
Rob Brydon
- 59 years old
- Welsh
- Actor, writer, executive producer, stand-up comedian, presenter and script editor
Press clippings Page 8
Days of the Bagnold Summer (2020) review
A feel good and sweet natured British film focusing on the strained relationship between a mother and her 15-year-old son.
Sarah Morris, The Fan Carpet, 9th June 2020Days of the Bagnold Summer review
The first-time director spins a bittersweet tale of family strife, starring Earl Cave in a breakout role.
Nick Levine, NME, 8th June 2020Movie review - Days of the Bagnold Summer (2019)
Minor-key and understated to a fault, Days of the Bagnold Summer is an accomplished directorial debut for Bird.
Tom Beasley, Flickering Myth, 7th June 2020Days of the Bagnold Summer review
If, like me, you are a huge appreciator of comic books and the music of Belle and Sebastian then Simon Bird's directorial debut is an easy sell.
Rich Johnson, The Digital Fix, 5th June 2020Days of the Bagnold Summer review
Earl Cave and Monica Dolan are a delight in this charming comedy directed by The Inbetweeners' Simon Bird.
Peter Bradshaw, The Guardian, 4th June 2020Days of the Bagnold Summer review
A charmingly relatable take on our cancelled summer holidays.
Tim Robey, The Telegraph, 4th June 2020Baked Potato: Matt Lucas teams up with BBC weatherman
Comics Matt Lucas and Rob Brydon have teamed up to perform the Baked Potato Song with drumming weatherman Owain Wyn Evans.
BBC, 13th May 2020Rob Brydon and Steve Coogan: The Trip must end
In the final installment of their fictional travel series, Steve Coogan and Rob Brydon let us live vicariously one last time.
Bilge Ebiri, Vulture, 8th April 2020The final series of Steve Coogan and Rob Brydon's all-expenses culinary jolly has proved more sombre than previous outings, albeit bookended by the pair's trademark celebrity impressions and extravagant meals. As it comes to an end, there is a trip to an Ottoman fortress, and bad news for Coogan.
Hannah J Davies, The Guardian, 31st March 2020The Trip To Greece, series finale review
Farce, vanity and profound seriousness somehow hang together.
Adam Sweeting, The Arts Desk, 31st March 2020