Simon McBurney

A more prominent role for the brilliant Simon McBurney as the fabulously disdainful Archdeacon Robert has helped to make the second series of this sitcom about an inner city parish a real treat. He's here from the start in this episode, circling gleefully as Reverend Adam Smallbone (Tom Hollander) discovers a hole in the church accounts. Salvation arrives in the form of a wealthy city banker, played by guest star Richard E Grant, who fetches up at St Saviours to join the church's Alcoholics Anonymous class. However Adam soon finds himself morally compromised once again.

There can be little argument, after tonight's episode, that this sitcom about the long-suffering vicar of an inner-city church - which is currently midway through its second series - is among the funniest things on television. It begins with the vicar, Adam (Tom Hollander) rising with a start from a hilariously saucy nightmare only to find that his waking life is no less strange, with an elderly parishioner demanding an exorcism for her new room. Watch out especially for a scene involving the parish's malevolent archdeacon (Simon McBurney) and a lavatory full of snakes.

Rev has undoubted charm but up against all those post-comedies, seems very conventional (part of the charm, no doubt). The support cast (Olivia Coleman, Hugh Bonnevill) are routinely excellent, though, and my favourite is Simon McBurney as the camp archdeacon who conducts church business in a sauna or the back of a taxi en route to somewhere pretentious. Last week it was the National Theatre, where David Hare was reading out emails.

Tom Hollander's Rev Adam Smallbone is contemplating the loneliness of the clerical calling in the latest episode of this sprightly comedy. He can't even make friends among his parishioners, he complains, because "I've got to be on at all times. I've got to be nice." A prospective groom provides a temporary escape from his isolation but the Rev's desire to please leads to a plan to provide "the smoky stuff" - burning incense - at his wedding ceremony. Enter Simon McBurney's high camp and very arch archdeacon, at the first whiff of "Latinate choreography".

Four episodes in and the tone of Rev has definitely got a little darker. Tonight's episode focuses on the sin of envy, specifically Adam's jealousy at a media-savvy rival, Roland Wise (Hugh Bonneville). Cue an appearance on The One Show that doesn't go as Adam might have wished. That's not to say the jokes have been entirely sacrificed. Simon McBurney's Archdeacon Robert, in particular, is a delight: "The chances of promotion in the Church of England are about the same as in the Chinese Army..."

In a medium awash with lazy stereotypes, it's original thinking that stands out. The most compelling television provides a new perspective on an old story, and challenges the laziest of preconceptions with wit, humour and more than a dash of bravado.

BBC Two's new series Rev is pretty much a masterclass in how to pull this off. Take one fine actor (Tom Hollander), add an equally brilliant supporting cast (Olivia Colman, Steve Evets, Miles Jupp, Lucy Liemann, Simon McBurney, Ellen Thomas), choose a fraught subject (religion), throw in some punchy writing (James Wood) and get Peter Cattaneo (of The Full Monty fame) to direct the lot and what have you got? A damn fine reason to stay up late on Monday nights, that's what.

Firstly, the subject matter: religion, or more specifically, the Church of England. With the notable exception of Father Ted, comedies involving vicars tend to be soporifically safe. Not only is Rev travelling without seatbelts, it is also doing 90 miles an hour down country lanes with the roof off and the stereo on full blast. This is no gentle cake-and-cassock comedy; it's the story of an ordinary, fallible vicar living in a tough, brutal world who is trying to do something very extraordinary: stay true to his faith.

That the Reverend Adam Smallbone is an ordinary fellow we know from his behaviour. He is a man who jumps the lights on his bike, who gets nervous and drinks too much at parties, who tries (and fails) to have sex with his wife. His flawed but irresistibly likeable persona comes across loud and clear in just a few opening moments, brilliantly pinpointed by the direction, the writing and, of course, by Hollander himself, whose performance is outstanding.

