Nigel Planer

The comedy crime series Jonathan Creek returns for its first outing since 2010 and it's still as baffling as ever, although there have been a few changes...

The main change is that Creek (Alan Davies) has left the world of magic and his windmill home for an ordinary working life in an office, having married a lady called Polly (Sarah Alexander). While Polly goes away on a business trip, however, his sidekick Joey Ross (Sheridan Smith) tells Jonathan about a murder case involving an old friend's vanishing corpse in a locked room. Creek decides to dust off his duffle coat to take on the case - one that involves an old acquaintance of his: overbearing cop D.I. Gideon Pryke (Rik Mayall).

This episode had its ups and downs. I did feel myself giving a bit of a cheer when I saw Creek going through his wardrobe and pulling out his trademark duffle coat. The supporting cast performed well, although given that included the likes of Mayall, Joanna Lumley and Nigel Planer it's not surprising. What was surprising, however, is that given how energetic Mayall usually is it was interesting and refreshing to see him perform a role which demands almost no movement. There were some funny moments too, such as when Joey believes she has discovered a code, only to find out that Creek has solved it already. The way it's revealed was hilarious.

However, in terms of the case itself, there were some flaws in it. My brother was watching the episode as well, and remarked on one of the clues, which was a pair of footprints right up against a wall. The way the footprints were formed we by a pair of shoes being dropped from a high window and landing perfectly next to each other just in that spot. As my brother pointed out, surely the shoes would not have fallen straight to the ground, but tumbled as they fell.

So in this case, the performances as we good, but the writing could have been better. A new series is in the works so hopefully the show will return to form.

I hope Mr Hall, the BBC's new Director-General, sat down that Monday evening and watched Jonathan Creek and quietly applauded. I can't remember a 90 minutes - actually I can, Doctor Who last week, but this one isn't really for children - I enjoyed so much. Oh, bits are always beseechingly silly. And it comes along so seldom that we're almost bound to enjoy it. But this was still a winning showcase for simple, entertaining, catch-all British drama. So we got a jaunty-spooky theme tune reminiscent of Harry Potter, we got Joanna Lumley, we got both Rik Mayall (still impossibly handsome and delightfully hammy) and Nigel Planer off The Young Ones, a body that had escaped from a locked room, Sheridan Smith playing feisty-naughty modern, as is her winning wont, another body felled by a gargoyle pushed off a mansion (that was Midsomer or possibly Wycliffe), some good gags about academics and, of course, Alan Davies.

His Jonathan is married off now (to the very sexy Sarah Alexander) and has, and you can't quite blame him, thus reluctantly had to put on a suit and get a good job in her daddy's advertising agency. For a few minutes he actually looks rather cool and rather suited in fact to both the Don Draper comportment and life. But soon, excuses combine to let him dig out the old duffel and go off to solve impossibly complex cases with the singular hangdog exuberance that holds the whole extraordinary thing together. Some serious bits, too, not least when Ms Lumley, playing a lifelong atheist, suddenly realises, and with a certain horror, that everything she has ever believed might not be true. This occasional series might not change the world, but it should change the way we remember just how solidly good simple entertainment on the BBC can be when it has the guts to go with its own happy formula.

As I dozed during Jonathan Creek (BBC1), there was a moment of clarity. Such moments are created by a kindly god so you can finish crosswords or work out whodunnits. It became obvious who decapitated Nigel Planer and stuck the head on a scarecrow's body. It was Rik Mayall. The motive? Payback for those dismal veggie stews Planer's hippy Neil served Mayall's punky Rick in The Young Ones.

When I awoke, it became clear this hypothesis was wrong. The murderer could have been anybody but Mayall. Planer's smug polymath could have been rubbed out by his wife Joanna Lumley. Or terminated by her bit on the side so he could continue to marvel at Lumley's plummy articulation during pillow talk. Or by the usual suspects - sinister villagers, mad nuns, God. But not Mayall. He was the cop investigating the murder, after all. Hold on, though. Wouldn't that be perfect cover?

In any case, there were bigger mysteries. All those household names, all David Renwick's writing talent. For what? The disinterring of a three-years-cold corpse of a TV series whose historic function is to incite couples wending their way up the little hill to Bedfordshire to have exchanges such as the following. "Was it the crazed nun who reached through the portrait of Saint Barnabas to strangle Sheridan Smith?" "You idiot, it wasn't the nun. That was half a century earlier."

Renwick had a lot of fun with his script, though. There really was a character called Jacqueline Hyde, who didn't appreciate why Creek found her name funny. Planer's reading included a book called Cerebral Entropy in the Era of Fox News, though not its companion volume, Brain Shrinkage in the Era of Paranormal Hokum.

Jonathan Creek is a changed man. He's got a fancy new office and a new job to go with it. But he can't shake Sheridan Smith's Joey Ross off that easily. When a dead body vanishes from a locked study, it occurs to her that the mystery would be right up Creek's alley. But can she persuade him to get back in the game?

While we were only able to view a ten-minute taster of this feature-length Easter special, we're guessing she manages it. Featuring guest turns from Nigel Planer, Rik Mayall and Joanna Lumley, this should whet the appetites of the devoted (of whom there are a surprising amount) for the new three-part series planned for next year.

