Munya Chawawa
- Writer, comedian, executive producer and actor
Press clippings Page 5
In My Skin and We Are Lady Parts lead RTS Programme Awards
The Royal Television Society Programme Awards winners for 2022 were revealed at a ceremony last night. We Are Lady Parts and In My Skin lead the comedy victors, each picking up multiple prizes.
British Comedy Guide, 30th March 2022Royal Television Society announces 2022 award nominations
The Royal Television Society has announced the nominees for its annual Programme Awards, with comedies including We Are Lady Parts, Bloods, Motherland and Alma's Not Normal all up for prizes.
British Comedy Guide, 3rd March 2022National Comedy Awards 2021 winners
The results of the National Comedy Awards 2021 have been revealed, ahead of Saturday's TV broadcast.
British Comedy Guide, 2nd March 2022Munya Chawawa interview
Munya Chawawa on his new show exploring race in Britain, creating iconic sketches and his acting ambitions.
Imani Cottrell, Royal Television Society, 6th December 2021Munya Chawawa interview
"People think I blew up in lockdown, but I've been doing this for years."
Sirin Kale, The Guardian, 28th November 2021Munya Chawawa interview
"It makes me chuckle when people look down on TikTok comedians".
Emily Baker, i Newspaper, 14th October 2021George The Poet meets Munya Chawawa
The podcaster talks to the online satirist about the joys of rhyming, the limits of macho culture and mocking Matt Hancock.
Ellen E Jones, The Guardian, 17th July 2021Tom Allen, Jessica Knappett and Munya Chawawa host Complaints Welcome
Tom Allen, Jessica Knappett and Munya Chawawa are to host Complaints Welcome, a new Channel 4 comedy entertainment series.
British Comedy Guide, 15th July 202110 comedy acts who went big on social media
Munya Chawawa's video of Matt Hancock as 'Shaggy' went viral this week. He's one of a new comic tribe who star on TikTok or Twitter.
Dominic Maxwell, The Times, 1st July 2021Munya Chawawa interview
For a UK satirist and his online fans, comedy is catharsis
Isabella Kwai, The New York Times, 9th April 2021