
Peter Sellers
- English
- Actor, writer and comedian
Press clippings Page 8
Obituary: Paddie O'Neil
Expressive actress and comedienne who worked with Peter Sellers and Dick Vosburgh.
Tom Vallance, The Independent, 27th April 2010Last Night's TV: Shooting Stars
When my mother was in her early twenties, a boyfriend took her to watch a Peter Sellers film. She sat there, sombre and straight-faced, as beside her, and all around her, an entire cinema of men were laughing so hard that they were choking in their 1960s mod collars.
Thirty years on, I spent my undergraduate years being placed in front of Shooting Stars - the must-see new comedy show of the 1990s - suffering from the same affliction. In some communal TV room of a student house boys were laughing so hard that they were dribbling on to their Pixies T-shirts and, occasionally, their transfixion to Vic and Bob and the "Dove from Above" would be broken for a moment to shoot a pitying glance at me, a leaden, lumpen blob who could not even crack a smile at the funniest thing in the universe as it existed in 1995. I think maybe it's genetic.
Helen Rumbelow, The Times, 27th August 2009Between ourselves, I always thought the Goons got a long way with funny voices, strange noises and the comic potential of the term "batter pudding". But it cannot be denied that Sellers, Milligan and Secombe changed the genre with their comic inventiveness, surrealism and sheer cheek: the BBC once banned a scene that had the effrontery to portray the House of Commons dozing gently.
Roland White, The Times, 12th April 2009Most home movies are excruciatingly dull, but Sellers' aren't, partly because the subject himself was such an enigmatic figure (and it's always interesting to watch an enigma kicking off its shoes and arsing about), and partly because the surrounding acquaintances he shot are more interesting than yer average person's Uncle David.
Charlie Brooker, The Guardian, 24th August 2002The footage is less interesting than why Sellers' felt compelled to film everything. Perhaps as Harry Secombe suggested, he always had to hide behind something, a voice, a character, a camera. In some sense, he wasn't there at all.
Nancy Banks-Smith, The Guardian, 13th February 1995