British Comedy Guide

Simon Lipkin

  • Actor and puppeteer

Press clippings

Live review: Brian & Roger - A Highly Offensive Play

Based on a podcast from Harry Peacock and Dan Skinner which sees two recently divorced men bond over their misery, you won't need to have heard a single second of it to enjoy this superb two hander.

Alex Finch, Comedy To Watch, 13th December 2021

Brian and Roger at the Menier Chocolate Factory review

If your idea of a good night out at the theatre is watching two grown men dress up in ridiculous outfits while pretending to be chased by dogs, shagged by an elephant or bitten by a poisonous snake while all the while shouting at each other on mobile phones, then this is the show for you.

Sarah Crompton, What's On Stage, 3rd November 2021

Brian & Roger: A Highly Offensive Play review

Despite being subtitled 'A highly offensive play', the comedy plays for shock value rather than offence.

Sonny Waheed, The Reviews Hub, 3rd November 2021

Brian & Roger review

Adaptation of Harry Peacock and Dan Skinner's podcast is painfully unfunny.

Clive Davis, The Times, 2nd November 2021

Brian & Roger: A Highly Offensive Play review

The misadventures of a hapless hero led astray by his false friend are funny but don't quite fill three dimensions.

Brian Logan, The Guardian, 2nd November 2021

Brian & Roger: A Highly Offensive Play, Menier, review

When poo's being thrown things are getting desperate.

Sam Marlowe, i Newspaper, 2nd November 2021

Brian & Roger - A Highly Offensive Play review

Dan Skinner and Harry Peacock's hit podcast Brian & Roger is given a new life on stage, but impressive theatrics don't enliven tired tropes.

Holly O'Mahony, Culture Whisper, 2nd November 2021

Brian & Roger - a highly offensive play review

As its title suggests, this podcast-inspired production sometimes IS highly offensive.

Nick Curtis, Evening Standard, 2nd November 2021

How Brian and Roger became a stage play

How a podcast about two sad, divorced men turned into a 'Highly Offensive' play.

Dan Skinner, The Independent, 1st November 2021

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