Kevin Eldon

Stewart Lee's Alternative Comedy Experience offers 25 minutes of understated joy over on Comedy Central. Now three episodes into its second series, it's a grottier, grimier Live At The Apollo, without the necessary blockbuster blandness of John Bishop or Michael McIntyre.

Lee talks to comedians about their comedy - more interesting than it sounds, because of the calibre of people involved - which is then interspersed with short excerpts from stand-up sets, filmed at Edinburgh's tiny pub-like venue The Stand, giving it a brilliantly raucous, ramshackle feel.

Tuesday's episode saw Susan Calman, Josie Long, Kevin Eldon and David O'Doherty performing, with O'Doherty - a particular delight. If you've ever wondered how someone can do witty nostalgia about long-dead technology without sounding like a Buzzfeed list, then track O'Doherty's set down as a matter of urgency.

Radio Times review

What does it take to get up in front of a crowd of strangers and try to make them laugh? Getting over "the fear" is one of the toughest parts of being a stand-up, but this line-up all manage it with aplomb. From Susan Calman's sparkly enthusiasm to Josie Long's aw-gosh awkwardness to Kevin Eldon's utter mania, each has his or her own coping technique.

The material is brilliant, but so too are Stewart Lee's backstage interviews. Unguarded and perceptive, they show how hard it is to make comedy look effortless. Keep watching through the credits for some insight into whether Dutch courage or a full roast dinner is better at steadying the nerves.

Radio Times review

Analysing comedy, according to the cliché, is like dissecting a frog: no one laughs and the frog dies. One thing that distinguishes comedians from television critics is that they are above using clichés. Another is that they can talk about the craft with authority, and make it funny, too.

This episode of the excellent stand-up showcase gets into the nitty-gritty of how comedy works: compering, writing new jokes, getting over "the fear" and trying to make strangers laugh. From Susan Calman's sparkly enthusiasm to Josie Long's awsh-gosh awkwardness to Kevin Eldon's utter mania, each has their own technique. The material is brilliant, but so too are Stewart Lee's backstage interviews. Keep watching through the credits for the answer to whether you should drink before stepping on stage.

Stewart Lee leaves his Comedy Vehicle outside Edinburgh's Stand Comedy Club for a second series of his personally curated stand-up showcase. Familiar faces from the first series set to return for the new run include Simon Munnery and Josie Long, along with a chance to enjoy the fresher faces of Lou Sanders and Nish Kumar. Tonight's series opener features Edinburgh comedy award-winner Bridget Christie, long-time Lee conspirator Kevin Eldon, and the sumptuously surreal Tony Law.

Radio Times review

"It's just like Live at the Apollo isn't it?" No, it's not, and that's the point. Far from the shiny floors of Hammersmith, deep in the basement of Edinburgh's Stand Comedy Club, this is more chaotic and much closer to attending an actual night of live stand-up with the likes of Tony Law, Bridget Christie and Kevin Eldon.

Except it's not, it's a TV show, and that's also the point. Despite some smart backstage interviews with Stewart Lee, the bill of not-quite-household names never let you forget it's all a wee bit fake: obsessing over catchphrases, lighting rigs and the other trappings of stand-up on TV. It's all very self-referential and very, very funny. As the dawdling Paul Foot puts it: "This sort of thing I'm doing now, it entertains people, but it's catastrophic for television. I am committing career suicide."

Cluub Zarathustra: where British comedy was reborn

The cult comedy night that launched the careers of Simon Munnery, Stewart Lee, Kevin Eldon, Sally Phillips and others is 20 years old.

Glastonbury 2014: 10 questions for Kevin Eldon

We grabbed the actor and comedian for brisk interrogation just after his Friday afternoon set in the Cabaret tent.

The professional social services depicted in Playhouse Presents: Damned, the latest in Sky Arts 1's series of one-off comedy-dramas didn't seem to care.

Written by Morwenna Banks and Jo Brand (who also starred), this was Brand's mordant hospital sitcom Getting On transferred to the offices of a council's children's services.

The tropes of this type of comedy were all in place, including restless camera work and naturalistic acting. Brand and Alan Davies played social workers who have been round long enough to instantly recognise a prank call when someone phones in to say they've found a baby in the meat section of Tesco.

Also involved were Rebekah Staton and Kevin Eldon, the latter as Martin, who used to work in the office before suffering "mental health issues" but who's now invited himself back and making himself so useful that no one cares.

Yes, it's formulaic in its way - but when the constituent parts are The Thick Of It, Twenty Twelve and Getting On then it's my kind of formula. Damned is so primed to be made into a full series that it might detonate of its own accord - I hope Sky (or someone else) is there to record the explosion.

Radio Times review

Jo Brand applies her mordant wit to the fraught world of child protection as she typecasts herself as "the fat, bad-tempered one", Rose, in an office of social workers. She and her fellow socials, Al (Alan Davies) and Nitin (Romesh Ranganathan), are a fairly disarrayed bunch, as likely to be arguing over who should answer the phones as taking kids into care - Rose herself is a harassed single mum, trying desperately to arrange childcare before she leaves for work in the morning.

It all plays disturbingly naturally, with excellent support from Kevin Eldon, Pulling's Rebekah Staton and Brand's Getting On co-star Ricky Grover. The dark humour fizzes along - with a delicious kick at the end.