Sarah Lancashire

Last Tango in Halifax returns for more generation games

One of the things that makes Last Tango so life-like is how wonderfully petty and two-faced it allows its characters to be, and the scenes between Caroline and Gillian are deftly handled by Sarah Lancashire and Nicola Walker.

Derek Jacobi and Anne Reid resume their touching romance as mature lovebirds Alan and Celia for a second season of laughter and tears. Having narrowly cheated death last time out, Alan has a renewed zest for life and, apart from a spot of rock climbing, what he really, really, wants to do is be married to Celia - and the sooner the better. As for daughters Gillian and Caroline, the near-fatal crisis appears to have brought the families closer together. But the honeymoon period hits turbulence when Caroline's wastrel ex John enters the scene and complex emotions bubble to the surface. Nicola Walker, Sarah Lancashire and Tony Gardner co-star.

At the end of the first series of Sally Wainwright's winning, warm-hearted drama, dear Alan was hovering between life and death after a heart attack. Obviously he survives, or there wouldn't be much point in returning to Yorkshire for a second helping.

It's great to see everyone again in a drama where pensioners are loved, cherished and never dismissed as inconvenient, and this time the masterly Wainwright has broadened the drama to dig deeper into other characters, notably Caroline (Sarah Lancashire, who's excellent) the newly-confident and newly out lesbian. While Alan and Celia (Derek Jacobi and Anne Reid) mend the relationship that almost fractured for ever, there's a shift in the tectonic plates in the romantic lives of their families. Just look at poor Gillian (Nicola Walker), who is made to pay for her terrible mistake in sleeping with John (Tony Gardner), Caroline's pathologically hopeless estranged husband. No one does bleating wretchedness like Gardner - no one.

You don't need to be a spring chicken to flirt or fall in love - as last year's surprise hit Last Tango In Halifax certainly proved.

Seven million viewers were hooked as love-struck wrinklies Alan and Celia, both in their seventies, rediscovered their love for each other, 60 years after first meeting.

Sweet and often hilarious, the series bagged a Bafta and returns for a second run.

"At my age, to get a part like Celia is manna from heaven," admits Anne Reid, 78. "There aren't enough roles for older actresses. I feel very lucky indeed."

The first episode picks up from where we left off with Alan (Derek Jacobi) regaining consciousness from his heart scare, much to Celia's relief.

Reflecting that life's too short, they decide to get married - in a fortnight!

Elsewhere, Sarah Lancashire and Tony Gardner return as Celia's daughter Caroline and her hubby John.

He gets drunk and ends up in bed with Judith (Ronni Ancona).

"I've been in this business a long time," says excited former Corrie actress Anne, "but I've never known anything like this."

Warm, romantic and BAFTA-winning, Last Tango In Halifax was a bona-fide hit last year, neatly refuting the idea that there's no audience for "stuff about old people" on TV.

It's even getting an American remake with Diane Keaton. So it's no surprise that it has quickly been brought back, nor, given that much of its strength lies in its near real-time pace, that the story resumes moments later.

Yet pacing might prove to be an issue this year, as the reunited sweethearts Alan and Celia (Derek Jacobi and Anne Reid) are now an established couple. Having missed 60 years together, they have surely too much sense to fall out again over minor misunderstandings. Their respective daughters (Nicola Walker and Sarah Lancashire) are still entangled in complicated love lives, but this can't really take over the focus of the series from the older generation. So where will the drama lie?

In the first episode, this isn't really resolved, as Alan recovers from his health scare and Celia organises their wedding, while the younger characters continue to flail. But it's still such a warm and well-observed show - with lovely bits of dialogue and performances - that maybe it doesn't matter.

Sarah Lancashire interview

Last Tango In Halifax earned the Oldham-born Sarah Lancashire a BAFTA-nomination last year and the show itself a clutch more awards nominations, as well as becoming a ratings winner for the beeb.

Last Tango in Halifax (BBC One) was very simply plotted, although, in contrast to a drama like The Town, writer Sally Wainwright's dialogue tended towards the emotionally incontinent.

"Why can't you accept that I want to be with Kate, that I am old enough to make my own decisions, and to accept it and be civilised about it?" wailed Sarah Lancashire's lesbian headmistress Caroline as she tried to drag her mother Celia (Anne Reid) into the 21st century.

