Milton Jones

Frankie Boyle's been lanced, Russell Howard's wearing specs, but it's otherwise business as usual for satirical news quiz Mock The Week; a fusion of Have I Got News For You? and Whose Line Is It Anyway?, with irrelevant scoring and a weird mix of rounds that go from sitdown quiz to stand-up performances. It's all a mere conduit for ribpoking of the week's news stories, and MTW is perhaps more consistent than its contemporaries because four of the pannelists are regulars.

The downside of that consistency is that Hugh Dennis stopped being funny in the mid-'90s and Andy Parsons has never been funny, leaving host Dara O'Briain and Russell Howard to shoulder most of the comic burden. And, like a great many modern panel shows, a lot of guests just become glorified audience members, desperate to shoehorn in paraphrased segments of their standup material. This week, Mark Watson coped well as a guest (he's a veteran of this format), Patrick Kielty had the confidence to soldier through any difficulties he encountered, and while Milton Jones sometimes struggled to recycle his material appropriately, he at least didn't just sit back and do nothing. It helps that his stage persona is a spaced-out weirdo, so his weaker moments and slipups could be forgiven as part of his "act".

The top-notch panel show returns with guests Mark Watson, Patrick Kielty and Milton Jones - but how will it fare without the savage brilliance of Frankie Boyle?

Dara O'Briain presents a festive edition of the comedy panel show. The series's regulars - Hugh Dennis, Russell Howard, Andy Parsons and Frankie Boyle - offer their reflections on Christmas and review highlights from the series. There are also contributions from other nimble-witted comedians, including Fred Macaulay, Holly Walsh, Milton Jones and David Mitchell.

Milton Jones: Interview

With mad scientist hair and a healthy appetite for ridiculous jumpers, Milton Jones looks every part the comic on stage.

Danny Robins Music Therapy is a new Radio 4 series in which our host combines music and jokes to help solve people's difficulties; 'Like Top of the Pops meets Trisha,' trilled the jingle. Last week, Danny came to the aid of those most loathed of citizens, traffic wardens. Though some gags were lame - having James Blunt as your punch line is like having your mother-in-law as a set-up - I enjoyed his interviews with real wardens. 'My music taste is pretty eclectic,' said one. 'Duran Duran, Gary Numan...'

So, Danny and his friends constructed a rap that included a sample of Numan's 'Cars'. Oh, and (groan) MC Hammer. The rap went on too long. Later in the show, listeners' problems were considered. 'My cat doesn't love me,' informed one, which provoked the great line: 'The very fact that she's got a cat suggests that she fears love anyway.' This is a hit-and-miss show for the moment. It needs more mad gags per minute, à la Milton Jones.

I have a soft spot for Milton Jones. His show is so silly, so warm and daft. Like Count Arthur Strong, Radio 4's best comedy series, Another Case of Milton Jones is miles from the clever-clever satire that Radio 4 is known for. It is its own surreal world, one through which Milton bumbles, spouting groan-aloud puns, irritating all around him while trying to do his best.

He's immensely quotable, chucking out one-liners like bread for the birds: a high-speed Jimmy Carr without the cruelty. 'I've heard great things about your spring collection,' he said last week (he was being a fashion photographer). 'When exactly did you start collecting springs?' Yes, I know - awful - but a funny image. The lines come so thick and fast that you crumble eventually. Actually, you find yourself trying to predict the punch line. Easy enough if the set-up is: 'After the show, I went for an Italian...' ('Well, he was just annoying me, sitting there looking so stylish.')

But only a strange and brilliant comic mind could come up with: 'It's difficult to know if you remember something or you remember the photograph of something. One of my earliest memories is of being in America, standing over an air vent and my skirt billowing right up.'

There are those who hate the relentlessly childish, pun-driven comedic style of Milton Jones. But open your mind - or, if you wish, take it out and place it on the table - and the bloke has something going for him. You are practically guaranteed to laugh rather more than once, however hard you try not to, as in this latest four-part series Jones imagines himself as a star photographer, a barrister, an explorer and a jockey in a series of hopelessly puerile adventures. And when you've done, consider this - what does the Jones style of comedy most remind you of? That's right - the Goons.

Now here comes autumn, with Another Case of Milton Jones on Thursdays to prove again that Radio 4 can make you stony-faced quicker than botox. Milton Jones is described in the Radio Times as 'the Perrier Award-winning king of the one-liners'. Maybe the Perrier judges that year were all aged 11.

Jones's jokes are of the variety that might appeal to little Chesney on Coronation Street, the red-haired child whose japes include putting soot on the eye pieces of binoculars.

Most of Jones's revolve around word confusion ('under budget' turns into 'under Budgens' which, in a sketch about architecture, leads to a project ending up beneath a grocery shop), or word association - for example, 'Brazil' leads to 'nut' and 'nut' leads to 'madness'. If by this time you'll accept an eighth of a laugh, or even a sixteenth, Milton (and his adroit tape editor) eventually came up with the goods in a sketch about running a sweet shop for the stars, in which George Michael asked for a Wispa, Chuck Berry a Rolo, Whitney Houston for a Yorkie and Elvis Costello said it was a good year for the Roses.

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