Radio Times review

When we first see Jonathan Creek, there's something horribly wrong. In place of the familiar shabby duffel coat, he's wearing a suit and apparently doing something "grown-up, responsible and creatively challenging" in the world of marketing. However, after Joey Ross brings news of a corpse that's mysteriously disappeared without a trace despite being locked in a study guarded by his wife, the detective is straight back on the case (and in his usual attire).

This locked-room scenario is one that writer David Renwick has employed before, but this time he throws in all sorts of murder-mystery clichés, including a spooky country house; memories of a macabre death at a Catholic girls school 50 years earlier; and a sinister local society. It's a confusion of every Midsomer Murders and Agatha Christie you've ever seen, with elaborate interlocking clues and dead ends.

But alongside Alan Davies and Sheridan Smith is a cracking supporting cast that includes Joanna Lumley, Nigel Planer and Rik Mayall who ham it up beautifully.

Creek creator David Renwick delivers a new feature-length case for the inquisitive illusionist. At the home of a politically charged polymath, a body is discovered which mysteriously appears to be more mobile than your average cadaver. Paranormal investigator Joey Ross tries to coax Creek out of retirement in order to undercover the truth. Alan Davies and Sheridan Smith are joined by a guest cast including Joanna Lumley, Nigel Planer and, making a welcome return to our screens, Rik Mayall.

Alan Davies and Sheridan Smith are reunited for a one-off 90-minute special of paranormal sleuthing.

And the even better news is that they'll be shooting three more episodes in the autumn.

It's been more than eight years since a full Jonathan Creek series - and creator and writer David Renwick has come up with a brain-boggling puzzle and guest stars to tempt viewers back.

A dead man (Nigel Planer, no less) who's been seen and photographed by witnesses vanishes out of a locked room where the door is being guarded by none other than national treasure Joanna Lumley.

Also back in the fray is Rik Mayall as detective inspector Gideon Pryke, who last appeared in an episode called The Black Canary in 2008.

His circumstances have changed too - rather drastically. Since we last saw him, he's been left paralysed from the neck down apart from the use of one finger, which he uses to operate his wheelchair and to search for information on the internet.

For Joey Ross (Smith), who teamed up with Creek for the two specials in 2009 and 2010, the case is too tantalising to pass up.

But when she tracks down her old pal she's amazed at the new life he's carved out for himself since they last tackled a riddle.

And his reaction to the mystery sounds like a lament that could have come from any crime or detective writer.

"There will be an explanation," the sleuth calmly predicts. "It will all be very weird and wonderful and once you've fathomed it, everyone will be deeply underwhelmed and you'll wonder why you bothered."

The last time we met the veteran solver of impossible mysteries was three Easters ago and the intervening years have seen a disconcerting transformation. Suited and booted, his curls now swept back in greying executive waves, it seems Creek (Alan Davies) has sold his soul to Mammon, or the advertising industry at least. But can he resist the lure of his favourite old-style puzzle - yet another locked-room mystery? His on-off sidekick Joey Ross (Sheridan Smith) sums it up: "A dead man in a room, seen and photographed by witnesses, evaporates into thin air. Walls, floors and ceiling are all rock solid. No way could he have got out the window or through the door which was being watched the whole time. And yet..." (No change in the basic plot then.) Creek professes to be uninterested in the affair until he learns that the victim was celebrated intellectual Franklin Tartikoff (Nigel Planer), and the chief witness his famously matter-of-fact wife Rosalind (Joanna Lumley). But meanwhile Creek's paraplegic arch-rival Gideon Pryke (Rik Mayall) has got his sole functioning digit wrapped round the investigation. A starry cast, a festering rivalry, a mind-boggling puzzle; for many the perfect Easter Bank Holiday drama.

Gloomsbury (Radio 4, Friday) is the Bloomsbury of Harold Nicholson, Vita Sackville-West, Virginia Woolf and Violet Trefusis as re-imagined by clever Sue Limb and recreated by a brilliant cast (Miriam Margolyes, Alison Steadman, Nigel Planer, Morwenna Banks, Jonathan Coy). It bustles along, shifting assorted real-life infatuations, elopements and enthusiasms into the higher planes of nonsense. Oddly, however, the thrust of the performances seemed greater than the grip of the narrative.

"It is the autumn of 1922, give or take a year or two," rolls out the upper-class, Noël Coward-esque voice of the unnamed narrator of this six-part comedy drama. Cut to Vera Sackcloth-Vest (played with crazed gusto by the fabulous Miriam Margolyes), writer, gardener and transvestite, who is struggling with her staff at Sizzlinghurst Castle. Why do they insist on calling her madam instead of sir? Country life in Kent is so tedious and Vera longs for some excitement. What she needs is to elope with a lover, but first she had better run this past her devoted husband, Henry.

Writer Sue Limb echoes the literary styles of the Bloomsbury Set with pin-point accuracy. Our introduction to Ginny Fox (a brilliantly perceptive, if rather cruel, take on Virginia Woolf, portrayed with obvious relish by Alison Steadman) has the introspective writer staring at a crack in the ceiling for hours and being reminded of her love for Sackcloth-Vest.

How long it will be before these two can escape the drudgeries of normal life (in vast country estates!) and elope with one another is the subject of this opening episode. The writing and acting are both faultless and the series cast includes other great comic names such as Morwenna Banks, Nigel Planer and John Sessions, who crops up as saucy novelist DH Lollipop in future weeks.

This is a real Bohemian rhapsody - and I bet it moves to TV!