Stephen Mangan

Episodes cast interview

Friends and Joey star Matt LeBlanc, Dirk Gently's Stephen Mangan and White Heat's Tamsin Greig are back for a second series of the Brits-in-Hollywood sitcom Episodes.

Now in its 43rd series, amazingly, little has changed since Have I Got News For You was forced to ditch scandal-hit Angus Deayton as host for the successful but problematic "guest host" format. The thinking is that HIGNFY is kept fresh by having different celebs hosting the show every week, Saturday Night Live-style, and that's true to an extent-but it also means you have boring "safe pair of hands" episodes (here Stephen Mangan, usually Alexander Armstrong) more than the truly memorable hosts (like Boris Johnson or Bruce Forsyth). It also irritates me that the show still keeps in the "mistakes" a guest hosts make during the live recording, as if it's still a novelty having a "non-professional" sitting in the hot-seat and a fluffing a line or two. Isn't this the accepted format of the show now? Why are the still showing us what amounts to bloopers in the show itself?

HIGNFY is still incredibly popular and remains an entertaining watch, but I find myself wishing it would be overhauled. Ian Hislop and Paul Merton have been team captains for so long their shtick is fairly predictable, especially in the latter's case with his surreal meanderings. But more worrying than that, if we're honest HIGNFY is a much less perceptive satirical show than its reputation has us believe. If you note the type of jokes that are made off-the-cuff, or the writers have scripted for the guest host to read off the autocue, the majority of them are silly jibes about a particular famous person's public persona or physical looks. (Politician Eric Pickles is a particular target these days, just because he's fat. I guess Pickles is John Prescott's replacement because they've had the ex-Deputy PM on the show and now we know he's actually a straight-thinking and amusing man.)

Obviously not every joke can be a vividly perceptive gem that tackles the hot issues of the day in a fresh way, but I get the feeling that HIGNFY has less and less to say of real merit these days. It's like everyone who appears on it just follows the pattern they've seen play out hundreds of times, afraid or just unable to take the show down a different path. Why not alter some of the rounds, ditch some of the weaker ones, or bring in a few new ideas? For instance, why is there still a "guest publication" in the Missing Words round? Wasn't that a one-series joke that never got retired? Its weekly inclusion just removes the opportunity for a politically-based joke when the missing word has something to do with a niche topic like raisins instead of something topical and of public interest.

It just feels like HIGNFY could do with a facelift, because it's been around for so long that viewers find it comforting (some people have never known a world without HIGNFY, remember!), and treat it with a reverence it perhaps doesn't deserve anymore. It probably helps that there's no admirable challenger out there, with Channel 4's disappointing 10 O'Clock Live and Adrian Chiles' That Sunday Night Show its closest competitors. In comparison to both, HIGNFY remains genius.

If you were thinking Friday nights had become a little joyless lately, here's good news. The best panel shows around are back to make BBC1's end-of-week comedy desert bloom again.

Unbelievably, this is the 43rd series of Have I Got News for You sifting current events or, put another way, the 364th episode - and so far Ian Hislop hasn't missed one. He'll be renewing hostilities against Paul Merton here, with likeable wit Stephen Mangan in the chair as guest host (coming later in the series: Alastair Campbell!)

At the heart of BBC One's returning Friday night comedy block is the 43rd series of Have I Got News for You. Over the last 22 years the current affairs panel show has clocked up some improbable statistics: no fewer than 363 episodes transmitted, with Alexander Armstrong its most frequent guest host after 19 appearances in the chair. Tonight's show will be hosted by Stephen Mangan, alongside veteran team captains Ian Hislop (who has appeared in all 363 editions) and Paul Merton (a relative novice at just 355). Later in the series, we are promised debuts from new hosts such as former government spin doctor Alastair Campbell, as well as returns from motormouth Jeremy Clarkson and Homeland's Damian Lewis.

