Oliver Maltman

TV: Semi-Detached, BBC2

After his foray into live sitcom with Not Going Out just before Christmas Lee Mack is back in sitcomland with this all-star fast-paced one-off pilot in which the twist is that everything happens in real time.

Semi-Detached review

There may be questions over whether the furious pace can be sustained for the extra 50 per cent running time required for the traditional BBC sitcom half-hour. Or indeed whether such maelstroms of mayhem can be conjured up week after week. But this is a promising germ for that holy grail of comedy commissioners everywhere: a mainstream suburban sitcom that doesn't suck.

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Brakes might be set in London but it's much more like Jim Jarmusch's Stranger Than Paradise than Truly, Madly Deeply.

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An interesting idea is well executed, and it also avoids the fairly common Red Dwarf pitfall of feeling rushed.

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As one would expect from Acaster there are some gloriously well-chosen lines of dialogue.

There appears to be an unwritten rule when it comes to animation in the UK that unless it's by Aardman, it'll be rubbish. Full English seems to obey this rule, which may explain why Channel 4 is airing it at 22.50.

The other reason of course being the crudeness of the humour. It's been described as the British Family Guy by some critics, which brings us to another unwritten rule on animation: if a British comedy's marketed as the British version of a successful American comedy, the British comedy will be rubbish in comparison. Again, Full English conforms.

The series centres on a "typical""British suburban family; put-upon father Edgar (Richard Ayoade), emo daughter Eve (Daisy Haggard), and horrid superrich father-in-law Ken (Oliver Maltman) who has an imaginary, gigantic, green friend called Squidge.

Full English doesn't seem to have one big problem but lots of little ones. The animation by Alex Scarfe (son of Gerald Scarfe) is very poor in terms of quality. The characters seem one dimensional (as opposed to their 2D visual portrayals).

But for me the worst is its attempts at satire. The plot of the first episode sees Eve go on Britain's Got Talent with her band, failing, but getting back on by pretending her parents are dead. How original. It's all the same, with Simon Cowell being a vicious git, contestants doing freakishly horrid acts, and others playing the sympathy vote. It's all been done before.

I'll concede there were some moments of laughter, mainly the more violent cartoonish sequences - like Squidge's attempts to hang himself, or the eldest son of the family hiding under the car, only to get badly hurt because he's so fat he gets terrible friction off the road as the car moves. But other than that I think that Full English hasn't got much going for it.