The themes, too, are unrelentingly contemporary. Smallbone is in charge of St Saviours, a grand, dilapidated church in a run-down inner-city area of London with a confusingly mixed catchment. There are the regulars, a rag-tag collection of locals led by Colin, the neighbourhood ne'er do well, who has a fond affection for the "vicarage"; and there are the newcomers, in the shape of the arrogant, urbane middle classes, led by the local MP, played as a modern-day social Flashman by Alexander Armstrong. Simon McBurney is deliciously oily as the Archbishop, who Smallbone only ever seems to encounter in the back of a taxi, all black leather gloves and dark threats.

The opening theme is current and controversial: "On your knees, avoid the fees", chirps Armstrong's villainous MP, as he horse-trades a place for his delinquent son in exchange for cash to repair the broken stained glass window of St Saviours. It's a merciless commentary on modern life; but it also has a surprisingly strong moral, dare I say thoughtfully theological, core. The temptations that assail Smallbone may be very contemporary in their nature; but they are as eternal as the themes of the Bible itself: right v wrong, truth v corruption, the poor v the rich.

As to the comedy, it's of the organic kind, not the obvious gag kind. Outside the church, the Reverend and Colin share a bottle of beer and discuss Richard Dawkins (as you do). "If I met him I'd kick him in the bollocks," says Colin, with customary frankness. Earlier Smallbone, confronted for the nth time by a group of sneering builders and their spectacularly unfunny jokes about choir boys, pauses. Slowly, and with a look of weary resignation, he removes his dog-collar. "Why don't you just f*** off," he says. The viewer punches the air with joy.

Fans of Father Ted and The Vicar of Dibley might recoil from the relatively gritty realism of this new six-part ecclesiastical sitcom. Tom Hollander stars as the Reverend Adam Smallbone, a country vicar who takes over an inner-city parish and finds himself tested by a very modern set of moral dilemmas. In episode one, it's the miracle of a good Ofsted report that fills his church with parents of little faith but a genuine fervour to get their children into the church school. When someone throws a bottle through the stained glass window causing £30,000 worth of damage, the Rev has a range of fund-raising ideas from a bring-and-buy sale to sitting on the church roof until someone pays for him to come down. "I think you might be up there for some considerable time," opines Simon McBurney's iPhone-equipped archdeacon. The Rev's best bet is a spot of horse trading with the local MP (Alexander Armstrong), which could bring in the cash in return for a school place for the politician's son. But ought a vicar to be a little more high-minded in how he goes about God's restoration work? Hollander previously donned clergyman's robes in 2005 to play Jane Austen's obsequious Mr Collins in Pride and Prejudice, but he's much more of a baffled everyman here. The script could use a little of Austen's light touch, though. Do vicar's wives really talk about "bashing the bishop"?

This intelligent new sitcom offers a much more gentle take on clerical comedy than Father Ted. Actor and co-creator Tom Hollander, who stars as the Reverend Adam Smallbone, was intrigued by the idea of a classic Church of England vicar being thrust into a parish in the unforgiving urban jungle of London.

The cast clearly had faith in Hollander's vision, because he's got the wonderful Olivia Colman (Green Wing, Peep Show) as his wife Alex and Lucy Liemann (Moving Wallpaper, Reggie Perrin) as the local headmistress, alongside Alexander Armstrong guesting hilariously this week as an MP.

With the London landmark of St Leonard's church in Shoreditch standing in for the fictional St Saviours in the Marshes, tonight the Rev is delighted to see the meagre ranks of his congregation swelling - until he discovers the parents are just trying to boost their religious credentials to get their kids into the good C of E school round the corner. And Adam faces a moral conundrum about whether he should award places in return for money.

The Archdeacon (a brilliant turn by Simon McBurney), who holds very unsentimental views about a vicar's role in the inner city, would undoubtedly think so. He seems to be constantly circling the capital in a black cab and there's a lot of mileage in this character, in every sense.

Rev's mission isn't to make you roll on the floor laughing. It's subtle and thoughtful, with heart and soul as well as a funny bone. I'll say Amen to that.