Kerry Godliman

Kerry Godliman interview

Cast your mind back to 2003 and the Leicester Mercury Comedian of the Year competition. "Wow. Was that 10 years ago? I remember entering a lot of competitions that year," laughs Kerry Godliman. "They all slightly blur together."

Comedians take apart their comedy routines

Where do jokes come from? And how do they change in the telling? Three standups - Hal Cruttenden, Kurt Braunohler and Kerry Godliman - dissect their acts...

Kerry Godliman interview

Kerry Godliman charts her rise from stand-up to her own Radio 4 show - via Ricky Gervais.

Ricky Gervais has courted controversy with his series about a retirement-home worker with learning difficulties. In tonight's episode Broadhill retirement home wants to host a cabaret show and Derek (Gervais) forms an entertainment committee to discuss plans for the evening. Meanwhile, a would-be rapper is on community service at the home. This is followed at 10.35pm by The Making of Derek, in which Gervais and his cast mates Karl Pilkington, Kerry Godliman and David Earl, explain why they made the series. At one point, Gervais becomes quite metaphysical about the whole thing: "The Office touched on existentialism but it touched on the existentialism of being 30. Derek touches on the existentialism of being 90."

There are some lovely moments in Ricky Gervais's gently observed comedy tonight as Derek (Gervais) and the residents of Broad Hill nursing home enjoy a day trip to the seaside with the compliments of the long-suffering Dougie (Karl Pilkington). While they are away attention turns to soft-hearted care assistant Hannah (Kerry Godliman), forced to reconsider her own achievements when an old, and far more successful, schoolmate turns up at the home to her relegate her mother to the sidelines of her life.

What, then of the fictional hero of Derek (Channel 4), who has unspecified learning difficulties? If Ricky Gervais's role in The Office was a masterpiece of the comedy of embarrassment, his title role in Derek is an exercise in sentimental manipulation.

In the third episode last night, Derek, conceived as a perpetually gentle and innocent man, stumbled around the care home where he works, while the rapacious daughter of an old lady who lives there counted the days till her death so she can get hold of her diamond ring. What happened to the ring was the plot line, but Derek kept coming round again for us viewers to feel sorry for him, while a piano soundtrack played sad music.
Gervais stuck to the single note of pathos, wandering about with a moribund fledgling chick in his hand or wailing, "I love working here but I'm always sad," as another old woman died.
Other characters trotted by as one-trick ponies. The care assistant Hannah (Kerry Godliman) is another Dawn from The Office; Kev (David Earl) is addicted to self-deluding sexual boasting. Dougie the handyman (Karl Pilkington with funny hair) is there to give people their comeuppance.

As an exponent of look-at-me humour, Ricky Gervais has come to rival Doris Day or Lucille Ball. His master in sentimentality, though, must be Norman Wisdom, who at least varied his appeal by a bit of energetic slapstick. In Fifties terms Norman was "a bit simple"; Derek, in today's social-work-speak, is "vulnerable" - which actually makes him invulnerable to audience criticism. It would be like kicking the Andrex puppy.

Kerry Godliman interview

Kerry Godliman on Derek co-stars Ricky Gervais and Karl Pilkington, and why her career has taken a nosedive...

In the third episode of Ricky Gervais's opinion-splitting, gentle comedy, Derek (Gervais) finds a baby bird which has fallen from a tree and tries to save its life. It's also date night for Tom (Brett Goldstein) and Hannah (standout performer, Kerry Godliman) - except she's forgotten about it. Expect a very tender denouement.

Ahead of the first episode of his latest C4 offering, Derek, Ricky Gervais claimed that releasing a new TV show was like 'landing in Normandy and feeling the bullets rain down'. Now, I'm not going to suggest Ricky has been spending a bit too much time in Hollywood, but does he seriously think he suffers for his art like World War II troops suffered on those beaches? It's all very worrying.

The only reason Derek isn't the most schmaltzy and emotionally manipulative programme I've ever seen is because Simon Cowell got there first. But then, Ricky has been displaying a siege mentality lately that would make even Sir Alex Ferguson blush.

For someone who professes not to care what people think, he's spending an awful lot of time on Twitter retweeting praise for Derek from starstruck followers who probably only tweeted in the first place in the hope that he would retweet it. Stranger still, Ricky and his showbiz chums have decided the 'knives are out' in the industry, particularly among the nation's TV critics. I've asked around and the general feedback is no such vendetta exists.

Sure, there is bemusement that Ricky appears to feel he has divine immunity from criticism - ironic really, given that when he's feeling in a particularly trolling mood Ricky likes to tell people God doesn't exist.

Most critics actually reacted fairly favourably to the pilot episode of Derek, which makes Ricky's decision to come out fighting now all the more baffling. Unless of course the bravado is a smokescreen to disguise the fact that a) Derek isn't really that controversial and b) the full series isn't really that good. It's by no means the worst programme I have ever seen.

There are some gentle laughs to be had. Kerry Godliman is superb as Hannah, the hybrid of Tim and Dawn from The Office, who runs the care home. And Karl Pilkington is fabulous at being Karl Pilkington in a bad wig as Dougie the caretaker. It is also refreshingly free of awkward celebrity cameos - although with Ricky's track record we can't rule out Michael Parkinson popping up in episode six trying to sell life insurance to the home's OAP residents.

Derek though takes schmaltz too far. It's basically a half-hour version of that pet charity campaign that featured a shaggy old dog shivering in the rain whimpering, 'Nobody wants you when you're old'. But instead of appealing for cash, Ricky is seeking credit. He'd love to be lauded for bravely tackling dangerous issues, when all he's really doing is throwing up a series of fairly obvious and nauseatingly sentimental crowd-pleasers with a side order of mawkish piano music.

No one is going to knock him for saying kindness is magic, or standing up for autistic people, or being nice about old people, or giving da yoof a second chance, or raging against busybody council bureaucrats. But he's hardly taxing himself - or us - here.

He's writing by bumper sticker. And while it might be magical for Ricky's ego if we were to continue to kindly avoid the massive elephant in that care home sitting room, I really can't bring myself to do it.

Because the simple fact is this. As well as being written by, performed by, directed by and edited by Ricky Gervais, Derek is also spoiled by him. His hammy performance as Derek Noakes is the biggest letdown of the entire show. Moreover, as a character, Derek is the least believable and least interesting thing in it.

If he didn't show up in the second series I don't think the show would suffer for it. I'd even go so far as to call any enforced absence a kindness.

Episode two of Ricky Gervais's odd little series and some characters feel indispensable.

Kerry Godliman who plays care home manager Hannah, is the beating heart of the piece - whether she's organising Derek's 50th birthday party or taking a teenage girl who's doing community service under her wing.

Other characters - notably Kev (David Earl) the sex addict with revolting personal habits who doesn't even live in the care home anyway - is what the fast forward button on your telly remote was made for.