Mark Watson

No More Women for T4's Rick Edwards

So, after four tense head-to-heads between Mark Watson (losing) and Tim Key (winning), we thought it was time to take No More Women to the next level with what can only be described as 'An Exhibition Match'...

Comedy is undeniably a booming business again. Though it may never reach the fever pitch of rock n'roll, a legion of related book and DVD releases and a plethora of live tours suggest that it's in rude health. It may be too rude for some at times but 2010 promises no let-up.

Laura Solon and Dan Antopolski both hit the road this month. Solon, who won the Perrier in 2005, will air her 2009 Edinburgh show, 'Rabbit-Faced Story Soup', a tour-de-force of characterisation and tightly-written one-liners. Antopolski is no slouch when it comes to one-liners either and he'll be aiming to show that he has more to offer than the hedgehog joke ("Hedgehogs - why can't they just share the hedge?") that won him, via a public vote, Dave TV's Funniest Joke of the Fringe Award this year.

The ever more recognisable The Thick of It and In The Loop star Chris Addison goes on tour in February with his first brand new show for five years. Mock the Week host, Dara O'Briain has announced a massive 60-date nationwide tour from March to June culminating in dates at the Hammersmith Apollo. And, though he once told me that he didn't fancy the idea of "Leamington Spa on a Tuesday evening", the Irish comedian, and a former Edinburgh comedy award nominee, Andrew Maxwell is finally going to be unleashed on UK audiences for his first regional tour from April. Though many up and down the country will already know this dexterous comedian from his club sets, this will be the first time that his full-length excellence will have been witnessed outside of Edinburgh or of his native country where he has always been guaranteed large turnout.

Other tours to watch come from Mark Watson (from October) who recently gave a good account of himself in the chair of Never Mind The Buzzcocks, sketch troupe Pappy's and Jason Manford from June. And, watch out, the comedian that people love to hate, Frankie Boyle starts his 'I Would Happily Punch Every One Of You In The Face' tour at Glasgow's Kings Theatre in March. Perhaps he'll seal the gig with a kiss.

Ruth Jones of Gavin & Stacey fame is the obvious draw in this adaptation of Dylan Thomas's look back at Christmases past, but perhaps just as interesting is that it is written by Mark Watson, the stand-up comedian who's also popped up as host on Never Mind the Buzzcocks and been something of a regular on Mock the Week. Thomas's nostalgic take on Christmas has been refashioned by Watson for 1980s south Wales, creating a comedic tale about ways in which Yuletide brings out the best and worst in a family.

Inspired by Dylan Thomas's nostalgic anecdotal tale, Mark Watson's observant comedy is set in the household of young Owen Rhys (Oliver Bunyan/Mark Williams) over a series of Christmases in 1980s South Wales. Every year, the peace of the family home, where Owen lives with his gloomy father (Mark Lewis Jones) and obsessive mother (Ruth Jones), is disturbed by the yuletide arrival of Owen's two uncles (Steve Speirs and Paul Kaye) and nephew (Jamie Burch/Rhys McLellan). In a glimpse of three of these gatherings, while Owen and Maurice are seen maturing into young men, their male elders merely engage in ever-more puerile bouts of sibling rivalry.

Tim Key on We Need Answers' No More Women game

Tim Key on the We Need Answers game No More Women, and the distraction and cheating techniques he used to beat Mark Watson.

We Need Answers is now in its second series. This is an excruciatingly student-y comedy quiz hosted by Mark Watson, Tim Key and Alex Horne, which was transferred to television after proving a hit at the Edinburgh Fringe. Two celebrities (in this week's case, Vanessa Feltz and The Inbetweeners' Simon Bird) are quizzed on themed questions originally sent by members of the public to the text message answering service. Watson is the host and link to the audience, Key is the quizmaster (who is spat out into the studio on a railed leather armchair through a concealed door), and Horne provides supportive music cues, sound effects, action-replays, and homespun graphics from a laptop.

It's incredibly cheap, very silly, and not particularly funny. I suspect that by crossing over into my 30s, this kind of comedy has stopped looking hilariously anarchic and intellectual-but-daft, to just become annoying and puerile. That said, the trio behind it are aged 29-33, so maybe it's just me who's stonily bored by Shooting Stars-esque absurdity, particularly when it's in the guise of a cheapo '70s series. We Need Answers ran at the Fringe for two successful years, but I'm guessing it helps if you're a half-drunk festivalgoer attending the show in a live format. On television, it's another matter. There's a distance that Watson, Key and Horne can't bridge.

Series two of the show that's like a comedy quiz as seen in a cheese dream. On a blinding set dominated by a glaring, lo-fi computer screen, two celebrity contestants are faced with questions that have been sent to text-message answer services. Tonight: Martin Offiah v Jenni Murray. The random goofing is indebted to Shooting Stars and can feel indulgent and exclusive, although you can't argue with the hilarity of Murray being made to shout "Both my parents are Nigerians!" into a decibel-meter. Tilting his head strangely backwards, Mark Watson hosts.

If a certain radio show hadn't already grabbed the soubriquet of "the antidote to panel games", this show may have laid a claim to the title. Mark Watson presents a second series of the show in which two celebrities are faced posers originally sent in to a text-message answer service.

We get answers from the stars of We Need Answers

Tim Key, Mark Watson and Alex Horne from TV's silliest quiz face the sheer randomness of Wikipedia.

Anyone who enjoyed Live at the Apollo will be the natural audience for this show fronted by the dangerously ubiquitous Michael McIntyre. I like him a lot, but I'm starting to feel that he's on everything. He's good value, though, and knows how to work an audience. Here, he fills in between comparatively unknown stand-ups, with the exception of Mark Watson, with whom Radio 4 listeners might be familiar. It's a good show - the first is from Edinburgh; I particularly liked droll Canadian Stewart Francis and his relentless one-liners, and the laconic Watson. But the cheerfully exhausting Rhod Gilbert probably takes the prize with a daft story about a flight to Dublin: "I was going abroad, I'm Welsh, I bought shorts..."