Sarah Brocklehurst

What an intriguing, and unsettling little movie Black Pond (2011, Black Pond, 15) is. At the Baftas its makers (director Tom Kingsley, writer/director Will Sharpe and producer Sarah Brocklehurst) were nominated for an outstanding debut award, and there is plenty here to suggest that they are an ever-so-slightly surreal force to be reckoned with. The story of a family who unwittingly achieve tabloid notoriety as a killer clan, the film mixes faux documentary interviews with off-kilter (and carefully coloured) scenes from a waking dream of life, interspersed with animated legends of lost ladies of the lake and three-legged dogs. It's peculiar stuff, occasionally funny, often poignantly uncomfortable, and consistently weird, like some subdued English relative of David Lynch's American gothic oeuvre. Chris Langham and Amanda Hadingue provide a suitably awkward mainstay as the collapsing couple at the centre of the drama, although Simon Amstell appears occasionally to have wandered in from a different (and more overtly comedic) movie as a madcap phoney shrink taunting Sharpe's mockable Tim. Extras include deleted scenes and the Sharpe/Kingsley short film Cockroach.