Nicola Walker

Last Tango in Halifax began it's third series late last year and reunited us with Alan (Derek Jacobi) and Celia (Anne Reid) as well as their respective broods. I've been a fan of Last Tango since it first began and particularly liked the darker second series which explored the past of Gillian (Nicola Walker) in a lot more detail. With Last Tango's writer Sally Wainwright busying herself with Happy Valley in 2014, I felt that she may not have enough time to wholly devote herself to a third series of this excellent family drama. These fears were compounded by the major story running throughout the first episode in which it was revealed that Alan had a secret son, Gary (Rupert Graves), who was the result of a brief affair Alan had conducted. The introduction of Gary to me felt like a way of just putting another obstacle in the way of the drama's central couple's happiness. However, after a lacklustre opener, Last Tango really kicked in in episode two as the emotional fallout from Gary's arrival started to take its toll on Celia. Celia's realisation that Alan wasn't completely perfect left her reeling and as a result she decided not to attend the wedding of her daughter Caroline (Sarah Lancashire) and her partner Kate (Nina Sosanya). This second episode completely restored my faith in Wainwright's storytelling abilities and it's clear that she knows her characters inside out, a fact witnessed by the icy way Caroline ejected Alan from her wedding.

Indeed, as somebody who has watched the series since it first started, I feel like I know these characters and therefore their reactions feel utterly genuine. That's possibly why I initially rejected the introduction of Gary into the series, however episode two gave Rupert Graves the opportunity to flesh out the character a little more. But Last Tango in Halifax wouldn't be nearly as good as it is if it were not for the drama's four central performers. Last series I found that both Derek Jacobi and Anne Reid had taken somewhat of a backseat to their younger counterparts, however the opening episodes of series three have really put them back in the spotlight. Reid has been particularly good in bringing out the pricklier aspects of Celia's character and in particular her truly feelings about Caroline's sexuality. One of Reid's strengths is her ability to convey her emotions through a couple of facial expressions that allow the audience to know exactly what she's thinking. Though she's not been as prominent a presence as she was in series two, Nicola Walker has still been magnificent and showed a skill for comic timing during a particularly memorable scene in episode two. But so far this series has belonged to the excellent Sarah Lancashire who, as Caroline, has presented her frustration with Celia in a believable manner. Lancashire portrays Caroline as a formidable yet vulnerable woman whose cool exterior has started to melt thanks to her relationship with Kate. Ultimately, after a shaky start, it's great to have our Yorkshire friends back with us for a third series of Last Tango. Whilst I hope that Wainwright finds a way to reunite the characters once again, I feel that the actors are doing a great job of telling the writer's brilliantly constructed story and I for one hope the series runs and runs.

Radio Times review

There's a lovely opening to the third series of Sally Wainwright's warm, spiky drama as Alan tells Celia a funny shaggy-dog story over their Valentine's Day meal.

It's so typical of Wainwright, who has such a wonderful eye and ear for the little moments in relationships, the daft jokes and the shared humour. You'll be glad that she and Last Tango are back.

Alan and Celia (Derek Jacobi and Anne Reid) are settling into married life. But this story has never been just about them. Celia's daughter Caroline (Bafta-winner Sarah Lancashire) is settling into life with her beloved, pregnant Kate (Nina Sosanya). And Gillian (Nicola Walker), once so unhappy in that grim farm on the moor, has a date with a handsome man (played by Rupert Graves).

It's simply good to see everyone again, even though we know that this will never be, thank heavens, a story full of hearts and flowers. There are thorns, too.

Radio Times review

If ratings are an indication, viewers haven't warmed to this genre-shredding satire. Once you get on Babylon's wavelength, it's a juicy picture of the Metropolitan Police as (to quote its heroine) "a perspex Death Star", a place where the vogue for transparency means the PR tail wags the policing dog.

But it's hard to get on the wavelength when Babylon is deadly serious one minute and swearily silly the next. Any series, even the blackest of comedies, where your lead character commits suicide halfway through has a hill to climb. The repercussions of that shock are still being felt as the firearms squad returns to duty and Sharon (the splendidly underplayed Nicola Walker) faces a crisis.

