Paddy Considine
- Actor
Press clippings Page 3
Preview - Submarine
Richard Ayoade's directorial debut is an idiosyncratic coming-of-age drama about a teenage pupil who is trying to cope with the trials of school and domestic life while also discovering love.
Gareth Hargreaves, On The Box, 18th August 2017There are shades of Made in Dagenham in this inspirational tale of industrial action. It's set during the 1984 miners' strike and recounts the birth of the Lesbians and Gays Support the Miners movement, bringing macho miners and metrosexuals together in funny, rousing, sexy union. Ben Schnetzer is feisty Mark Ashton, the gay campaigner who leads a delegation to link up with the miners of Onllwyn, and the marvellous cast includes Bill Nighy, Paddy Considine and Imelda Staunton.
Paul Howlett, The Guardian, 30th July 2017Simon Pegg is fortysomething waster Gary King, who lures four school pals - Nick Frost, Martin Freeman, Paddy Considine and Eddie Marsan - out of their humdrum daily lives to complete the legendary pub crawl they failed to finish 20 years before in their boring home town of Newton Haven. But the lads' night out turns into a home counties version of Invasion of the Body Snatchers in a very funny, observant tale of midlife crisis, aliens and beer, the final part of Wright and Pegg's Cornetto trilogy.
Paul Howlett, The Guardian, 27th May 201710 top tens for Hot Fuzz's tenth
This year, after watching Hot Fuzz for the tenth time, and still picking up little details I'd never noticed before, I went down to the pub for a glass of celebratory cranberry juice. I thought Anglonerd magazine, too, should celebrate the brilliance of this film in a big way, so here is not just a top ten list, but ten top ten lists, highlighting the best one hundred things about Edgar Wright's comedy action flick. *Spoilers*
Jaime Pond, Anglonerd, 14th February 20177 clips that prove Chris Morris's also a musical genius
Looking back at Morris's body of work, 20 years after the first episode of Brass Eye was broadcast on January 29, 1997, it's clear that few people have combined music and comedy quite as successfully. Whether he's creating strung-out ambient music for a short film about a talking dog or parodying Eminem to highlight the media hysteria surrounding paedophilia, Morris's use of music strikes the balance between creating black comedy and something that's actually listenable. Below are seven of his finest music moments - just be careful not to find yourself jazzing to the bleep tone of a life support machine.
Scott Wilson, Fact Mag, 29th January 2017If Paul, the last Simon Pegg/Nick Frost movie, was a self-indulgent journey into the outer realms of nerdiness, their latest collaboration is aimed squarely at those without an intimate knowledge of the Star Wars movies.
A crowd pleaser, this is a sci-fi comedy for everyone. Twenty years after a teenage pub crawl through their hometown, Pegg rounds up his old buddies (Frost, Paddy Considine, Martin Freeman, Eddie Marsan) for a re-run.
But while reminiscing, they learn that the place has a severe case of the Stepfords.
The film contains plenty that men approaching middle age will relate to and the laughs never dry up with Pierce Brosnan, who plays one of their former teachers, an absolute hoot.
David Edwards, Daily Record, 19th July 2013Shooting Stars: Bad Gags
The bad gag - and the tumbleweed that so often follows it - is an important fixture of Shooting Stars. In the video below you can watch a bad gag exclusive to the web and find out whether next week's guests Martin Freeman and Paddy Considine can do any better (I'd say they're actually worse).
David Thair, BBC Comedy, 2nd September 2009My Wrongs #8245-8249 & 117 (2002)
My Wrongs... is a film that arrives with certain expectations. Firstly, it comes from the mind of Chris Morris who, through his work on such television series' as The Day Today and Brass Eye, has proven himself to be one of the UK's leading satirists, not to mention one of the most controversial ("Sickest TV ever" screamed a Sun headline over Brass Eye's 'Paedogeddon' special). Secondly, it stars Paddy Considine, who is fast becoming Britain's finest actor following work on such films as A Room for Romeo Brass, Last Resort and 24 Hour Party People. And finally, it marks the first foray into film production for experimental dance label Warp Records, who have provided us with such aural pleasures as Aphex Twin, Squarepusher... and Vincent Gallo(!) as well as issuing Morris' Blue Jam radio series on CD.
Anthony Nield, The Digital Fix, 30th July 2003