Paul Merton

It seems unlikely that the ultimate question to the ultimate answer to life, the universe and everything is: "How many series of Have I Got News for You have there been?" But this week saw the start of the 42nd series.

Jo Brand hosted the first episode back, with Victoria Coren alongside Ian Hislop and Graham Linehan with Paul Merton. When I learnt about the line-up my immediate reaction was, "Thank God!" It's something of a rarity for HIGNFY to have a line-up consisting of people who are all essentially humorists. No politicians, no journalists, just people who are paid to be funny for a living. That is who we want. It's generally one of the advantages that Mock the Week has over HIGNFY, in that all the people on MTW are nearly always comics.

Everyone on this week's show had their moments, whether it's Coren on her hatred of cat lovers, Linehan's in-depth knowledge of Twitter, or Merton suggesting confusion between Michael Winner smoking a cigar and a picture of a seagull doing a poo. What a wonderfully awful image.

However, the best bit was that this episode was the first in a while which didn't make any lazy jokes about Eric Pickles being fat. It won't last...

Back for its umpty-seventh series, Have I Got News For You is firmly established as the televisual equivalent of Private Eye. The two share not only the dominant presence of Ian Hislop, but an engaging balance of bitter satire and affable cosiness. Though the humour in both is essentially angry, it's also reliable and predictable, an exercise in applying the same jokes repeatedly to differing news events. Paul Merton returns as the opposition captain.

It's the big daddy, the elder statesman of satire shows. As Panorama is to current events, Have I Got News for You is to taking the mickey out of them.

Other shows (Mock the Week, say) may be faster-paced and more densely packed with gags but this is the satire show of record, the point on a Friday night where politicians and celebrities are enjoyably cut down to size and media storms dispatched with a curl of Ian Hislop's lip or a surreal quip from Paul Merton.

For the first of this new ten-part run - their 42nd - Jo Brand is tonight's guest host.

As much a part of the British autumn as football and conkers, the 42nd series of the topical quiz show begins with Jo Brand asking the questions, and Ian Hislop and Paul Merton - along with guests Victoria Coren and Graham Linehan - answering them. After a year in which the tabloid newspaper industry has taken a battering, and politicians continue to wade in sleaze, they will not lack for material.

BBC producers are a wily bunch. When Eartha Kitt was at the height of her international career it would have been impossible to persuade her to show up at an old music hall theatre in Leeds for a one-song appearance. But Barney Colehan, producer of BBC TV's The Good Old Days for all of its 30-year history, pulled off this coup by telling her that he had arranged for her to use the dressing room that Charlie Chaplin had occupied at the start of his career.

The fact that there was no way of knowing which of the many dressing rooms Chaplin might have used has programme host Paul Merton howling with laughter, one of many occasions when he cracks up over the course of his look at the history of the City Varieties Music Hall in Leeds. It's Britain's oldest music hall and has just reopened after a major refurbishment.

Merton is joined in this celebration of variety shows by Barry Cryer, Roy Hudd and Ken Dodd. The latter was the headline act at the gala reopening of the Varieties on 18 September 2011. Mr Cryer, on the other hand, recalls his first appearance at the venue in the 1950s, when music hall was out of favour and he shared the stage with ladies performing acts entitled "Fun and Dames" and "See the Nipples and Die!" There's no such roll call these days and, with the success of Britain's Got Talent, Merton hopes for a resurgence of variety shows.

Between 1953 and 1983, the Leeds City Varieties music hall was known around the country as the home of the BBC's Victorian-style entertainment show The Good Old Days. In this enjoyably droll and observational tour through the BBC archives, Paul Merton investigates the history of the venue - which has recently undergone a multi-million pound refurbishment - and wonders if the music hall tradition is due a comeback after years in the wilderness. He's aided in this task by a handful of evocative clips from the TV show as well as interviews with three of the oldest hands in the business: Ken Dodd, Barry Cryer and Roy Hudd.

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