Radio Times review

The scope widened in series two of the Bafta-winning romantic drama, with as much screen time devoted to family strife as to pensionable lovers Alan and Celia's late-blooming courtship. Not that this is in any way a problem - in fact we now care just as much for the younger adults as we do for the recently reunited sweethearts. The key is the wit and wisdom that runs through Sally Wainwright's scripts, all subtly performed by such stars as Sarah Lancashire and the peerless Nicola Walker, the latter of whom was a picture of anguish for most of the run.

Though Alan and Celia are the twin heartbeats of Last Tango, in many ways this series has been about the flourishing of another relationship, the one between their daughters Caroline and Gillian.

Last week's episode was pivotal for the women when, in vino veritas, spiky, defensive Gillian (Nicola Walker) revealed a very dark episode from her past to an unwitting Caroline (Sarah Lancashire). Tonight, in the last instalment of the series, the pair emerge from a foggy alcoholic night to take stock.

But don't run away with the idea that it's all grim. There is a wedding to organise as Alan and Celia (Anne Reid and Derek Jacobi) renew their vows on a snowy Christmas Eve. It's a lovely occasion and writer Sally Wainwright, with her gift for putting her finger exactly on a drama's emotional pulse, brings us an occasion to cherish.

Last Tango in Halifax, series 2, episode five, review

It's Nicola Walker's turn to shine in the latest Last Tango in Halifax episode.

Sarah Lancashire and Nicola Walker shine

I found this to be a thoroughly satisfying instalment of a series that's had its ups and downs.

Poor Alan and Celia. Getting married secretly without telling their families is meant to be "just a bit of fun," say the hapless, happy couple. But their rash romanticism falls on stony ground as chippy, glum Gillian sees it as a betrayal. Oh, Gillian. It's tempting to yell at her, "Why don't you just cheer up, love?" but she has much to be anguished about. She thinks her lovely dad's common sense-filled head has been corrupted by his new association with sinfully bourgeois Harrogate, and her son delivers an emotional torpedo that threatens to blow up that gloomy family farmhouse on the moors.

It's another carefully calibrated episode of Sally Wainwright's smashing drama, as her characters push the frontiers of their lives into new and uncharted territories. For Alan and Celia (Derek Jacobi and Anne Reid), Gillian and Caroline (Nicola Walker and Sarah Lancashire) so much is about to change....

Nicola Walker shines in another brilliant instalment

Nicola Walker was the star of the episode in my opinion as she totally made you feel for Gillian throughout the course of the story.

It's been a thinnish week for drama but Last Tango in Halifax, Sally Wainwright's almost sugar-free romance about two pensioners - former lovestruck teenagers reunited by Facebook after 60 years - was back for a second series having won the nation's affection and a Bafta last time out.

We found the pair almost as we left them, with the excellent Derek Jacobi as Alan, recovering from a heart attack brought on by their hasty quarrel about the desirability of lesbianism in Harrogate and perhaps one too many respiratory struggles with glottal northernisms (the downfall of many a thespian). Much has been made of this septuagenarian double act, and Jacobi and Anne Reid, a natural as Celia, shone even when they were just gazing over t'moors and talking about dead people.

It would be a gentler story, though, without the complications whipped up by their clashing daughters - Gillian (Nicola Walker), a widowed single mum and grubby farmer with an impulsive sex drive, and freshly outed Caroline (Sarah Lancashire), snooty head teacher of a school that sings Jerusalem every morning - each conscious, amid declarations of love and alarm bells at the realisation that old people have minds of their own, of festering parental disapproval that recent events could only aggravate.

With Caroline's dalliance with a junior female colleague out in the open, it was Gillian's turn to stir the pot with revelations of a drunken shag with Caroline's multi-philandering husband John (a wonderfully furtive Tony Gardner). I couldn't say whether this was more transgressive than Gillian's earlier eye-opener - seeing her carrying on (Yorkshire for sexual intercourse) with a lad young enough to be her son from the local filling station - but it had Derek Jacobi shaking his head. "You pillock," he said, a word that wasn't quite equal to his disappointment (he was thinking of the shame she had brought upon the house as a pregnant 15-year-old), but served to draw a line under the affair before he had another heart attack. In the end we left the lovebirds understandably sloping off to the register office for a deserved quiet wedding. But will they get it? Tune in Tuesday.