Sean Lock

Sean Lock, live at the Hammersmith Apollo in 2010: the style borders on banter and isn't so different to what you'd hear down the pub with your funny-ish mate. He does the Michael McIntyre roam of the stage and has a gesture or physical description for nearly everything. The jokes are a mixed bag - the opener about needing to get out the house because of the kids is pretty pedestrian - but his routine about the fuss the "wheat intolerant" make is worth sticking around for.

The comedy panel show is in rude health, there's no doubt about it. Friday night's are when BBC1's genre stalwart Have I Got News For You airs, and now it's joined by three rivals-two of which are new to the airwaves. First there's old-hand 8 Out Of 10 Cats, which is fuelled by statistics and opinion polls compiled about the week's news and gossip. There's been no significant changes to the show's format since it began, although team captain Jason Manford's now been replaced by comedian Jon Richardson.

The show itself can be one of the funniest panel shows around, on a good day. While many contemporaries have to balance jokes with a serious satirical agenda, Cats is as trivial as the lists it uses as its source of information. Headed by three comedians who are presently active on the circuit, it's more obviously an excuse to deliver jokes and amusing observations about topics the nation's chattering about. There isn't much in the way of thought-provoking insights and incisive satire, just pub-level joshing and quips with a topical theme. Team captain Sean Lock's found himself the ideal format for his brand of comedy, too-as I don't care for his stand-up but he seems to thrive in this panel show environment. Having some enforced structure and banter with guests appears to give him a boost.

In many ways Cats reminds me of Mock The Week in its approach to skewering the week's news, but there's a much more pleasant atmosphere to it. Mock often feels like six comedians scrambling to outdo each other in a competitive environment, but those involved with Cats are more gracious to their fellow panelists. Plus, in allowing non-comedian guests (here, cage-fighting fame-whore Alex Reid and Countdown's mouthwatering Rachel Riley), it's more fun seeing them poke fun at people who are in the room-as Mock often feels quite cowardly.

Stay away from the new series of the dependably funny comedy panel show if you only watch it for team captain Jason Manford, because he's gone. In his seat is former 6 Music presenter and comedian Jon Richardson. The neurotic comic is one of the finest on the circuit. Still, it's only recently that he's made big enough waves to bag slots on Live at the Apollo, plus various guest spots on quiz shows. Richardson will almost definitely jell with host Jimmy Carr and fellow captain Sean Lock. But even if he doesn't, you'll eat up his cynical observations and snigger at his obsessive-compulsive tendencies. And the fact that he lives in Swindon.

Well done to the 15,000 people who actually paid for tickets to this comedy marathon a couple of weeks ago at London's cavernous O2 Arena.

It was all in a good cause - for Great Ormond Street - but you can see it without forking out for the Tube fare.

Alan Carr, Dara O'Briain, Lee Evans, Michael McIntyre, Jack Whitehall - if there's a comedian you've heard of but have not got around to seeing in the flesh, they're most probably going to be here.

As Jack Dee drily notes, the backstage area must have been quite an experience - all those comedians sitting around... NOTICING things.

It's hard to pick a standout stand-up, but Sarah Millican is fabulous and Sean Lock goes down a storm with topical gags about Ryan Giggs and Twitter.

And I love the introduction Lock got from Jonathan Ross: "He couldn't be more attractive to the ladies if he was a Take That ticket made of chocolate. That vibrates."

If you like your stand-up delivered at close quarters in a basement club, this is not for you. It's the behemoth of comedy occasions, a gathering of 20 or so top comics in front of a vast audience at the O2 arena. The event happened a couple of weeks ago and the consensus was that Sean Lock took the honours with his routine, including a topical line about the real cause of the ash cloud being Ryan Giggs burning newspapers. Michael McIntyre, Lee Evans and Sarah Millican add to the fun.

First acts announced for Greenwich Comedy Festival

Top names such as Omid Djalili, Sean Lock and Milton Jones all set to appear.

Over on Radio 4, Arthur Smith's Balham Bash seems more late-night 80s TV than 6.30pm radio. Aired first on 4Extra, this new series, though congenial, is too slack and studenty for Radio 4. The concept is that all the acts are in Arthur's house - at the top of the stairs, sitting in the lounge, in the kitchen - and the audience is squidged in there, too. But that small crew has to provide all the atmosphere, and as Arthur moves through the house, talking, they don't quite know how or when to respond. A thin "Yay!" is all an act can expect, and comedians - excellent ones, such as Simon Evans or Sean Lock - perform, for the most part, to embarrassed silence.

Leading up to the British Comedy Awards, Comic's Choice invited five celebrated comedians - Alan Davies, Sean Lock, Jo Brand, Jessica Hynes, Lee Mack - to choose a shortlist and winner from among their own personal past favourites. Bill Bailey played affable host, something he does effortlessly.

Forgetting for one moment the universally acknowledged truth that no comic truly enjoys any laughter they haven't themselves produced, the show's premise was flimsy in the extreme. Not to mention confusing - Alan Davies nominated Chris Morris as Best Breakthrough Act for work done in 1994.

Davies also took part in a film recreation of an unsuccessful audition he once attended, as gratuitous a piece of padding as I have seen in a long time. This lack of coherence was reflected in the meaningless studio set design which threw together leather armchairs, old boilers, stuffed elk heads and bicycles combined to create the effect of a gentleman's club located in a garage.

Basically Comic's Choice was yet another excuse to disinter old archive clips instead of producing fresh comedy. Although, having said that, the archive clips were rather excellent, so I'm not complaining too loudly.

When actors talk warmly about other actors who inspired them, the results are embarrassing, as a rule. But the same doesn't apply to comedians, for some reason: get them talking about other comics and the results can be tart, revealing and funny. That's the idea here as part of the extra hoo-ha that Channel 4 is drumming up around next week's British Comedy Awards. The idea is that Bill Bailey chats to a different comedian each night about his or her comedy heroes. What are their all-time favourite shows and which comedian would they give their own personal award to? Bailey begins with selections from Alan Davies - always smarter than he pretends to be - and later in the week there's hero worship from Lee Mack, Jo Brand, Jessica Hynes and Sean Lock.