British Comedy Guide
Ruth Jones
Ruth Jones

Ruth Jones (I)

  • 58 years old
  • Welsh
  • Actor, writer and executive producer

Press clippings Page 13

Ruth Jones's poignant, charmingly observed Welsh Valleys comedy drama continues. Tonight sees a search organised for Dai (Owen Teale), while his estranged wife Paula (Elizabeth Berrington) deals with the issue in a more proactive way - by expressing her feelings at the Got to Dance auditions in front of Ashley Banjo (a shameless bit of Sky1 self promotion). Elsewhere, Bobby (Aled Pugh) conducts his first solo funeral but there's a problem when two families arrive at the cemetery and find only one burial plot.

Simon Horsford, The Telegraph, 21st February 2013

Fact hip hops around fiction and back again as Diversity's Ashley Banjo brings Sky1's talent show Got To Dance to the streets of Pontyberry. With the carrot of a cash pot big enough to save Big Alan's rugby club, the show tempts Little Alan to step up and shake his booty. Which is what the grown-ups are doing at their 1980s-themed fancy dress school reunion - a nostalgic trip which revives first-love memories for Stella (Ruth Jones) and Rob.

Carol Carter and Larushka Ivan-Zadeh, Metro, 8th February 2013

It's school reunion time in Pontyberry, an 80s-themed event that cannily flavours all this week's events with just the right tone. One of the many girls with whom Stella (Ruth Jones) feuded is back, dressed as Krystle Carrington when almost everyone else is a pop star. These snobs always come a cropper.

The fancy dress theme achieves the trademark Stella trick of tempering emotion with laughs: Dai hits a new low as his marriage to Paula fails to fix itself, but he's dressed as Adam Ant throughout so it doesn't seem so bad. Most importantly, a reunion is about longing for the past. The romance that never died between open-hearted Stella and manly, serene Rob (Mark Lewis Jones) warms up again.

Jack Seale, Radio Times, 8th February 2013

Ruth Jones isn't afraid to let her ensemble cast shine in this series, and it's great to see some of them edge towards the ridiculous. Talking of which, Paula and Dai are counting on over-the-top Dutch life coach Peschman (Paul Kaye) to fix their marriage, and in a very convenient Sky1 tie-in, Little Alan decides to audition for Got To Dance to help save the rugby club. Stella steals the show when she drinks enough to make her school reunion bearable and Rob comes to the rescue dressed as Tom Cruise.

Hannah Verdier, The Guardian, 7th February 2013

Currently in the middle of its second series, Stella is a comedy drama starring and co-written by Ruth Jones. It certainly has a lot of support because a third series has been commissioned already.

Set in the fictional Welsh town of Pontyberry, Jones plays the title character, a woman in her mid-40s who is divorced and with three kids (like in Spy, divorcees appear to be a recurring theme in Sky comedy). Stella's eldest son is in prison, the middle child is a troublesome daughter and the youngest son is bullied for being too clever.

The series follows her life and those of her friends and neighbours, which include Paula (Elizabeth Berrington), an undertaker with a love of booze, and Alan (Steve Speirs) the school lollipop man - and rugby coach - who has loved Stella since school.

Again, another similarity with Spy was the good use of visual humour. There's one scene in which Paula tries to sober up by taking some flowers out of a glass vase and drinking the water that's inside. Then there are the neighbours across the road, who for some reason have a pet donkey.

The characters, however, are more likable than those in Spy. I love Alan's pathetic attempts to win over Stella's affections - like getting her a jar of anchovies. And while the drama can be a bit predictable, I do prefer Stella over Spy. It's more realistic, more likeable, and the created situations are just a lot more fun.

Ian Wolf, Giggle Beats, 4th February 2013

Pontyberry doesn't know what's hit it when Paul Kaye hops off his golf cart and descends upon the little town in the guise of Dutch life coach Peschman. Peddling a line in glass-half-full therapy, his arrival is met with cautious optimism by some of the lost souls in Ruth Jones's gentle comedy drama. Whether he will be enough to save Emma (Catrin Stewart) and Sunil's marriage from the predatory Leah remains to be seen.

Caroline Westbrook, Metro, 1st February 2013

Ruth Jones's deftly written comedy rarely misses a beat. Tonight comic Paul Kaye makes an appearance as Peschman, a Dutch life coach who uses a unique form of therapy to help Stella (Jones) through her continuing troubles. Elsewhere, Paula (Elizabeth Berrington) thinks about turning her night away from home into a permanent arrangement, while the hapless Alan (Steve Speirs) learns that his big love - the rugby club - is closing down.

Simon Horsford, The Telegraph, 31st January 2013

How adapting UK sitcoms for Americas can be no joke

Two nations divided by a common language we may be, but the difference between Britain and America is never greater than when it comes to humour - just ask Ruth Jones whose Gavin & Stacey still remains development limbo Stateside. Nathan Bevan looks at how adapting UK sitcoms for US audiences can be no joke.

Nathan Bevan, Wales Online, 26th January 2013

Ruth Jones's charming and truthful Welsh comedy drama finds the heroine, Stella (Jones), out of sorts after recent revelations until Aunty Brenda (Di Botcher) arranges a job at the bap factory, although later there is an unpromising reunion with Rob (Mark Lewis Jones). Russell Grant makes an appearance at the opening of Nadine (Karen Paullada) and Karl's (Julian Lewis Jones) new salon and Emma (Catrin Stewart) stakes her claim for Sunil (Rory Girvan) at his student ball.

Simon Horsford, The Telegraph, 24th January 2013

This comedy drama is the polar opposite of escapism - its gentle, underwhelming, slightly humdrum stylings will be vaguely familiar to everyone. That's presumably the point: Ruth Jones has always been strong on the minutiae of day-to-day life. In tonight's second episode, she goes one step further and discards one of the main potential drama-triggers of this series. Elsewhere, confusion over paternity continues, Paula faces a staffing crisis at the undertakers (surely her boozing is a minor flashpoint waiting to happen?) and Luke's Canadian adventure is jeopardised. All in all, the likeable performances and breezy script just about make up for the fact that nothing much is happening. All the same, this often feels like a dead heat between amiable and aimless.

Phil Harrison, Time Out, 19th January 2013

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