As this three-part mini-series comes to an end, Dirk's negligence, scattiness and parsimony is catching up with him. He can't pay the rent, he can't pay his staff and he can't keep a cleaner. Worse still, someone's bumping off his past clients one by one. But, as is so often the way in matters Gently, might it be that all these situations are interconnected? It's probably been the misfortune of Howard Overman - who has adapted Douglas Adams's novels - that Dirk Gently appeared at roughly the same time as the masterful and, it must be said, much more lavishly produced Sherlock. It has its amusing moments, and Stephen Mangan and Darren Boyd make a decent double act. But most of the time, DG just comes over as Sherlock's slightly goofy younger brother.

We'd love another series of this double act of Stephen Mangan as Douglas Adams's eccentric holistic detective and Darren Boyd as his eyebrow-raising assistant. But for now, we'll just have to savour this twisting and turning final episode, in which Dirk is framed after several of his clients are murdered.

Not enjoying the Dirk Gently pilot very much, I predicted this "comedy-drama" - another warning required for these - wouldn't get a series. So here it is. I like Stephen Mangan, who plays the holistic private eye; I like Darren Boyd. But the most telling line was the latter's "Wow, that's... bollocks."

Following on from a successful pilot in late 2010, BBC Four's commissioned a full series of this comedy drama loosely based on the novels by Douglas Adams, and starring Stephen Mangan as the holistic detective.

The first episode in the series, which sees Dirk deal with a murder that has links to the Pentagon, contains some funny situations created by Howard Overman, the man behind the adaptation. Such things include Dirk breaking into a house of the murder victim by smashing a glass door being witnessed by those inside. Then there's Dirk surveillance operation which goes completely wrong thanks to his partner/assistant MacDuff's (Darren Boyd) new chair.

However, personally speaking I'm one of those people who would have been happier with the original stories being adapted for the screen rather than having new ones developed. While it does contain some elements from the original books, such as Zen navigation (instead of using a map to go where you want to go, you follow someone who looks like they know where they go, often leading you to somewhere you need to be), it would be nice to see Adams's original tales on screen.

Still, if you too are annoyed by the lack of faithfulness in this adaptation, there are always the more faithful Radio 4 stories starring Harry Enfield, which does follow Adam's work much more closely (Electric Monks and Norse Gods included).

In Stephen Mangan's own words, Dirk Gently is "charming, ­irritating, bright, funny, hapless, unreadable, transparent, roguish, chaotic, philanthropic and possibly dishonest".

That's a lot of character traits to be dealing with, but we discover yet another, equally surprising side of his personality tonight as he shares fish and chips with a new female friend.

Dirk and MacDuff (Darren Boyd) are at Dirk's old college at Cambridge to take up the post of head of security.

His former teacher, Professor Jericho (Bill Paterson), is trying to develop artificial ­intelligence and he's afraid that someone is attempting to steal his research.

However, Dirk's more concerned with breaking into the college records to find out why he was expelled as a student.

It's just a shame creator Douglas Adams isn't around to see how Howard Overman has ­transferred Dirk to the screen.

He'd definitely approve.

The main plus point for Dirk Gently is having the consistently great Stephen Mangan on board in the lead role - he's certainly one of our most watchable comedy actors, and is in particularly fine form as the infuriatingly self-sure (but still rather lovely) private detective who believes in 'the fundamental interconnectedness of all things'.

Since the superb Sky One comedy Spy, my eyes have also been belatedly opened to the huge talent of Darren Boyd, who plays Gently's rather more conventional assistant-slash-business-partner MacDuff - so all in all I can't help but come to Dirk Gently with a whole heap of goodwill.

But I think my enjoyment of this episode can be put down to more than that. It's a great-looking thing, and the script was sharper than the pilot - I particularly enjoyed the line "his cheque bounced like the proverbial basketball... on a trampoline." Miss out the word "proverbial" there and it's prosaic; with it, it's a winner. There were little gems like this throughout the hour, and Douglas Adams's genius sense of the absurd is perfectly encapsulated in the idea of 'zen navigation': find a car that looks like it knows where it's going, and follow it. Pretty silly, but highly entertaining.