Katherine Parkinson

It was only a matter of time. A Charles Dickens comedy-adventure mash-up had to happen, and what better timing than now, in the warm-up to our annual pre-prandial sit-down to A Christmas Carol? I'm only surprised that zombies didn't feature. As it turned out, zombies weren't required. The first of the four-part series, The Bleak Old Shop of Stuff, wove together characters and plotlines from Bleak House, Great Expectations and The Old Curiosity Shop, along with a star cast and a sparkling script to make for an entertaining spoof.

If the names of the characters sounded a little contrived at first, a sharp script and perfect casting quickly allayed fears. Robert Webb played the hapless Pip-inspired adult orphan, Jedrington Secret-Past, searching for just that; Katherine Parkinson charmed in her role as his wife-turned-"treacle junkie"; Johnny Vegas turned up as a noble street urchin and Celia Imrie's variation on Miss Havisham (Miss Christmasham) was a winning one. Even Stephen Fry managed to play not yet another version of himself as the baddie, complete with protracted evil laugh. He played the lawyer who repossessed Jedrington's shop and threw his wife and children into a debtors' prison, setting off a plot of Dickensian twists and turns in which novels converged, coincidences occurred and long-lost mothers, lovers and children re-united.

The script, written by Mark Evans, who has previously penned a Radio 4 "comedy", Bleak Expectations, had that rare double-edged agility to appeal across generations. It was both cute and clever, so youngsters got an action-filled plot with Jedrington's children delivering some corking lines, while adults got Dickensian cross-references and literary satire. The wordplay and visual jokes must have tickled both. As we brace ourselves for a fair share of anodyne viewing over the festive period, this breathes life back into the family entertainment genre by actually doing what it says on the tin. Let's hope it maintains its momentum for another three episodes.

It's no use trying to hold out in the face of this daft Dickens spoof. Better to abandon yourself to its rich figgy pudding of rampant silliness.

The idea is a loose relation of Radio 4's Bleak Expectations, with added visuals of London's brick alleyways, street urchins and wind-up top hats. Robert Webb plays our shopkeeper hero, Jedrington Secret-Past, whose emporium (selling treats such as hot and spicy dodo wings) and perfect family - including wife Conceptiva (Katherine Parkinson) - are hauled off by the wicked Skulkingworm (Stephen Fry) to meet an unpaid debt.

What follows involves a lot of twiddly wordplay ("Oh, fiddlesticks and violin twigs!"), sight gags, pratfalls, treacle dependency, peals of wicked laughter and a man with a goose for a hat.

Fans of BBC Radio 4's cult ­Dickensian spoof Bleak ­Expectations will be delightified at the news that Mark Evans has penned a Christmas special for TV.

The Bleak Old Shop Of Stuff - the first of a four-parter - is a brand new story but a very familiar one that's stuffed with those essential Dickensian staples - flinty-hearted lawyers, grubby-faced urchins bursting into song, cobwebby spinsters, suggestive surnames and the spectre of debtor's prison, known here as The Skint.

Robert Webb stars as the kindly Jedrington Secret-Past - owner of The Old Shop Of Stuff. But his hopes for a happy Christmas with his loving family are shattered by the arrival of evil lawyer Malifax Skulkingworm (Stephen Fry), a sinful man in an unusual hat demanding an unpaid debt that will be his ruin.

The cast includes David Mitchell as an exceedingly jolly man, Johnny Vegas (already a veteran of the BBC's adaptation of Bleak House), Katherine Parkinson, Celia Imrie and Pauline McLynn - as well as a small but pivotal role in every sense for young Jude Wright from Sky's recent sitcom Spy.

TV provides the opportunity for the kind of visual sight gags and special effects that radio doesn't and they've really gone to town creating a virtual Victorian London.

Purists might argue that it's funnier on the radio when your imagination is left to supply the pictures, but this still serves up a splendidly silly start to the Christmas week.

Katherine Parkinson interview

Parkinson stars in a Dickens spoof over Christmas, then takes on Ayckbourn.

