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Ruth Jones
Ruth Jones

Ruth Jones (I)

  • 58 years old
  • Welsh
  • Actor, writer and executive producer

Press clippings Page 29

Their sketch show was an obnoxious, homophobic mess, so it's probably wise that Mathew Horne and James Corden have returned in the show that first made them popular, Gavin & Stacey. The first episode of this final series was like a warm bath: slightly eccentric characters, love and empathy bubbling around the intertwined lives of three families. Gavin has moved to Wales to work and live with Stacey and was bored. His first day at work was littered with grating, if sweet, interventions - balloons, phone messages, a packed lunch from Rob Brydon's Uncle Bryn - which delighted his new, and yes kooky, colleagues.

You can see why Gavin & Stacey is universally loved: the dialogue is carefully colloquial, everyone has their turn, it affirms family and friendship, has a dark edge - but for this viewer there is a sense of old tricks being recycled. Everyone's quirks ("What's occurrin'?") are so well-worn they have lost their magic.

The only distinctive performances are Ruth Jones's monotone Nessa, with baby (who is with her though concealed at all times) and the marvellous, foul-mouthed Doris/Dor (Margaret John) who stuck two fingers up at the expectation that she'd make salad for the christening party. You should root for Corden's Smithy, father of Nessa's baby and trying to find a role for himself now his best friend has moved away and the mother of his child is with a new partner, but he's supremely irritating and unfunny.

Tim Teeman, The Times, 27th November 2009

Legend has it James Corden and Ruth Jones thought long and hard about the whys and wherefores and the what's occurrings involved in a third series of Gavin & Stacey (BBC1). As it stood, they had two perfectly formed series and one special, so cult status was assured. Stretch it out and the danger was it could all go a bit My Family. So it was a relief to find that, at least in parts, the charms of G&S - not just a sitcom, but an Anglo-Welsh melange of social integration, drizzled with dollops of juicy profanity - were still cooking with gas. With Gavin relocated to Wales for work, there was scope for surreal culture shock.

When a new colleague introduced himself with the words: 'My name is Owain Hughes. And before you ask, no I don't,' you shared his fish-out-ofwater befuddlement - unless you were Uncle Bryn, in which case you found it hilarious. It must be a Welsh thing. The story picked up with the christening of Nessa and Smithy's baby, an ideal excuse to throw the two halves of the G&S extended family together. And that was where the niggles started: when you wanted to get reacquainted with the principal players, the focus kept shifting to a ragbag of minor characters who were little more than sitcom sketches. Bringing in Nessa's dad and Smithy's mum (Pam Ferris) over-egged a pudding already threatening to collapse under the weight of its wacky ingredients. The best of Gavin & Stacey is in the little details, the laugh or cry moments. But at times here, the comedy was drawn with a broader brush, built around a succession of conventions written in the sitcom rulebook. Funny, es, but more like a succession of g ags and comedy observations than the flesh and blood reality it felt like before. Which inspired mixed feelings - it's undoubtedly good to have Gavin & Stacey back but, on this evidence, it's going to be a little easier to say hello and wave goodbye than you might have thought.

Keith Watson, Metro, 27th November 2009

Where Little Britain produced bizarre, gross-out comedy, Gavin & Stacey is a very traditional sitcom. It works in the manner of Dad's Army or Birds of a Feather - the eponymous leads, played by Mathew Horne and Joanna Page, provide a focus in front of a background populated by slightly grotesque caricatures, such as Rob Brydon's camp and simple-minded Uncle Bryn. Now for this third and final series, James Corden's Smithy is still living in Essex while Gavin (his best friend) and Stacey (Gavin's wife) have moved to Stacey's home town of Barry Island in South Wales. As the familiar characters reunite for the christening of Smithy and Nessa's son Neil, viewers who are new to the series (which has previously won two Baftas) may find that this opening instalment is not as immediately likeable or accessible as they might wish. Who, after all, would choose to spend time in the company of Gavin's shouty mother Pam (Alison Steadman) or Stacey's offensive best friend Nessa (Corden's co-writer Ruth Jones)? But as this first episode continues (next week's second is much funnier), it becomes obvious that these weirdly dysfunctional families makes a kind of sense - and that their ludicrous travails are no more ludicrous than most family's. So it's all very sweet, even if there's none of the innovation or edginess you'd find in The Office or The Thick of It.

Matt Warman, The Telegraph, 26th November 2009

Gavin & Stacey's journey from cult viewing to national treasure (seven million watched their Christmas Eve special last year) has been the stuff of fairy tales. When so few sitcoms cross over to be national hits, it's the kind of success that should lead to a string of series and bonanza DVD sales for years to come. Instead, writers James Corden and Ruth Jones are putting their gift horse out to pasture, so enjoy this third series (assuming they don't relent - we can cross fingers for more Christmas specials) while it lasts. It starts well, with Gavlah getting a culture shock at his new job in Barry (look out for his misunderstanding of "seven-a-side") and Stace hooked on Psychologies magazine. They're gearing up, along with everyone else, for the Christening of Smithy and Nessa's baby, the unfortunately named Neil Noel Edmond Smith. It's the kind of eccentric set-piece occasion the series pulls off a treat. The high point involves Bryn launching into inappropriate song from the altar, backed by Doris from next door on drums. It's a priceless moment, beautifully performed, as ever, by Rob Brydon as Bryn.

David Butcher, Radio Times, 26th November 2009

The Sun interviews James Corden and Ruth Jones

But both believe the third series - which starts on Thursday at 9pm on BBC1 - is the best.

Gordon Smart, The Sun, 24th November 2009

Ruth Jones cried for a week filming final scenes

Gavin and Stacey star Ruth Jones cried for a week as the cast filmed their final scenes for the BBC1 comedy, she has admitted.

The Telegraph, 7th November 2009

Ruth Jones: I wish I was more like Nessa

Viewers can't seem to get enough of Gavin & Stacey star Ruth Jones... but there's little danger of success going to her head.

Beth Neil, The Mirror, 17th August 2009

You can't blame BBC3 for constantly repeating its best-ever programme. Here's yet another chance to laugh along with a long-distance relationship conducted in Billericay (his home) and Barry Island (hers), complicated by the young lovers' ditsiness and their weird families and friends. The starry supporting cast (Alison Steadman, Rob Brydon, plus writers Ruth Jones and James Corden) provide the vulgar belly laughs, all as larger-than-life loons who never quite tip over into caricature, thanks to the earthy, affectionate script.

Jack Seale, Radio Times, 3rd August 2009

It's Gavin & Stacey... and Tom

Gavin & Stacey show bosses are busy creating a new character in the series for Tom Jones.

The Sun, 4th July 2009

Ruth Jones: Gavin & Stacey interview

The shy star of 'Gavin and Stacey' talks about her latest role, writing with James Corden and the pleasures of 'nice-com'.

James Rampton, The Independent, 3rd July 2009

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