Sharon Horgan

Over on Sky Arts 1, some light relief from Psychobitches, one of the best new comedies on TV last year, though given its tiny home, few people actually got to see it. It's a sketch show set in a therapist's office, in which famous (dead) women from history tell psychiatrist Rebecca Front their troubles. The first series was a knockout - Julia Davis played a wailing hybrid of Pam Ayres and Sylvia Plath; the Brontë sisters were foul-mouthed, filthy puppets obsessed with sex, and Sharon Horgan played a campy Eva Peron, who clung on to her bottles of "boobles". It was silly, and odd, and very funny.

This second series is almost as good, though it feels more like a traditional sketch show and is slightly patchier, perhaps due to the sheer number of writers (I counted 12 on the credits for the first episode of this double bill, and seven on the second). In the best sketch, Kathy Burke and Reece Shearsmith play the Queen Mother and Princess Margaret as crude and grotesque, glugging down booze as Burke repeatedly rejects her on-screen offspring with delicious cruelty. Morgana Robinson joins the cast to play a sloppy Anna Nicole Smith - hers is a masterclass in physical comedy - and there's a musical skit featuring Unity, Decca and Nancy Mitford, as imagined by Horgan, Samantha Spiro and Sophie Ellis Bexter. In a sketch the Mail has already called "hideous", Michelle Gomez has gone from Doctor Who's Missy to an even more terrifying villain, playing Thatcher as a Hannibal Lecter-style monster, incapable of love. It's at its finest when it's upsetting the establishment, and it relishes its naughtiness.

The second episode was less sharp. Perhaps, given its hyperactive pace, it works better in single doses. But I loved Horgan as Carmen Miranda - "Of course I'm on fucking drugs" - and Sheridan Smith as a mute Sleeping Beauty, whose endless sleep has an ulterior motive. And anything that gets Kathy Burke back on our screens, even for a few minutes, is well worth our attention.

A double bill to launch the new series of this splendidly daft sketch comedy from The League Of Gentlemen's Jeremy Dyson. Rebecca Front returns as the ever-patient psychologist and a dazzling cast of comedy performers - including Katy Brand, Morgana Robinson, Sam Spiro, Sharon Horgan, Doon Mackichan and Liza Tarbuck - play fantastically loopy women from history. Tonight Anna Nicole Smith comes to talk about her love life, and Anne Boleyn hopes for a happy resolution in her couples therapy.

Radio Times review

As the title suggests, this sketch-comedy doesn't purport to offer a balanced portrayal of the historical subjects it puts in the therapist's chair. Instead, it's a rare chance to see some of our finest comic actresses freed from the shackles of realism.

In the first of a double bill, we see Kathy Burke transformed into a louche, foul-mouthed Queen, Sharon Horgan crooning angst as country singer Tammy Wynette and a breathy Morgana Robinson as Anna Nicole Smith. Fresh from playing enigmatic Missy in Doctor Who, Michelle Gomez steals the show as a clipped, impeccably coiffed Margaret Thatcher. "Love?" she sneers, when Rebecca Front's long-suffering therapist tentatively broaches the subject - "it's a fictitious concept, like heaven or peace or God."

Sharon Horgan interview

'These days female comedy sells, and people want to watch it'

American network IFC orders Series 3 of Todd Margaret

Sharon Horgan is among the series regulars confirmed to be returning for Series 3.

Q&A with Jeremy Dyson and Sharon Horgan

Will Psychobitches have a male spin-off in the future, Psychobastards? Writer-director Jeremy Dyson let the question hang in the air a second, revealing the suggestion has been raised as 'a semi-serious thing', before adding 'but the point of this is that it's women. Hitler's been done to death...'

Can the format of Psychobitches really sustain a series? While it's fair to say that returns do diminish somewhat, there are still plenty of chuckles, what with Sharon Horgan's desperate Virginia Woolf and a slatternly, pie-guzzling Diana Dors finding herself face to face with the real Marilyn Monroe. It's limited but fun, which is more than you can really say for Up the Women.

Psychobitches is a series born out of popular acclaim for last year's pilot. Rebecca Front plays an In Treatment-style shrink for famous females from history, and it was a cracking opener, right from the first moment when Rosa Parks needed a seat in the waiting room and everyone quickly jumped up.

I'm always in the market for a pastiche of Whatever Happened to Baby Jane?, and the one here, featuring Frances Barber as Bette Davis, and Mark Gatiss dragged up as Joan Crawford, was high-camp nirvana. Other highlights included Samantha Spiro as a fey, infuriating Audrey Hepburn, Sharon Horgan's Eva Perón, suffering from "feelings of grandiosity", and the Brontë sisters transformed into bonnet-wearing, foul-mouthed Chucky dolls.

A few of the short sketches needed to be even shorter - as in 100% shorter. On the whole, though, what a treat, to the point where I started hallucinating. It felt as though the screen was glowing, as if I were in a sci-fi movie, where an all-female (sorry, Mark Gatiss) comedy mothership suddenly appears, illuminated and throbbing, the door opening to reveal none other than Emily Wilding Davison laughing her bloomers off. But then I got over myself. It's quite enough that Psychobitches was indisputably funny.