Paul Whitehouse

Paul Whitehouse jokes Harry Enfield wants him to die

Fast Show star Paul Whitehouse feared heart failure wearing a fat suit for his new comedy - but said sidekick Harry Enfield would have been delighted.

Paul Whitehouse: the psychopath in me

In his new sitcom, Paul Whitehouse plays multiple mental-health patients - from an agoraphobic to an obese mummy's boy. He talks to Maureen Paton Maguire about therapy, heart surgery - and why Johnny Depp can get lost.

Radio Times review

Some people got a bit carried away and said this was even better than Harry Enfield's 1989 masterpiece, Norbert Smith: A Life. Steady on. But it was the best example yet of Enfield and Paul Whitehouse's resurgence as satirists who have the happy air of not caring a jot what anyone thinks, whom they upset or whether every impression quite works. Spoofing the entire half-century output of BBC2 led to many lovingly crafted jewels and included several things you suspect H&P actually like, but ripped the piss out of anyway. Linking the scattered bits was Enfield in a Comedy Award-winning turn as a sweeping, Schamanic presenter. That he was wandering round a deserted TV Centre underlined the sad subtext of golden eras having passed.

Radio Times review

Jonathan Ross is your host as the nation's comics get together and royally rip the mickey. No tears. No compliments. It's their way of saying they love each other.

The nominations list shows 2014 has been an exceptional year - albeit primarily for white men, who are so glaringly dominant, it's a wonder there aren't any blokes up for best comedy actress.

The evening should belong to Matt Berry, whose riotous Toast of London is in line for six awards, the most nods since Gavin & Stacey seven years back. His fellow best actor nominee Mathew Baynton might have a better chance in the restored comedy drama category - if The Wrong Mans can edge out Rev. and the dazzling Inside No 9.

Or will it be a night for codgers? Harry Enfield and Paul Whitehouse's labour of love Story of the Twos is justly recognised, and there are two noms for a gang of plucky UKTV debutants called Monty Python...

Radio Times review

A second slice of the joyfully funny Simon Day-fronted spoof rockumentary sees our hero desperate to finally stage his Day of the Triffids rock opera. But will Pern be upstaged by the other members of his erstwhile prog-rock band Thotch (Paul Whitehouse's Pat Quid and Nigel Havers's Tony Pebble, pronounced "Pebblay")? Not likely.

He has a few problems ensuring the confectionery stand stocks vegetarian-only Jelly Babies, however, and a Twitter storm erupts when a stray mic catches him remarking how he "hates Blacks". Pern, of course, is referring to the outdoor clothing specialists. Roger Moore and Paul Young are among the guest stars.

Anybody who saw the faux documentary presented by Brian Pern (Simon Day) on BBC4 knows that the frontman of Genesis-esque prog rock band Thotch is a great comedy creation.

Director Rhys Thomas, who co-wrote the series along with Day, brilliantly portrays the life of an ageing rocker as he tries to keep himself relevant with a modern audience. The stories of Pern refusing to be in a room with his former bandmates (played brilliantly by Paul Whitehouse and Nigel Havers) were perfectly pitched. The creation of a Thotch jukebox musical was an equally enjoyable subplot especially when the show's director Kathy Burke decided to cut all of the overly long Thotch songs from the show.

I personally enjoyed the final few moments of the comedy as Pern was dragged into the police station in a manner that would suggest he was part of a Yewtree-type investigation. But the punchline itself was brilliantly delivered as was the reaction from Pern's manager John Farrow (Michael Kitchen).

Part of the charm of Brian Pern is the fact that everyone is willing to go that extra mile and, in the case of those playing themselves, send up certain elements of their characters. Martin Freeman is a prime example of this as he tries to capture Pern's mannerisms in order to correctly portray him in the musical.

Meanwhile, a cameoing Tim Rice perfectly sums up his feelings about the Jukebox musical and how they've taken away from his type of musical theatre.

Although some of the jokes don't hit the mark, Brian Pern: A Life in Rock is a perfectly constructed mockumentary that owes a massive debt to the work of Christopher Guest. The fact that the sitcom is only three parts means that it won't outstay it's welcome and at the same time will leave the audience craving for more from Day's egotistical prog rocker.

Radio Times review

The gloriously silly spoof documentary from Down the Line star Rhys Thomas may have grown up with a move from BBC Four to BBC Two - even if its lead character, played by Fast Show alumnus Simon Day, certainly has not. There's also a slight format change. Pern, former front man of fictional prog rock band Thotch, no longer narrates and this opener is more of a spoof arts doc fronted by Thomas and focusing on Stowe Boys, a West End rock musical about the band directed by Kathy Burke. What could go wrong? Well, everything of course.

Yes, it clearly owes a debt to Spinal Tap, Christopher Guest's 1984 masterpiece, but Thomas (who won a Rose d'Or for a Freddie Mercury documentary) has a scalpel-sharp eye for rock-star foibles. And there are joyous contributions once again from Michael Kitchen as Pern's fantastically arrogant and unpleasant manager John Farrow, Paul Whitehouse as the band's guitarist Pat Quid and Nigel Havers's priapic Tony Pebblé (pronounced "Peblay").

Brian Pern: a Life in Rock, BBC2 - TV review

Brian Pern: a Life in Rock (BBC Two) also had the feel of a reunion, or perhaps the office Christmas party for British comedy's hardest workers - Martin Freeman, Jack Whitehall, Kathy Burke, Paul Whitehouse and Phil Cornwell all popped up in various roles.