Reece Shearsmith
- 55 years old
- English
- Actor and writer
Press clippings Page 8
Inside No 9: Paraskevidekatriaphobia review
Reece Shearsmith and Steve Pemberton can be forgiven for a little bit of showing off in titling their latest Inside No. 9 "Paraskevidekatriaphobia" - the fear of Friday the 13th - though this episode, for the most part, is a (relatively) conventional farce.
Steve Bennett, Chortle, 4th May 2023Inside No 9: Paraskevidekatriaphobia review
A surprisingly natural cameo from Dermot O'Leary was a highlight of this week's episode, but you can see the twists from a mile away.
Anita Singh, The Telegraph, 4th May 2023Inside No 9: Paraskevidekatriaphobia review
Friday the 13th is just a day like any other. Or is it?
Louisa Mellor, Den Of Geek, 4th May 2023Inside No. 9: Mother's Ruin review
I've always liked the creepy episodes the most, an episode involving necromancy, possession and graphic torture is the perfect way to kick off the season.
Nick Bartlett, Critical Popcorn, 28th April 2023Inside No. 9: Mother's Ruin review
Pemberton and Shearsmith's script skilfully sets up the backstory without ever feeling like laboured exposition - and almost every nugget of information proves crucial to what happens next.
Steve Bennett, Chortle, 27th April 2023Inside No. 9: Mother's Ruin review
Steve Pemberton and Reece Shearsmith's goriest episode yet.
Ed Power, i Newspaper, 27th April 2023Inside No. 9: Mother's Ruin review
Reece Shearsmith and Steve Pemberton return with a cleverly compact, nastily comedic story about two brothers searching for hidden loot.
Louisa Mellor, Den Of Geek, 27th April 2023Inside No. 9's best episodes (that aren't The 12 Days Of Christine)
To mark series eight, we celebrate some of the brilliant Inside No. 9's finest half-hours so far!
Juliette Harrisson, Den Of Geek, 24th April 2023Inside No. 9 creators explain spin-off idea that never happened
The series would have handed the anthological premise to new writers.
David Craig, Radio Times, 18th April 2023The Unfriend review
Plot and performances flirt with farce.
Susannah Clapp, The Observer, 29th January 2023