British Comedy Guide
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Ruth Jones
Ruth Jones

Ruth Jones (I)

  • 58 years old
  • Welsh
  • Actor, writer and executive producer

Press clippings Page 20

Stella psyches herself up for her date with Sean but is terrified of him seeing her in the buff. Big Alan still thinks he's in with a chance and hopes to woo her at the rugby. Meanwhile, her brother Dai goes to pieces when the benefits office questions his disability payments, and a letter arrives from Canada with life-changing news for Luke. But the plot is mildly diverting background for Ruth Jones's performance and able support from Elizabeth Berrington and Owen Teale. If it was in any doubt, the show has second series written all over it.

Julia Raeside, The Guardian, 2nd February 2012

Stella's still being pursued by the handsome boxer/decorator but has no idea why. She goes to see Emma's prospective in-laws and finds them ideologically opposed when it comes to a woman's place in the home. The show's appeal is 90% down to Ruth Jones's effortless performance. She doesn't telegraph emotions or sentiment, but simply lets them play gently across her face. You are rooting for her in every scene. If this is the kind of thing she produces sans Corden, she is on to a winner.

Julia Raeside, The Guardian, 26th January 2012

Neil Kinnock makes cameo appearance in Stella

Neil Kinnock films a cameo in Ruth Jones' sitcom Stella - and is revealed as an unlikely crush for the downtrodden housewife.

The Sun, 20th January 2012

Ruth Jones's Welsh sitcom ambles on pleasantly but uneventfully in this third episode. The death of a local rugby legend promises to revive ailing fortunes when a lavish funeral is planned. Most of the humour revolves around the fact that his name was 'Dick', an innuendo that's repeated way too many times even before guest star Neil Kinnock gets saddled with it during his speech (his performance is fine, mind you - they have the sense to put him behind a lectern where he's at home). Eamonn Holmes also appears in a tailor-made Sky News broadcast, but other than that this is decidedly unremarkable and never hilarious. Still, props for having a hot younger guy, Sean (Kenny Doughty) mooning after Jones's mumsy character, rather than the other way around.

Anna Smith, Time Out, 20th January 2012

Stella episode 3 pulled due to technical hitch

The third episode of Ruth Jones's comedy drama Stella was pulled from Sky1 on Friday night after technical problems.

British Comedy Guide, 20th January 2012

Ruth Jones's refreshing comedy drama continues. Wedding preparations are in full swing for Emma's shotgun union to Sunil, and Stella is looking forward to Luke's homecoming from prison. But the town comes to a standstill when local rugby legend Dick the Kick dies suddenly and all attention turns to giving him a hero's funeral. All of which is good news for alcoholic funeral director Paula, who could really use the cash. A great cast and some quietly confident writing are underpinned with just enough warmth to avoid the whole thing melting to a sticky, gooey mess.

Julia Raeside, The Guardian, 19th January 2012

Under the guidance of Gavin & Stacey's co-writer Ruth Jones, who also stars, comedy drama Stella has fast found its mark. Quick-witted, understated and charming, the second episode finds forthysomething single mother Stella (Jones) juggling the upcoming marriage of her teenage daughter Emma (Catrin Stewart) and the imminent release of her son from jail. But first thereis the death of hometown Welsh legend "Dick the Kick", and the town is determined to give him a proper send off (cue an appearance by Neil Kinnock).

Simon Horsford, The Telegraph, 19th January 2012

Stella, Ruth Jones's new comedy for Sky1, has a lot more emotional texture to it. It began with a horribly clunky line of exposition: "I was only 17 when I had you, remember?" Stella told her oldest son as she visited him in prison. "Not much cop, am I?... Past 40, divorced, three kids, haven't had sex for years." After that, though, it just steadily got better - a rueful account of midlife crisis that divides its affections equally between the lead character and the small Welsh town in which she lives. It got better fast as well.

"Everything's... still... all right then?" Stella asked her son hesitantly, after bringing him up to date with the number of siblings he has. "I'm not being bummed, no," he replied wearily. Stella's best friend is an alcoholic undertaker, constantly monitoring her ability to drive the hearse with her own breathalyzer and struggling not to get the giggles when her clients' grief finds wayward expression. And the thing is full of moments of untidy, unexplained comedy, such as the sequence when we discovered a male character watching Cranford, approvingly muttering, "Dirty, dirty bitches" to himself.

Tom Sutcliffe, The Independent, 9th January 2012

Stella is played by Ruth Jones, co-creator of Gavin & Stacey, and this new 10-part comedy drama on Sky 1 doesn't stray too far from the formula of that hit show. In Stella, as before, Jones is endlessly watchable. As 42-year-old Stella struggles alone with her two children (and another in prison) in a Welsh valleys village, there are scenes of wry pathos - at one point, an unhappy Stella tries to fit into her 16-year-old daughter's outfits, with unfortunate results.

The problem, so far anyway, comes in the cast of orbiting characters: Stella's dim ex, the lollipop man who lusts after her, and the libidinous older brother. By comparison with Gavin & Stacey's cutely defined personalities, each seems a bit of a cut-out here. Let's hope nine more one-hour episodes will smooth the rough edges.

Mike Higgins, The Independent, 8th January 2012

Since James Corden pissed his claim to be a talented comic writer up the wall with Horne & Corden, it's easy to give all the credit for Gavin & Stacey to Ruth Jones. But although she created and wrote this tale of a single mum in small-town Wales - and the geographical parallels are obvious - Stella is far more comedy drama than sitcom. Gavin... was played largely for laughs with the heartwarming stuff as a backdrop, but here the laughter is secondary to the emphasis on Jones's relationships with her ex, her kids and the barren wasteland of her sex life. Jones puts in a predictably impeccable performance but - on the evidence of this first episode - this doesn't sparkle as much as you might have hoped. The jury's out for now.

Alexi Duggins, Time Out, 6th January 2012

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