It's never too early to start feeling festive, right? The Bleak Old Shop of Stuff might be airing midway through December, but it's the perfect show to get you in the mood. From the writer who pens the popular Radio 4 series Bleak Expectations, this Dickensian spoof focuses on a shopkeeper - played by Robert Webb. Actually, the cast is perfect: Stephen Fry, David Mitchell, Katherine Parkinson and Celia Imrie are among the stars taking part. Both silly and a period drama - should be fun winter viewing.

Robert Webb and Katherine Parkinson interview

Robert Webb and Katherine Parkinson tell TV Choice more about their roles in the seasonal spoof episode of The Bleak Old Shop Of Stuff.

Did ever a panel game generate so much pure, simple comedy pleasure with apparently so little effort? Tonight, most of the claims that guests are required to make are laughably implausible. But the laughable bit is what matters. As Lee Mack keeps up the pretence that he can tell someone's head size just by looking at it, or Katherine Parkinson maintains that when she was 15 she thought Wombles were real, the laughs tumble in thick and fast - particularly when David Mitchell goes off on a flight of fancy about how Uncle Bulgaria got his glasses.

Louie Spence adds a brilliantly lewd edge to proceedings, and there are unexpected twists on the usual running gags, as Mitchell accuses Mack of intellectual snobbery (yes, that way round) and Mack wonders if Mitchell might actually shop at Argos.

Frank Skinner: A tribute to a national treasure

Frank Skinner is to star in Don't Start a new BBC Radio 4 comedy opposite IT Crowd's Katherine Parkinson next month and as far as I'm concerned you can't have too much of this comedy great.

Cornwall's grumpiest GP moves to a new home on Monday night - but the big question is whether he'll be making good on his threat to move to London.

Of course he won't. The idea of the blood-phobic doctor taking up a post as a surgeon was laughable and now he has a baby with Louisa, (Caroline Catz) there's even more reason to stay.

Not that he sees it that way in the slightest. Oh no. As loyal fans of the show will know, the good doctor must always be gently chivvied into following the script for normal human behaviour - despite himself.

His brain simply hasn't been programmed for complex social ­interactions and the possibility that his grouchiness is in fact down to ­Asperger's syndrome is ­almost ­impossible to ignore tonight.

Just watch the way that he holds his baby son like an unexploded bomb, or hear how he refers to people by their ailments rather than by name and the diagnosis becomes clearly obvious.

But don't expect the new GP to spot it. The incoming Dr Dibbs (Getting On star Joanna Scanlan) has already installed herself in his surgery and she has enough ailments of her own to worry about him.

But as Martin Clunes stays put for series five, two other cast members won't be returning.

Katherine Parkinson (who played dippy ­receptionist Pauline) has moved on and there's some news about auntie Joan that's so shocking, the doctor almost registers a flicker of emotion. But it is almost.

The second in the series of Comedy Showcase pilots, Coma Girl isn't the strongest of shows - and I can't see it getting a full series.

The girl in question, Lucy (Anna Crilly, who starred in last week's Comedy Lab pilot Anna & Katy), is trapped in a coma full of surreal moments - like seemingly being at a party and a pier, which made very little sense.

The main goings on was with the people who were coming to see her, especially three school friends: Siobhan (Sarah Solemani), a TV presenter who has recently got fired from her job, Pip (Katherine Parkinson), a bohemian woman, and Sarah (Katy Wix from Anna & Katy), a mother of three. There is also Lucy's mother Mrs. Kay (Julia Deakin) who is constantly taking photos in the hope of building up evidence so she can sue someone on her daughter's behalf.

For me the show was slow going. There was the odd good moment (Pip giving the comatose Lucy a copy of last week's Heat magazine to read), but I think the problem is that this show would probably work better as a comedy drama rather than a sitcom. The idea of a comedy about someone in a coma isn't a new idea (see the radio sitcom Vent) so it can work, but it wasn't presented too well in this format.

There's another issue I have with the show...the theme tune. If you have a show about a woman in a coma, surely "Girlfriend in a Coma" by The Smiths would be the ideal tune to play?