Simon Day

Radio Times review

"In part two of this revealing but convoluted documentary," says narrator Rhys Thomas, our man Brian (Simon Day) enters the US Rock and Roll Hall of Fame. This prompts a retrospective. In the 1970s and 80s, Brian enjoyed mainstream success, pitched here somewhere between Peter Gabriel and Dire Straits; meanwhile, Thotch carried on without their departed talisman, regrouping as an outfit very similar to Rumours-era Fleetwood Mac.

This is the funniest Pern yet. Every line of Thomas and Day's script brings a laugh, and even the editing and archive shots are carefully loaded with absurdity. Scorching guest turns come from Christopher Eccleston as the producer of Brian's awful Madchester LP, and Jane Asher as an apoplectic ex-wife.

TV preview: Brian Pern: 45 Years Of Prog And Roll, BBC4

Last time we saw Brian Pern he had had a heart attack and it looked like he might be retiring. But you don't get rid of prog rockers like Pern - played by Simon Day - that easily. He is on TV again for a new series exploring the highways and byways of the rock world.

A second outing for Harry Hill as the Steve Jobs of slapstick inventions, absent-mindedly terrorising the quaint village of Great Pagwell with his daft contraptions. Branestawm's pre-eminence is challenged by snide Professor Algebrain (Steve Pemberton), a heel-clicking Euro-rival determined to win a lucrative inventing competition bequeathed by the late Lady Pagwell. A considerable amount of buffoonery ensues. The game cast includes Vicki Pepperdine and Simon Day.

Radio Times review

Harry Hill returns as the multi-spectacled boffin of Norman Hunter's children's books. After Branestawm's TV introduction last Christmas, his cartoonish adventures are once again adapted by in-demand writer Charlie Higson. This time the chocolate-box village of Pagwell is, fortuitously, hosting an invention contest. But has Branestawm met his match in the ingenious Professor Algebrain (Steve Pemberton)?

Among an extraordinary cast giving fruity performances are Diana Rigg, Simon Day, Vicki Pepperdine, Matt Berry and his absurd intonations, Sophie Thompson and David Mitchell. From the clips available to RT, it's wildly eccentric, old-school and very funny - with a barking mad chase sequence.

BBC Two's newest comedy drama c]Nurse] is written by and stars Paul Whitehouse as a cavalcade of characters. Originally airing on Radio 4, the programme sees Esther Coles star as Liz; a community psychiatric nurse with a number of colourful patients. Whitehouse appears in almost every scene and in the first episode played a total of six characters. As with a lot of character-based comedy not every situation hit the mark especially one in which Simon Day played Whitehouse's former prison roommate. Whitehouse is now stranger to playing multiple characters having done so in everything from The Fast Show to those ubiquitous Aviva adverts. However I don't think his brand of humour quite fit the subject matter of Nurse[/] which at times felt quite dark. For a show that's billed as a comedy first and foremost I didn't laugh once but then again I didn't know if I was really supposed to. This was a problem for me as their was an imbalance of tone between Whitehouse's broad humour and the sensitive subjects that Liz had to deal with during her rounds. Whitehouse has perfectly mixed pathos and humour before, most notably in his underrated sitcom Happiness, however I don't think Nurse stands up against the comedian's former offerings. Thankfully there are some bright spots in Nurse most notably Esther Coles who is perfectly convincing as the harassed Nurse Liz. In my opinion I found the most successful scenes were the ones in which Liz was on her own talking to on her phone to her kids or her estranged husband. Similarly Liz's meeting with the brilliant Rosie Cavallero's Cat Lady was the first episode's most moving scene. This leads me to believe that Whitehouse's insistence on playing the majority of the characters is a hindrance to Nurse's overall success. Had he simply selected to play one role than I feel that I would've enjoyed Nurse a lot more than I actually did.

In Nurse Paul Whitehouse has, with co-writer David Cummings, adapted this multi-role comedy, almost literally fleshing out the characters with much aid from prosthetics.

He plays most of the patients - or service users, as NHS jargon now has it - of the eponymous nurse, Liz (beautifully played by Esther Coles). She's a community psychiatric nurse and in last night's opening episode of four we followed her as she attended to her charges - which seems to involve injecting most of them in the bum with their medication - while visiting them in their homes.

