British Comedy Guide
Steve Coogan
Steve Coogan

Steve Coogan

  • 59 years old
  • English
  • Actor, writer, producer and executive producer

Press clippings Page 67

There was a glorious reprise for Steve Coogan as Alan Partridge. Older, yes; wiser, emphatically no. As he took us through the "places of my life" around Norfolk, yet again we marvelled at how his confident asides manage to combine the shiveringly banal with the roundly offensive. We started at North Norfolk Digital Radio. "Many are surprised at how small the offices are. But at 800 square metres that's larger than a good-quality dentist's, and could house a Tesco Express." Then Norwich town hall, opened in 1938 by King George VI, "the stammering monarch made famous by hit movie The King's Speech". And his favourite car dealership. "Whether you buy British, or have a short memory and are happy to buy Japanese..." and then the woods. "For some, Thetford Forest means dogging, or suicide. But I'm old-school, and I'm off for a walk." Not one sentence technically wholly untrue, but all supremely wrong, and the whole of it supremely right. It was a wistful, spot-on return for Alan and his leisureware, and at this rate he'll end up a kind of bathetic national treasure.

Euan Ferguson, The Observer, 1st July 2012

Welcome to the Places of My Life review

Some of the best bits of Welcome to the Places of My Life are when we get a sense of the cameras rolling for about four seconds longer than they should have done, just like in Knowing Me, Knowing You, Partridge's first TV outing, but also to what Steve Coogan himself is mocking - the overblown ceremony and rubbish incompetence of low-budget telly.

Harriet Walker, The Independent, 30th June 2012

If you could forgive the hypocrisy of Steve Coogan selling out to his supposed nemesis Rupert Murdoch then Sky Atlantic was the place to be on Monday.

However, I found Welcome To The Places Of My Life, Coogan's latest Alan Partridge project, the least impressive of its three new comedies. It had some fine moments, but it just wasn't vintage Partridge.

I worry how much mileage the old guy has left, even if he does buy the new Range Rover (with the tan interior) in time for next year's movie.

Ian Hyland, Daily Mail, 30th June 2012

Alan Partridge, Sky Atlantic, review

Egotistical, bombastic, bigoted, insecure, lonely, needy. Partridge remains a brilliant, monstrous, pathetic creation who can still raise a smile in his audience. If Partridge was once merely a figure of fun, he is now a character of true bathos, and Steve Coogan must take the credit for that.

Ben Lawrence, The Telegraph, 26th June 2012

"The more I learn about Hitler the more I dislike him," said Alan Partridge sagely in Welcome to the Places of My Life, his personal guide to "Albion's hindquarters", "the Wales of the East"- or Norfolk, as the rest of us know it.

Hitler had come up because of the Führer's plans to make Norwich Town Hall a centre of regional government in the event of a successful German invasion of England, a historical detail that Partridge the film-maker (his name was on the credits as "director") took as a cue to fade up an echoey Hitler speech as Partridge the presenter stared pensively out over Norwich market. He'd already done a priceless bit of Schama-ing inside the building - storming through the corridors as he vividly recreated the terrible night on which Norwich came within a whisker of getting a blanket imposition of night-time parking fees. And now here he was tackling Norwich's place in global history. Is there nothing this man can't handle?

Steve Coogan can probably now do Partridge in his sleep. The character is fully there, with all its tics and grace notes, from the little sideways skitter of the eyes at the camera that betrays his essential amateurishness to the wildly inappropriate grandiosity. "This is my coalface, my canvas, my lathe," said Alan, leading the camera into the microphone-rigged broom cupboard that is his centre of operations at North Norfolk Digital. If he wasn't such a creep there would be something almost heroic about his determination to finesse his come-down into a professional choice, and the eagerness with which he enlists any detail, however banal, to help him do it. Introducing us to the second of the significant locations in his life, the Riverside Leisure Centre, he noted that it "boasts a controversial swooped roof" and then unwisely conducted an in-pool interview with the resident hydrotherapist, his questions getting increasingly spluttery as his energy flagged.

Real Partridge purists, though, may have felt that offered an image of the programme itself, which started confidently but later had some difficulty keeping its head above water. It wasn't that it wasn't funny - there were wonderful moments all the way through. It was just that it was muddled and a little impure, in a way the Iannucci-scripted series almost never were. So, while you could certainly imagine a Partridge-directed documentary including his pontifications about how to make your own walking stick ("rather than one of those aluminium ones made in China by kids, I prefer a traditional one, made in Britain... by trees"), it was harder to work out why he would have included a shot of him drooling all over the Range Rover salesman. Both funny, but not quite funny in compatible ways. Which, I can quite see, may well come across as unnecessarily picky.

Tom Sutcliffe, The Independent, 26th June 2012

Alan Partridge: Welcone To The Places in My Life a supremely funny one-off special in which Steve Coogan confirms his renewed mastery of one British comedy's greatest creations.

Kicking off Sky's new Monday night comedy schedule, it follows the embittered broadcaster on a typically banal odyssey through his beloved East Anglia, including visits to his North Norfolk Digital workplace, Norwich Town Hall, the local swimming baths - his butterfly crawl is hysterical - and a field full of sheep where, often for up to 45 minutes, he likes to imagine them as people who've wronged him in the past.

Presented within Alan's fictional universe as a self-financed vanity project, it's packed with the great lines and attention to detail we've come to expect from this character at his best. You know you're on safe ground with a fake documentary where even the credits, captions and graphics are jokes in themselves. And Coogan's performance is impeccable throughout.

Paul Whitelaw, The Scotsman, 26th June 2012

Alan Partridge and co: the many faces of Steve Coogan

A look at some of Steve Coogan's comic creations.

The Telegraph, 26th June 2012

Steve Coogan's enduring monster crashes in with a one-off special that starts with him huffing and puffing around the countryside of north Norfolk ('the Wales of the East') to the strains of a tin whistle. He's on a Partridge Pilgrimage to wax lyrical about his stomping ground and, much like everything else Coogan's done with the character, this spoof vanity project is hilarious and hideous in equal measure. Though grammar pedants will secretly sympathise with his radio campaign promoting the correct use of the words 'obligate' and 'repulse'.

Metro, 25th June 2012

Steve Coogan interview

The comedian and actor reveals just how much of himself there is in his most famous comedy creation.

Claire Webb, Radio Times, 25th June 2012

Radio Times review

A guide to the "Wales of the East", Norfolk, by the man who put Norwich on the chat map. Alan Partridge takes us to his workplace, his favoured newsagents and along his regular Thetford Forest walking route. It is, as the man himself says: ‎"A Partridge pilgrimage. A Partrimage. A Pilgrimartridge. A Partrimiligrimage." But he's also keen on Norwich's rich past, including Hitler's plan to give a victory address from the town hall balcony. Imagine that...

Partridge has evolved since Steve Coogan hooked up with co-writers Neil Gibbons and Rob Gibbons, architects of Alan's sensationally funny autobiography. He can be a vehicle for spoofery - the hysterical history-in-hindsight of Schama, Marr et al gets it in the neck - and, as credited producer/director, his editing hand is now visible.

But he's still thoroughly Partridgean. There's not a weak scene in the hour and many that are worth re-playing for superb nuances of script and performance, from the simple joy of Alan almost falling off a stile to some wordless moments of pathos that remind us he is almost real. Top drawer.

Jack Seale, Radio Times, 25th June 2012

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