Lolly Adefope
- 34 years old
- English
- Actor, writer, executive producer and stand-up comedian
Press clippings Page 11
Chortle mixed up two black women in report
The row began when details of the comedian Harry Hill's Christmas charity fundraiser event were released earlier this week.
The New Statesman, 15th November 2018Hang Ups DVD review
What a surprise when an American concept gets reworked into a British series and actually works.
Samuel Payne, Entertainment Focus, 20th October 2018London's most influential people 2018 - Comedy
Including Katherine Ryan, Rachel Parris and Will Sharpe.
Evening Standard, 10th October 2018Hang Ups episode 1 review
With a strong core cast, an impressive roster of guest stars and an interesting style unlike anything else on British television, Hang Ups is an enjoyable watch.
Sophie Davies, Cult Box, 9th August 2018New comedy: 'Cup your genitals and just hold them'
If the jokes are just the right side of inappropriate, so is the form.
Peter Crawley, The Irish Times, 9th August 2018Hang Ups episode 1 review
Stephen Mangan's semi-improvised Channel 4 comedy Hang Ups is a circus of silliness and human pain...
Louisa Mellor, Den Of Geek, 9th August 2018Hang Ups review: a very funny wake up call
The series is hilarious but sheds light on some serious issues that will hit home for millennials.
Molli Mitchell, The Daily Express, 9th August 2018Hang Ups preview
With a gag rate that's rare on TV comedy, an imposing sense of peril for poor Richard, and some of the most entertaining nutjobs on screen (that is probably not the correct physiological term), Hang Ups is definitely worth a weekly session - on whatever device you choose to watch it on.
Steve Bennett, Chortle, 8th August 2018TV: Hang Ups, Channel 4
Boy oh boy that Stephen Mangan has a hell of a work ethic.
Bruce Dessau, Beyond The Joke, 8th August 2018Hang Ups review
Mangan stars in a remake of Lisa Kudrow's Web Therapy and manages the rarest of TV feats: a UK adaptation that's every bit as good as the US original.
Sam Wollaston, The Guardian, 8th August 2018