Press clippings Page 8
50 best TV shows of 2017, #18: Grief, addiction and a posthumous appearance by Carrie Fisher meant Rob Delaney and Sharon Horgan's sitcom was heartbreaking this year as well as cathartically filthy.
The Guardian, 30th November 2017Glasgow International Comedy Festival gets new sponsor
Whyte & Mackay Blended Whisky will headline sponsorship of the 2018 event.
Glasgow Evening Times, 14th November 2017Who are the saddest of TV's sad comedians?
Television shows built around standup comics have taken a turn for the despairing. Louis CK has a lot to answer for.
Simon Miraudo, The Guardian, 25th August 2017Rob Delaney review
The American tackled everything from the fluctuating shape of his genitals to fatherhood.
Bruce Dessau, Evening Standard, 14th July 2017The must-see stand-up of summer 2017
Daniel Kitson, Sara Pascoe, Rob Delaney and more.
Brian Logan, The Guardian, 13th June 2017Catastrophe: a realistic depiction of alcoholism
The show tackles the stark reality of the disease with straightforward candor.
Caroline Framke, Vox, 1st May 2017The comedic key to Catastrophe? Bodily functions
Catastrophe's third season landed on Amazon Prime last week, and while it's the most sentimental one yet, creators and stars Rob Delaney and Sharon Horgan still know how to bring the silly. And the key to the show's embarrassingly relatable comedy? The bodily functions.
Lea Palmieri, Decider, 1st May 2017Catastrophe Series 3 review
Catastrophe is an absolute game-changer for British comedy and I wouldn't be surprised if it goes on to become the most influential sitcom since The Office.
Andy Partington, Frame Rated, 14th April 2017Next series of Catastrophe could run for 10 episodes
Sharon Horgan and Rob Delaney are understood to be thinking of expanding the length of the fourth series of the Channel 4 comedy.
Ben Dowell, Radio Times, 11th April 2017The week in TV: The Trip to Spain; Catastrophe - review
Coogan and Brydon made magic of middle age on the road in Spain, and Sharon Horgan reached for the loo roll.
Euan Ferguson, The Guardian, 9th April 2017