A few scenes later and Celia had had a change of heart, declaring that she had "played hardball long enough" (perhaps the only 75 year-old in Britain to have ever used that term) and was ready to accept her daughter "for who she was" having been "on the road to Damascus".

Last Tango in Halifax was sometimes silly and two episodes too long. But it was that difficult beast, a comedy drama, and for all its faults could sometimes be both funny (any scene involving Tony Gardner as John, Caroline's feckless, needy ex-husband) and dramatic (any scene involving Derek Jacobi's Alan).

Pensioner Alan's late-blossoming courtship of Celia, his first love, was touching and the power came from Jacobi's understated performance. This theatrical knight has played many fascinating, complex men (Richard II, Francis Bacon, Alan Turing) but I have never seen him play ordinary. Often, great actors fail when they try to be the everyman; thwarted by their own heavyweight presence. But Jacobi as Alan achieved much by doing very little. Just by sitting in front of the Aga and sipping his tea thoughtfully, he vividly portrayed a kind, unremarkable man who had looked at life from atop his West Yorkshire farmhouse, and after three quarters of a century, had worked out its deepest mysteries. Amid the drama's silly theatrics of cheating spouses, concupiscent toyboys and alcoholic screw-ups, Jacobi added some much-needed depth.

The series has been a ratings success and will return next year when the grand and sometimes unlikeable Celia will prepare to walk down the aisle to The Entrance of the Queen of Sheba. Let's hope no pesky TV producer introduces an unfathomable story arc that will prevent her from getting her wish.

A second series has already been commissioned, which means that this is actually The ­Penultimate Tango In Halifax.

And if that makes things a little awkward, that's nothing compared to the dinner party which forms the backbone of tonight's episode, where you could cut the ­atmosphere with a blunt spoon.

And although, like pensioners driving over the Pennines in the dark, this series might have lost its way a little around the middle, tonight's finale is an absolute triumph.

The cast, led by Derek Jacobi, Anne Reid, Sarah Lancashire and Nicola Walker, have done Sally Wainwright's fabulous script proud, making these characters you can believe in even when they're behaving appallingly.

In fact, especially when they're behaving appallingly, as Celia and her daughter Caroline do tonight.

Tears, laughter and truthfulness are all here in abundance.

Last week Celia was informed that Caroline was in a relationship with another woman - a fact you might have thought had been plonked into the story simply to spice things up a little.

After all, as one character remarks tonight: "It's nowt these days. Nobody bats an eyelid."

On the contrary. The way Celia reacts to this news makes Alan see her in a whole new light.

Geographically they might not have travelled very far in the 60 years they've been apart, but Alan realises he should have been warned by Celia's choice of daily newspaper that there's a huge gulf between them in attitudes.

Let's just say that if only Celia read the Daily Mirror, so much unpleasantness might well have been avoided.

Having learnt that her daughter Caroline is a lesbian, Celia is shocked and judgemental. "What will folk think?" she demands of her fiancé, Alan. They'll be "pointing and saying things".

As Sally Wainwright's clever, multilayered drama ends, what started out as the most dreamy of courtships appears to have hit some very choppy waters when Alan (Derek Jacobi) decides he doesn't like this new side to Celia (Anne Reid). Caroline (Sarah Lancashire) isn't enamoured of it, either: "You're going to die lonely and bitter," she yells at her mother when the pair trade cruelties in a terrible row.

I'm going to miss Last Tango in Halifax, as will presumably its huge BBC1 audience. It was one of those dramas that arrived out of nowhere to an instant embrace from viewers, and none of us will quite be able to let Alan, Celia, Caroline and Gillian get away from us.

By the way, you will cry at the end. Oh yes, you will.

The conclusion of writer Sally Wainwright's excellent, if increasingly bonkers, second-time-around comedy drama. Dismayed by the harsh reaction of Celia Dawson (Anne Reid) to the revelation that her daughter Caroline (Sarah Lancashire) is gay, Alan Buttershaw (Derek Jacobi) calls off the wedding, leaving a distraught Celia to face her demons. Has she lost her soulmate all over again?