As first sight Liz's patients may seem to be a gallery of grotesques - they include Graham, a morbidly obese young man who can barely move from his bed, a psychotic, agoraphobic ex-prisoner Billy, and ageing lech Herbert (shades of The Fast Show's Rowley Birkin), long past his many sexual conquests - but they are beautifully observed and carefully constructed individuals, people we laugh with, not at.

Whitehouse and Co (aided by Ian Fitzgibbon's adroit direction) capture the huge array of mental health issues, and intelligently address the very real problem that some sufferers have - of people close to them with whom they are in dangerously co-dependent relationships. It's a recognised phenomenon that a loved one can still be jealous of the person getting, as they see it, all the attention, or that they fear the patient becoming well and leading an independent life means their role within it diminishes, and so may try to scupper their recovery.

Other roles in a very strong cast are filled by, among others, Ben Bailey-Smith (aka Doc Brown) as a joky police officer Liz deals with on a frequent basis; Whitehouse's old confrere Simon Day, as Billy's controlling friend Tony; and Rosie Cavaliero, who like Whitehouse plays more than one role - Graham's overfeeding mum and April, a woman who lives alone with her monstrous regiment of cats, eating the same food: "If it's good enough for my little darlings, it's good enough for me."

Nurse is full of pathos and there are no Fast Show punchlines or catchphrases, but there are many, many laughs - often slipped in as throwaway lines or there to undercut the poignancy.

Created with evident affection for the institution of the NHS, and a deep respect for those working in it, Nurse has a real emotional pull while supplying some snortingly good comedy. Warmly recommended.

For his first dramatic acting role, comic Harry Hill was desperate to play the original Nutty Professor from Norman Hunter's children stories.

Swapping his trademark ear-skimming collars for Branestawm's multiple pairs of glasses, he's the perfect fit for the role in this one-off special penned by Charlie Higson - which we predict will be the first of many.

The Fast Show's Higson, a best-selling children's author, has added some modern touches of his own that should strike a chord with a brand new TV generation raised on sonic screwdrivers.

By far the most significant is the addition of a determined young sidekick called Connie (Madeline Holliday) who is fed up with being taught useless subjects at school.

Even though Branestawm may be the worst science teacher you could imagine, I practically cheered to hear Connie say that she wanted to learn about civil engineering.

As the Professor's inventions bring chaos to the village of Great Pagwell, Hill is joined by another Fast Show stalwart, Simon Day, as Branestawm's best friend Colonel Dedshott.

David Mitchell plays his nemesis, the officious councillor Harold Haggerstone who wants to shut down Branestawm's "Inventory" and Vicki Pepperdine is his housekeeper Mrs Flittersnoop.

It's all hugely silly, but perfect family entertainment nevertheless.

Professor Branestawm: Why you should tune in

Although he's supported by a starry British cast including the always brilliant Vicki Pepperdine, Simon Day, David Mitchell and Ben Miller this is definitely Hill's big outing, and whether you enjoy it or not obviously depends on whether you actually like the former comedian turned King of Bloopers.

Advertising man and stage magician Norman Hunter first created his quintessential absent-minded professor in the 1930s, in a couple of well-loved children's books. He then took a 33-year break, reviving Branestawm in the 1970s when he knocked off a string of books of comically disastrous experiments, which became fixtures of the story-reading show Jackanory for a new generation.

Nothing much had changed: Branestawm still existed in a dreamy, madcap world where "doing science" meant blowing things up and it was understood that geniuses were exempt from normal behaviour, like dressing properly or remembering anything.

Now, science tends to mean computerised calculations and even landing a rocket on a comet does not exempt a chap from apologising for a dodgy shirt. In fact, not all scientists are even chaps. But we still have this idea - popularised by dramas like The Social Network or Sherlock - that no-one can be that clever and still be, well, "normal".

Charlie Higson, who revived another old franchise for the pre-teen set with his Young Bond books, has adapted Hunter's characters for a nostalgia-soaked family romp, nominally set in the 1930s but actually set in a delightfully artificial never-was.

Harry Hill makes his thespian debut as the eccentric academic, though it's more of a broad performance than actual acting. But he's surrounded by a capable, in-on-the-joke cast including Ben Miller, Simon Day, Vicki Pepperdine and Higson himself. A basically-modern little girl sidekick (Madeline Holliday) stands in for the hoped-for young audience, gleeful over bangs and mess but still, perhaps, getting hooked on science into the bargain.