Kenneth Horne

Round The Horne repeat 'broke BBC standards'

A 52-year-old episode of radio comedy Round The Horne has broken current BBC standards because of its potentially racist stereotypes, the broadcaster's complaints department has ruled. The episode, from 1967, featured white stars such as Hugh Paddick and Betty Marsden mimicking black characters in an extended parody of the 1950 movie Young Man With A Horn. However, in its newly released findings, the unit stopped short of a ban because of Round The Horne's status as a comedy classic, with the show recently voted best radio comedy of all time.

From the archive: Round the Horne reviewed, June 1965

This show's air of maverick, matey rudeness provides a perfect formula for mockery without tears.

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You never know what weird and wonderful stuff you can find on eBay. Late in 2005, Wes Butters came across papers put up for auction by the godson of Kenneth Williams. Among the memorabilia, Butters found a 1966 script, Twice Ken Is Plenty, written by Kenneth Horne and Mollie Millest, that had never been broadcast. But not for long. Actors Robin Sebastian and Jonathan Rigby revive the two Kens in front of an audience, who are clearly having fun, at the BBC Radio Theatre. The story pivots around the duo's attempts to infiltrate the inner recesses of Broadcasting House, meaning a great deal of doors get opened (cue those familiar sound effects), a welter of bad puns, Light Programme in-jokes and buckets of innuendo. Like all nostalgia, it can disappoint at times, but mostly, it is a joyous, glorious titterfest that will have you groaning in bad-pun heaven.

It is mysterious how today's Twice Ken Is Plenty, the Lost Script of Kenneth Williams, ever made it to air. It goes out this morning on Radio 4 and it is, indeed, a novelty. The script turned up among the effects of the late Kenneth Williams, was bought by writer and presenter Wes Butters, is performed by two of the actors who act the parts of Kenneth Horne and Kenneth Williams in a stage version of Round the Horne. It was written by Kenneth Horne and Mollie Millest and offered, all those years ago, to the head of comedy at the time, who turned it down. Being turned down is, sometimes, a sign of something being ahead of its time. Not here. I listened to the preview disc with feelings akin to those of watching a neighbour's totally talentless child in a school concert. But judge for yourself.

Julian, Sandy, Rambling Syd Rumpo and all. It seems astonishing now that the show's host, Kenneth Horne, combined this role with a career as sales director of Triplex glass.

Although everyone gets his or her own punch lines, Lee responds to almost everything with a joke - we're meant to see it as a half-charming character defect - and so there's one every few lines when he's around. That relentlessness is eventually funny in itself - it's the Henny Youngman Effect, it wears you down. The pace is rapid and the tone is dry, and the rhythms and melodies of the jokes are particularly English and at times seem to jump back 50 years to the days of Tony Hancock and Kenneth Horne.