Press clippings Page 6
Interview: rarely asked questions - Natalie Palamides
Natalie Palamides won the Edinburgh Comedy Award Best Newcomer Award for a show in which she hatched from an egg onstage and cooked food for everyone on a camping stove while performing. Follow that?
Bruce Dessau, Beyond The Joke, 1st August 201810 international comedy recommendations
We've tried to avoid those international acts who are based in the UK and focused on performers who are making a less common appearance in the country.
Laugh Out London, 1st August 2018What's the oddest prop you've used at the Fringe?
'We ended up sleeping in our 6ft vagina'
Chortle, 1st August 2018Natalie Palamides recalls her most memorable gigs
"I was wearing an egg costume, carrying a trumpet and bleeding out of my face"
Natalie Palamides, Chortle, 31st July 2018Best female Fringe talent
You'll find truths and talent a-plenty amongst this year's top Fringe female acts...
Edinburgh Festivals, 30th July 2018Edinburgh Festival: the best of the fest
From the NHS at 70 to Nina Conti's Monkey shtick, our critics pick the must-sees this summer in comedy, theatre, art and dance.
Alexandre Galliez, The Times, 29th July 201850 brilliant shows to see at the 2018 Edinburgh Fringe
This summer, the Scottish capital is hosting everything from Jane Austen-inspired improv and Ethiopian circus to Beckett and Bernstein. Here is our critics' pick of what to see.
The Telegraph, 27th July 2018Focus on: Natalie Palamides
Last year's Best Newcomer is back with a new show, only this time she's a man. Paul Fleckney finds a performer still unafraid to break a few eggs.
Paul Fleckney, Fest Mag, 26th July 2018Edinburgh 10x10: 10 shows with a gender agenda
From feminism to changing ideals of masculinity.
Chortle, 24th July 2018Can you rape comedy? Natalie Palamides thinks so
The LA comic, who won best newcomer at last year's Edinburgh fringe, has tested her electric new material on American audiences. But how will Nate - her 'douchebag' male alter ego - go down in Britain?
Brian Logan, The Guardian, 22nd July 2018