needle each other ("You can't treat your entire life like a Radio 4 panel show"), while at the same time they seek some kind of affirmation. Smashing.

Johnny Vegas is perhaps someone you would not automatically associate with Anton Chekhov. Likewise Mackenzie Crook. But here they are in Chekhov: Comedy Shorts (Sky Arts 2). In this first one, A Reluctant Tragic Hero, Vegas plays Tolkachov, a man at the very end of his tether, fed up with running tedious shopping errands for his family. Crook is Murashkin, Tolkachov's mate, who should be - tries to be - sympathetic, but then gets it all wrong and adds to poor Tolkachov's problems.

And hey, it works. Vegas gets to do what he's designed to do - make a lot of noise and be miserable (he has tragedy built into his features). Crook gets to say not very much, be a bit gormless, and have a long, hollow face. Which suits him fine, too. Nineteeth-century Russia could easily be 21st-century anywhere; I guess that - the continuing relevance - is what makes Chekhov a dude. Hey, who said this column can't do serious literary criticism?

Anyway, they're quite good fun, and there are more to come, with other unlikely Chekhovian actors including Steve Coogan, Julia Davies and Mathew Horne. Bring 'em on.

Produced by Baby Cow and featuring the likes of Steve Coogan and Julia Davis in future episodes, these delicious sub-half-hour productions recall a lost age of relatively low-budget TV treatment of the classics. In the opener, Johnny Vegas is perfectly cast as the put-upon Tolkachov, who visits his friend Murashkin (Mackenzie Crook) to deliver a spittle-flecked monologue full of pathos and purgatory about his put-upon working and domestic life, only to get more, or rather less, than he bargained for, in the apparently sympathetic Crook's eventual response.

Rob Brydon and Steve Coogan - here playing characters loosely based on themselves - are superb comic actors, but there are times when The Trip feels like not much more than two middle-aged men doing silly voices at each other. Tonight, the pair visit a hotel in the Lake District.

TV review: The Trip

I think it might be brilliant. I say "think" because I still can't believe Steve Coogan's audacity, and the apparent indulgence.

I was hoping to add The Trip to my weekly review roster, but after sampling episode 2's "L'Enclume" I have a feeling that would be pointless. Not that this is a bad comedy, because I find it amiable and entertaining, but it's beholden to a rigid formula so far: Steve Coogan and Rob Brydon travel to a swanky restaurant in the idyllic northern countryside, they have dinner while teasing each other and competing with impressions, and then retire to bed after calling their other halves.

Consequently, I feel like I've said everything I want to say last week. "L'Enclume" was effectively more of the same, albeit with a different set of impressions for Coogan and Brydon to do battle with. I particularly liked their attempt to do the best naturalistic Bond villain, Coogan's insight into the acting style of Richard Gere (look into the middle distance and act like you've just remembered something), and the observation that Anthony Hopkins isn't afraid to touch his own face. I could happily watch Coogan and Brydon chew the fat, half-scripted or not, for a very long time. The opening dream sequence, guest-starring Ben Stiller, was also a fun surprise, and I like it when the story touches on the disparities between Coogan and Brydon. The former an inveterate bachelor, the wrong side of 40, desperate to get himself a Hollywood career equal to his hero Jack Lemmon; the latter a more satisfied Welshman seen using his talents to charm his wife over the phone.

The Trip is a series I'm definitely going to see through to its final destination, but I hope the journey's a touch more unpredictable than episode 2 felt most of the time.

The Trip episode 2 review: L'Enclume

Could The Trip be up there with the very best of Steve Coogan? Mark is slowly warming to that point of view...

Steve Coogan: 'The Trip was gruelling'

Steve Coogan has said that filming The Trip was at times a lengthily and uncomfortable experience.